Author Archive

BLOODFIRE QUEST – Terry Brooks answers your questions

Bloodfire Quest, the second epic fantasy novel in Terry Brooks's Dark Legacy of Shannara series following Wards of FaerieToday we release the paperback of BLOODFIRE QUEST (UK|ANZ) – book two in Terry Brooks’s Dark Legacy of Shannara series following WARDS OF FAERIE (UK|ANZ). It’s a new epic fantasy set in the author’s core Shannara world, and it’s been knocking people’s socks off:

‘Explodes from the first page…the action doesn’t stop until the novel’s cliffhanger ending…Intense and exhilarating…Brooks is one of the best fantasy writers in the business’ ASSOCIATED PRESS

‘[Brooks] brings his distinct talent, giving a true grandeur to clashes involving terrifying creatures and powerful magic’ KIRKUS REVIEWS

‘A thrill ride that will leave readers wanting more…This volume, paired with the first, might be just the right place to introduce new readers to this fine writer’ BOOKLIST

The third book, WITCH WRAITH (UK|ANZ), is released very soon on 16th July.

Back in April, Terry did a very rare signing in the UK for the hardback release of BLOODFIRE QUEST. The queues at Forbidden Planet were phenomenal, and the signing went on for hours! See some pics of the event here.

For those who were unable to make it, we asked readers to send in their questions for this fantasy legend from afar. Now, we release Terry’s answers in the video below:

ps. Is it just me or is Terry awesome? No – the signs say it’s not just me . . .

THE LIVING DEAD – a zombie anthology featuring Stephen King, George R. R. Martin and Neil Gaiman

We’ve recently released a digital anthology of zombie stories from some of the biggest names in science fiction, fantasy and horror. Clawing their way to a device near you, get ready for . . .

***dramatic drum roll and lightning flash***

The Living Dead, an anthology edited by John Joseph Adams, featuring short stories abotu zombies from Stephen King, George R. R. Martin, Neil Gaiman, Laurell K Hamilton, Clive Barker, Nancy Holder, Joe R. Landsdale, Joe Hill and many othersTHE LIVING DEAD!

An anthology featuring highly original zombie stories from the likes of Stephen KingGeorge R. R. Martin, Neil Gaiman, Joe Hill, Clive Barker, Laurell K. Hamilton, Will McIntosh, Harlan Ellison, Robert Silverberg, Poppy Z. Brite, Joe R. Lansdale and many, many more (see a full list here)

From Dawn of the Dead to White Zombie, from Resident Evil to World War Z (the movie is released today in the UK!), zombies have invaded popular culture, becoming the monsters best expressing the Western world’s fears and anxieties. So it’s time to face your fears and get up close and personal . . .

Wastelands - an anthology edited by John Joseph Adams featuring apocalyptic and post-apocalyptic short stories from Stephen King, George R R Martin, Orson Scott Card, Paolo Bacigalupi, Gene Wolfe, Elizabeth Bear, Nancy Kress, Jonathan Lethem and many othersThis anthology is edited by the illustrious John Joseph Adams, a bestselling editor of multiple anthologies and a four-time finalist for the World Fantasy and Hugo Awards. We’ve also released his WASTELANDS: STORIES OF THE APOCALYPSE, an anthology of apocalyptic and post-apocalyptic from some equally impressive names. Last week we heard from several of the authors involved in WASTELANDS about what inspired their stories (read the post here).

Today we focus on THE LIVING DEAD, and just what was going through the heads of some of the contributing authors when they came to pen their tale . . .

Will McIntosh on “Followed”

“Followed” is probably the most controversial story I’ve written, a zombie tale where the zombies are the victims, the living the predators.  Evidently the story resonated with others.  It was adapted as a short film, and the film inspired a sermon at a Baptist church.

Susan Palwick on “Beautiful Stuff”

Humans often use the dead as fuel for our vengeance, as an excuse to kill the living.  I wrote ‘Beautiful Stuff’ because I wondered what the dead might say about that if they had the chance. (more…)

Scott Lynch & Matthew Stover on THE REPUBLIC OF THIEVES and ACTS OF CAINE

The Lies of Locke Lamora by Scott Lynch, in an interview with Matthew Stover abotu his gritty heroic fantasy series Acts of CaineScott Lynch: volunteer firefighter, powerful Jedi, author of The Lies of Locke Lamora and the upcoming The Republic of Thieves, all round man of letters and certainly a Gentleman, not a Bastard . . . 

