Things are fairly hectic at Orbit UK — we’re really looking forward to fantasy legend Terry Brooks touring the UK next week, so there’s a certain amount of dotting Is and crossing Ts going on — and it’s all too easy to miss things taking place around the blogosphere. So here’s a catch-up on what’s being happening with our books and authors:
Ian Irvine has written an essay on the books that are important to him for the distinguished academic Norman Geras’ blog.
Sean Williams is answering questions from readers on the Australian SpecFic in Focus forum — you’ve got until 15 September if you want to ask him something.
As a marketing hack, I was fascinated by this interesting analysis of how a reader decides what to buy in a bookshop, using Brian Ruckley’s Winterbirth as a case study, written by a genuine marketing expert, Roy Bayfield of Edge Hill University.
Jeff Somers’ The Electric Church is out later this month. It’s already picked up some great reviews. The Guardian called it “an exhilarating example of powerful and entertaining storytelling.” Meanwhile, blogger Graeme Flory rated it eight out of ten and wrote of it: “I read a couple of pages; then I read some more, the next thing I knew, it was Sunday night and I’d finished it. Great stuff, every single page tells you in no uncertain terms why this book has been chosen as part of Orbit’s opening salvo on the US market . . . an entertainingly bullet spattered read that hints at great things from Somers in the future.”
Graeme has also reviewed Mike Carey’s new book Dead Men’s Boots, which rates a mighty nine and a half out of ten, and the comment, “If you’ve already read the first two books then I guarantee you’re going to absolutely love this one. If you haven’t then I suggest you pick up The Devil You Know [Mike’s debut for Orbit] and get reading. You won’t regret it.” There’s also an interview with Mike on Graeme’s blog.
The final word on Dead Men’s Boots goes to the estimable John Berlyne, who says in his SFRevu review: “What Carey develops . . . is yet another extraordinarily gripping supernatural mystery . . . These Castor books are as fiendishly addictive as nicotine and are made all the more satisfying by Castor’s deadpan, ironic fatalism . . . The net result is another superb, highly involving novel from Mike Carey.” You can read the rest of the review here.