Orbit Books

The Heir of Night

The Heir of NightHelen Lowe

In the mountains the Wall of Night protects them from an ancient enemy, but who will protect them from each other?
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Theft of Swords

Theft of Swords Michael J. Sullivan

They killed a king. They pinned it on two men. They chose poorly.
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Archive for August, 2011

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Here come some idle, and quite possibly delusional, musings prompted by a comment from The Exalted Beings of New York (aka the fine folk at Orbit’s US HQ).

Said comment arose in the context of casual discussion about The Edinburgh Dead, my new novel.  It’s historical dark fantasy with a liberal seasoning of crime fiction, horror, urban fantasy, science fiction, gothic thriller etc. etc., and that was kind of the gist of the comment: you’ve got a lot of genres in there, haven’t you, Ruckley?  Care to explain yourself in public?

Why, yes I do.  Read the rest of this entry »

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So, two of my all-time favourite fictional characters aren’t actually in books, but on screen. And they were both created by Joss Whedon. I’m talking Spike, aka William the Bloody (Awful Poet), and Wesley Wyndham-Price.

On the surface you might not think they have anything in common. Spike burst into Sunnydale as an unrepentant villain, while Wesley minced his way in as the replacement Watcher for Giles, emphatically a white hat. But as the series, and their characters, evolved, as they transitioned from the world of Buffy to the world of Angel, both characters became more and more nuanced, less and less one-note. More complicated. More ambiguous. And as the lines blurred, so did their allure increase. Spike started doing good, but not always for the right reasons.  Or for pure, unselfish reasons. And Wesley shed his goody two-shoes persona to reveal a man far darker and more damaged than any of us had ever suspected.

But what they also had in common was, at the heart, enough self-knowledge to know they wanted better, they could do better, they needed better. And that struggle became integral to their journey through Whedon’s fictional worlds.

A few months ago, for various reasons, I started watching The Vampire Diaries. And it wasn’t too long before I found myself actively engaged in Damon’s story. Yes, Damon, the bad boy older brother who’d promised to wreak revenge on his younger brother for forcing him into vampirehood, and who delighted in causing misery and mayhem. The other brother? Stefan? The handsome central love interest, hero to the heroine, steadfast and loyal and honourable and good?

Yeah. Meh.

Damon is twisted, he’s complicated, he’s damaged and he’s dangerous. Which means, for me, he is infinitely more intriguing. He fascinates because of his flaws and scars, not despite them. It’s his moral ambiguity that immediately sparks my interest. Every day, he struggles. And in the struggle lies the story.

When it comes to fiction, the morally ambiguous anti-hero  – at least for me – is vastly superior to the straight arrow good guy or gal.

The question is, of course, why? Surely we should be most attracted to the stalwart and shiny, morally unambiguous, never tarnished  hero?  And maybe we are, in real life. Or tell ourselves we are, anyway. Read the rest of this entry »

THE FOURTH WALL cover launch

The enigmatic Dagmar Shaw returns in Walter Jon Williams’ THE FOURTH WALL, an exhilarating near-future thriller due for release in February 2012.

This striking cover art visual, from our designer Sean Garrehy, perfectly encapsulates the tension and sense of paranoia that the novel invokes.

If you’ve not yet been exposed to the frenetic action of a Walter Jon Williams thriller, then you’ve got time to see what you’ve been missing before THE FOURTH WALL is released. THIS IS NOT A GAME (UK | US | ANZ) and DEEP STATE (UK | US | ANZ) are both available in paperback.

Walter Jon Williams is a New York Times bestselling author and has been nominated multiple times for the Hugo and Nebula awards.

Here’s some praise for his Dagmar Shaw novels:

Powerful ideas, brilliantly executed . . . you should take this as a recommendation” – Charles Stross

“An eerily prophetic thriller” – SFX

“With admirable topicality, DEEP STATE concerns the fomenting of revolution against an repressive regime using modern networked communications” – Telegraph

The Black Prism Book Trailer

THE BLACK PRISM by Brent Weeks is available now in paperback in the US (it will be out in the UK and AUS in September!) To celebrate, Orbit teamed up with up-and-coming filmmaker Leo Kei Angelos to create a book trailer that’s chock-full of wild stunts, explosive action, flintlock guns, and glowy magic. Enjoy the trailer below!