Heroes Die, book 1 in the the Acts of Cain gritty heroic fantasy series Acts of Caine, by Matthew Stover, in an interview with Scott Lynch about The Lies of Locke Lamora andRepublic of ThievesMatthew Stover: learned student of arcane martial arts, competitive drinker, author of the “heaping plate of kickass kickassery” that are the Acts of Caine fantasy novels . . . and also a very powerful Jedi . . .

SO WHAT HAPPENS WHEN THESE MIGHTY FORCES COLLIDE?!

Read on to find out!

The Republic of Thieves by Scott Lynch, the follow-up to The Lies of Locke Lamora, in an interview with Matthew Stover abotu his gritty heroic fantasy series Acts of CaineMatthew Stover: Okay, first: how soon can I get an ARC of The Republic of Thieves?

Scott Lynch: Be down at Pier 36 at midnight. Look for a man with a copy of yesterday’s Beijing Times under his arm. Offer him a cigarette. If he declines, say “Which way was the dolphin swimming?” Then follow his directions precisely. Bring a flashlight and a set of hip waders. Good luck and godspeed.

MS: Despite the first Gentlemen Bastards novel being titled The Lies of Locke Lamora, it seems to me that Locke and Jean are dual protagonists, true partners rather than hero and sidekick. While this is not unusual in other genres (especially police procedurals, for example), in ours they’re pretty thin on the ground. The only truly legendary fantasy dual-protags that spring instantly to mind are Fafhrd & the Gray Mouser, and they are explicitly portrayed as linked by mythic destiny (“Two halves of a greater hero.”) Locke and Jean, by contrast, are bound by human friendship and deep loyalty – more Butch & Sundance than F&GM.

So I’d like to get your thoughts on what inspired their relationship, and why you chose to write them this way. Were they always to be dual protags? Did Jean start as a sidekick and grow in the writing? Is there something about their friendship that has Super Story Powers?

SL: You’re making me peer back through the hazy mists of memory, man. But the honest truth is that Jean was decidedly a less fleshed-out character, initially, very much vanishing into the ensemble. His role grew in the telling, until I realized that he wasn’t just a foil for Locke but the essential foil. I grasped the benefit of having a sort of external conscience for him, another intimate perspective on Locke that would enable me to sort of hover nearby without peeling back too many layers of his mentation. For all that he’s the protagonist, we don’t spend too much time with unfettered omniscient access to Locke’s thoughts in that first novel; I wanted to express his feelings more through his actions and the responses of those around him than by writing something like, “Locke was sad now.” (more…)

BEFORE THE FALL – the exceptional follow-up to FADE TO BLACK

Have you heard what people have been saying about Francis Knight’s debut fantasy novel FADE TO BLACK (UK|US|ANZ)? Here’s a clue . . .

Word cloud for reviews of FADE TO BLACK, the fantasy debut by Francis Knight - a noir fantasy adventure that's "powerful", "emotional" "Distinctive", "brilliant", "Inventive"

If you’re amongst the hoard of readers who loved this thrilling and original tale set in the vertigo-inducing fantasy world of Mahala, you’ll be interested to hear that the follow-up BEFORE THE FALL (UK|US|ANZ) is released today.

Fade to Black, book one of the Rojan Dizon novels, by Francis Knight - a dark, noir fantasy series with a dystopian feel - perfect for fans of Scott Lynch, Douglas Hulick, Benedict Jacka and Ben Aaronvitch
Fade to Black – out now
Before the Fall, book two of the Rojan Dizon novels, following Fade to Black by Francis Knight - a dark, noir fantasy series with a dystopian feel - perfect for fans of Scott Lynch, Douglas Hulick, Benedict Jacka and Ben Aaronvitch
Before the Fall – released today
Last to Rise, book three of the Rojan Dizon novels following Fade to Black and Before The Fall, by Francis Knight - a dark, noir fantasy series with a dystopian feel - perfect for fans of Scott Lynch, Douglas Hulick, Benedict Jacka and Ben Aaronvitch
Last To Rise – released November

 

The latest book again features the reluctant hero, bounty hunter and pain mage Rojan Dizon. He’d love to keep his head down and out of trouble – but he needs to get some power back to the city, and his worst nightmare is just around the corner . . .

Then there’s not long to wait until the third and final book in the trilogy is released. It’s called LAST TO RISE – and it’s a truly explosive finale (yes I did cry…)

If you haven’t checked this series out yet, you don’t know what you’re missing.

Francis Knight interviews Benedict Jacka, author of the Alex Verus novels

In September we release CHOSEN (UK|ANZ), the fourth Alex Verus urban fantasy novel from Benedict Jacka. In an interview below, another Orbit fantasy star Francis Knight
(author of FADE TO BLACK – UK|US|ANZ, and the soon-to-be-released BEFORE THE FALL  –UK|US|ANZ) finds out more about the writing of this highly popular series . . .

Chosen, an Alex Verus urban fantasy novel by Benedict Jacka, perfect for fans of Jim Butcher, in an interview with Francis Knight, author of Fade to BlackFrancis Knight: So, Alex Verus, wizard in London. I suppose certain comparisons are inevitable, if a bit easy. So who and/or what were your inspirations for this series? I know when I start, the first idea generally morphs into something bigger. What was the initial spark, the first ‘what if…’ that led to the book becoming reality?

Benedict Jacka: The Alex Verus setting is an adult version of a YA setting that I’ve been using on and off for almost 15 years – the whole mage world and the magic types was something I first came up with back in 2000-ish.  Between 2000 and 2008 I wrote four YA books in the setting, all with teenagers as the main characters who all had elemental powers of some kind.  None of the books got published, so I kept giving up and shelving the series and trying something else.

In 2009 I decided to pull out the setting yet again to give it another shot, with an adult main character this time.  I was getting dissatisfied with the elemental mages as protagonists, though, and at some point I had the idea of using a protagonist whose abilities were information-based instead of brute force.  The rest of the story snowballed from there! (more…)

WASTELANDS – featuring Stephen King, George R.R. Martin, Cory Doctorow and many others

Today we digitally release a ground-breaking and definitive anthology of short stories from some of the very biggest names in science fiction and fantasy . . . Presenting:

Wastelands - an anthology edited by John Joseph Adams featuring apocalyptic and post-apocalyptic short stories from Stephen King, George R R Martin, Orson Scott Card, Paolo Bacigalupi, Gene Wolfe, Elizabeth Bear, Nancy Kress, Jonathan Lethem and many othersWASTELANDS: STORIES OF THE APOCALYPSE

An anthology of post-apocalyptic short fiction from genre heavyweights such as Stephen King, George R. R. Martin, Orson Scott Card, Cory Doctorow, Gene Wolfe, Jonathan Lethem, Paolo Bacigalupi, Tobias S. Buckell, Jack McDevitt, Neal Barrett Jr., Richard Kadrey and many many others….

(see a full list here)

 

The Living Dead, an anthology edited by John Joseph Adams, featuring short stories abotu zombies from Stephen Kind, George R R Martin, Neil Gaiman, Laurell K Hamilton, Clive Barker, Nancy Holder, Joe R Landsdale, Joe Hill and many othersAt the same time, we’re also releasing THE LIVING DEAD – an anthology of zombie stories from even more superstars of the SFF genre . . . More on that next week, but for now it’s fair to say that if you’re into zombies and apocalypses, both these anthologies are perfect reading whilst waiting to see the WORLD WAR Z movie! They’re both edited by John Joseph Adams, the bestselling editor of many anthologies and a four-time finalist for the Hugo and World Fantasy Awards.

Today we’re focusing on WASTELANDS: STORIES OF THE APOCALYPSE. We asked the authors involved to give us a few comments about what inspired them to write the stories included . . .

Cory Doctorow on his story “When Sysadmins Ruled the Earth”from WASTELANDS

The most important thing about a system is how it fails, though mostly we pay attention to how it works. Who cares how many houses you could buy on cheap credit if they all end up as subprime roadkill when the whole crooked business unravels?

We tell ourselves that civilisation fails badly. Stories I love, from Day of the Triffids to 1984, paint a picture of a world where disaster is attended by riots, rape and cruelty. The reality – shown time and again – is that disaster is attended by kindness, care, and compassion. When the lights go out, we don’t eat each other, we help each other.

‘Elite panic’ is the sociological phenomenon that causes the masters of the universe to send guns into Haiti after the quake – ahead of the humanitarian aid. It’s why the City of London is blanketed in CCTVs. It’s why police all over the world are so pants-wettingly terrified of public protest and treat every march like a riot in potentia.