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Musings on Military SF

There are authors who chest thump about military experience (the same way guys buff their muscle-cars) and then claim this experience is why their military science fiction is better than the other guy’s (or girl’s). Me? I drive an old Toyota pickup, which hasn’t been washed in donkey’s years, that’s missing one hubcap, and which shimmies at sixty because one rim is bad. It’s a great car, though. Much more useful than a Camaro, that truck carried me across the country twice, hauled just about everything in the world, and is so beaten up that people just laugh when they open the door and look inside – if they don’t throw up.

Germline is my debut novel and it’s military science fiction. But it’s also my response to what I see as a subgenre that’s losing its way, a middle finger to books in which the importance of military jargon overshadows that of sympathetic characters, believable tactics, at least some glimpse of strategy, and a decent ending. Don’t get me wrong: the books I’m flipping-off have a place. They entertain, and a large segment of science fiction readership buys and enjoys them. It’s just that the last time I picked up a military science fiction book and then dropped my jaw at its awesomeness was when I finished The Forever War (in 1983) so when 2008 rolled around it became put-up-or-shut-up time – time to write the book I’d want to read. Read the rest of this entry »

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Pratchett’s Women

Earlier this week I posted about my favourite female characters in fantasy fiction, and mentioned that Terry Pratchett’s characters clearly stood out. I vividly remember the very first Discworld novel I read. It was Pyramids, and I borrowed it from the Galston branch of my local council library, way back in … well, it was last century. Probably the mid ‘90s. I think. Anyhow. I’d never heard of the Discworld, or Terry Pratchett. All I knew was that the Josh Kirby cover looked amazing and I liked the blurb, so I thought what the hey? It’s not like I’m shelling out for a hardcover by someone I’ve never heard of.

Within a couple of pages I was truly, madly, deeply in love. And now I own all of the Discworld novels, as many in hardcover as I could find. They remain one of the great literary pleasures of my life, and my memories of the dinner I shared with Terry Pratchett and the late, wonderful David Gemmell (back when I had a bookshop and put on a convention with them as the guests) are something I will forever treasure.

Much has been said and written about the inclusion, or exclusion, of female characters in speculative fiction. A common observation made is that, so often, too often, women in fantasy, science fiction and horror fiction are reduced to objects of desire, sexual adjuncts to men, rendered pathetically helpless so they can be rescued, or are killed off as soon as possible in order to provide motive for the male hero’s journey, or pretty much airbushed out of the narrative altogether. Unfortunately there is merit in these criticisms of the genre, but one thing I can say without hesitation: you simply cannot point that particular finger at Terry Pratchett.

Throughout the course of his Discworld novels, Pratchett has created some of the most fantastic, three-dimensional and iconic female characters to be found in the realms of speculative fiction. In no particular order of personal favouritism they are:

Granny Weatherwax, Nanny Ogg, Magrat, Angua, Lady Sybil Ramkin, Cheri Littlebottom, Agnes Nitt., Tiffany Aching, Susan Sto Helit. Read the rest of this entry »

COUNTDOWN to the Rising

The 2010 Hugo awards will be given out this weekend at the 2011 World Science Fiction Convention in Reno, Nevada. On the list for best novel is our very own Mira Grant’s Feed. In advance of the award announcement, we are releasing a novella set in the world of Feed that tells the story of the early days of the Rising.

Countdown originally ran as a series of posts on Mira’s website, but we’ve compiled them into a single edition as an ebook. If you want to know more about the coming zombie apocalypse, if you want to know more about Dr. Kellis, Amanda Amberlee herself, and George and Shaun’s older brother, Philip Mason, then check out Countdown. And, if you haven’t had a chance to read Feed, Countdown is a great introduction to the world of 2041…

Find out more at the Orbit Short Fiction site where you can read an excerpt, discuss the story, and find more short fiction from your favorite Orbit authors.