We need to tell ourselves stories about the goodness of our neighbours as remedy for the vile slander that our stories have told us about the human race. It is the only way to counter elite panic. (more…)

Benedict Jacka interviews Francis Knight, author of FADE TO BLACK

Next week sees the release of the fantasy novel BEFORE THE FALL (UK|US|ANZ), the second Rojan Dizon novel by Francis Knight (following FADE TO BLACK – UK|US|ANZ).

Below, another Orbit fantasy star Benedict Jacka, author highly popular Alex Verus novels, interviews Francis on the towering fantasy world of Mahala . . .

Before the Fall, book two of the Rojan Dizon novels, following Fade to Black by Francis Knight - a dark, noir fantasy series with a dystopian feel - perfect for fans of Scott Lynch, Douglas Hulick, Benedict Jacka and Ben AaronvitchBenedict Jacka: One way to describe the Rojan Dizon books would be dark fantasy – how did you end up moving into that genre, and what’s it like to write in compared to other things you’ve done in the past?

Francis Knight: By accident! It started off as an antidote to what I had been writing – romance – and went from there. I like to challenge myself each time I start something new, and this was it. Every genre has its restraints, and I wanted to explore not-so-nice “heroes” and not-so-Happy-Ever-After endings and lots of other things that a romance reader might be very disappointed to find in her book! In particular I wanted to explore how being a not particularly nice chap doesn’t have to prevent you from doing the right thing.

BJ: How difficult do you find it to write a protagonist of the opposite sex?  Do you find yourself asking guys for advice on how a male character would react in a particular scene you’re writing?

FK: The first time it was hard, I have to say. I actually find I prefer it nowadays. It’s a lot easier to separate my characters from me for a start! Also I love trying to get inside a guy’s head, see what makes them tick. I do sometimes ask husband/male friends/betas for advice about whether a guy would do X – but it’s just not that simple. It’s not about whether he’s a guy or not, it’s about who he is. Some guys would do one thing, and others would do the opposite. They’re still both guys.

Fade to Black, book one of the Rojan Dizon novels, by Francis Knight - a dark, noir fantasy series with a dystopian feel - perfect for fans of Scott Lynch, Douglas Hulick, Benedict Jacka and Ben AaronvitchBJ: So, the scenes in Fade to Black which go into detail on exactly what Rojan and the other pain-mages do to themselves to fuel their pain magic . . . did you deliberately make them wince-inducing or did it just work out that way?

FK: I actually tried not to be too graphic there, but it was necessary to show something, I think, or it wouldn’t have been honest. There’s a fine line between glossing over something important and showing graphic things that are unnecessary. Of course, that line is going to be different for everyone. I inferred more than I showed (I think/hope), but that goes for lots of things. (more…)

On co-authoring a novel set in the world of ENDER’S GAME . . .

EARTH UNAWARE, book one of the First Formic War, by Orson Scott Card and Aaron Johnston, set 100 years before Ender's Game, which will be released as a major motion picture in October 2013 starring Harrison FordToday sees the release of EARTH UNAWARE (UK|ANZ) and EARTH AFIRE (UK|ANZ), books 1 and 2 of The First Formic War, set 100 years before ENDER’S GAME.

Orson Scott Card co-authored these novels with Aaron Johnston – a bestselling author and associate producer on the upcoming Ender’s Game movie. To celebrate the release, we asked Aaron what it’s like to write within such a well-known and much loved world . . .

When Orson Scott Card asked me to coauthor the prequel novels to his science-fiction classic Ender’s Game, my first two thoughts were: (1) Wow, what an incredible honor, and (2) You better not screw this up, Johnston, or fans will hunt you down and toilet paper your house.

We fans can be a prickly lot. Especially when it comes to stories that hold special significance to us, as Ender’s Game does to millions of readers. I’ve read Ender’s Game more times than any other work of fiction, and whenever anyone asks me for a book recommendation, the first words out of my mouth are always, “Have you read Ender’s Game?”

For me, Ender’s Game was the first book I ever read wherein the characters didn’t feel like characters at all but rather like friends and kindred spirits. Bean, Dink, Shen, Valentine, Ender. They were all so believable and honest and distinct that when I stepped into their world, my own world melted away.

Earth Afire, book two of the First Formic War, by Orson Scott Card and Aaron Johnston, set 100 years before Ender's Game, which will be released as a major motion picture in October 2013 starring Harrison FordI don’t presume to suggest that our books will have the same effect on readers as Ender’s Game does. Only Ender’s Game can produce the experience it provides. But I do hope that our novels will feel like they belong in the Ender universe. That was my goal from the beginning. “If we do this,” I told Scott, “I want it to feel like an Orson Scott Card novel.” And by that I mean: when fans read the book, I didn’t want them to distinguish between the parts I had written from the parts Scott had written. I wanted it to feel seamless.