Read the rest of this entry »

Nicole Peeler’s Jane True makes a splash in the UK

Released this month in the UK, Australia and NZ are Tempest Rising (UKANZ) and Tracking the Tempest (UKANZ) - with a spangly new cover style. They’re books one and two in Nicole Peeler‘s sexy storm of a series, the Jane True novels. Books three and four, Tempest’s Legacy (UKANZ) and Eye of the Tempest (UKANZ), will follow hot on their heels this September and October respectively. So not long to wait to get your urban-fantasy-grabbing mitts on them!

 

Two weeks ago we ran a Twitter competition for UK readers to vote for their favourite of the above four covers. The result was Tempest Rising - good news as it’s the perfect place to dive into the world of supernatural halfling Jane True. You’ll see her coming to grips with her new-found powers over water (not to mention coming to grips with the rather dashing members of the supernatural community she meets for the first time…). The winner of the competition was Julie Fallon - congrats! Copies of the first four books will be winging (or more appropriately: swimming?) their way to you soon.   

 

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Don’t you just love reviews that start with those words? I do…at least when they are talking about one of my books.

When I have a new book out, I am in a state of total panic, worried that this time I’ve made a muck of it, that no one will like it, that the story will be totally rubbished by incredulous reviewers who can’t get past page 5. I’m torn between ignoring the internet, pretending it doesn’t matter if no one ever reviews the book, and googling furiously in the hope that someone has.

Every book is the same. Every publication date results in nail-chewing, chocolate-raiding terror on my part. Yep, eating chocolate helps a little, but the relief doesn’t last…that only comes when I have a good review. Then I know at least one person likes it!

And the odd thing is that every time my initial reaction to that first favourable review is total disbelief. Really? You liked it that much? Are you sure you read my book?

And the week the last book of a trilogy comes out is the worst of all. Because until I have produced an end that satisfies (most) readers, I really haven’t reached my goal. The Stormlord trilogy is over half a million words in length. That’s a long journey to keep a reader interested, and I am both touched and a little astonished that people stay with me — or rather with my characters — over the space of several years and that many words to find out what happens. Read the rest of this entry »

Cover Launch: THE KINGDOM OF GODS by N. K. Jemisin

Trilogies are a mainstay of science fiction and fantasy and that’s a challenge that comes up for us in the Orbit Art Department over and over again. The first cover is both the hardest (it has to be AWESOME and make a big splash, especially if it’s for a debut author) and the easiest (no preconceptions and rules dictated by previous covers). The second cover is important because you obviously want it to be as cool as the first, and not fall victim to any sequel-slacking. And the third? Well the third is kind of the best, because by the last book in a trilogy, you’ve already got a good feel for the world in question, and the tone of the author, and you usually get something good and dramatic to wrap up with. And while we’re talking about dramatic, I am happy to release the cover for the third book in N. K. Jemisin‘s Inheritance Trilogy: The Kingdom of Gods.

I have been thrilled at how well cover one was received across the fantasy community — it was accepted into the Spectrum annual, and was nominated for a Gemmell Legend Award. We were trying to do something pretty standard (fantasy city) and present it in a fresher way (through the style of Cliff Nielsen‘s awesome artwork), and it really resonated with a lot of people, which is great because the books just happen to be super-fantastic as well. And over the last two books the illustrations have been just as strong, while keeping to that pretty simple formula.

And now we have this illustration, which I don’t want to say too much about, because I wouldn’t want to give anything away about the story…obviously if you have been reading along, the god is Sieh (my favorite)…just trust me, if you have been enjoying The Hundred Thousand Kingdoms and The Broken Kingdoms, well The Kingdom of Gods does not disappoint. After the jump, get a teaser, and the whole series of covers… Read the rest of this entry »

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