That’s a lofty goal, I know. Only OSC can write like OSC, after all. But I felt as if we owed it to fans to provide a new and exciting adventure story that also felt like a member of the Ender universe.

In fact, it was so important to me that the books sounded and felt like other OSC novels that before I started writing each day, I would usually pick up an OSC book and read a chapter or two just to get my mind in a place that spoke in the voice and rhythm of Orson Scott Card. Scott has a gift for writing in third-person, limited point-of-view that allows for deep characterization without abandoning the pace. I’m not conceited enough to suggest that I do it as well as he does, but I certainly tried. The biggest compliment I have received thus far is when one fan called the series “classic Orson Scott Card.”

But of course this is a collaboration. And since Orson Scott Card rarely collaborates with other authors, fans naturally have a lot of questions. What follows are my answers to the questions I most often hear. (more…)

How to Build a Fantasy World: The Greatest Fantasy Cities

There’s something about cities in science fiction and fantasy. I mean I love the countryside myself, born a country girl, but anyone can write it – there’s only so much you can do without it coming across as odd or unbelievable (unless you’re a genius, obviously).

But where people, or aliens, get involved, anything can and does happen. In real life, and in fantasy. So, I love fantasy cities, towns, places that people have made, because they reflect the people who live there and, crucially, how they think.

So, a few favourites . . .

The Fellowship of The Ring by  J. R. R. Tolkien, in a piece on fantasy worldbuilding by Francis Knight, author of Fade to Black Tolkien has his flaws but being unable to build believable yet fantastical cities is not one of them. I’d would love, I mean give an arm or something, to walk the ways of Rivendell, to see the Mallorn in Lothlorien, behold the golden hall of Meduseld in Edoras, wind the twisting streets of Minas Tirith. They are clearly fantasy posing as historical (okay, except the elves) but they feel so . . . real. Like they really do exist somewhere, I just haven’t found them yet.

The Lies of Locke Lamora by Scott Lynch, in a piece on fantasy worldbuilding by Francis Knight, author of Fade to BlackOther cities come near to that status in my mind (hey, you never forget your first love). Camorr, from Scott Lynch’s The Lies of Locke Lamorawith its waterways, its dark and grubby underbelly, its Renaissance feel. A city that works, even though I know its fictional.

London Below, of Gaiman’s Neverwhere, a London that feels almost, just not quite, the real one. As though if I scratched the surface on say Bakers Street, I’d find the Marquis, and all the rest, just waiting for me.Neverwhere by Neil Gaiman, in a piece on fantasy worldbuilding by Francis Knight, author of Fade to Black

Discworld’s Ankh-Morpork, which is so real to me I can smell the river when I open the pages of the book. Or maybe it just stinks that much! The little nooks and crannies that are a hallmark of an old, old city, the weird ways that seem normal to inhabitants but make outsiders wonder what drugs they must be on.

The thing that, I think, connects all these cities is their internal consistency. They work, such as they do, because thought has gone into working out how they work and why, factoring in how odd people tend to be. And each little factor just adds to the realness of the city.  Of course Ankh-Morpork has a thieves guild. Because it’s a city of moneymakers, and that’s a perfect example of taking what is there and squeezing it till gold coins fall out. The Elder Glass of Camorr shows us a city where things are not always as they seem, that even the city itself has two faces.

The Hobbit by J. R. R. Tolkien, in a piece on fantasy worldbuilding by Francis Knight, author of Fade to Black Minas Tirith and Edoras reflect the men and women who live there – on constant guard, where skill at arms isn’t just posturing, it’s necessary, and so are the defences and the oaths and honour the people who live there take so very seriously, and for good reason – oaths and honour are perhaps all that have kept them alive all this time against what lies to the East. Hobbiton, by contrast, reflects the hobbits – laid back, little thought to anything much except is it pleasing, to eye or stomach?

Fade to Black, book one of the Rojan Dizon fantasy book series by Francis Knight - in a post talking abotu the worldbuilding of Tolkien, Scott Lynch and Terry PratchettSo when I started ‘building’ Mahala for Fade to Black, I tried to make sure the city informed the people, and the other way around. My main character Rojan Dizon is who he is – a sardonic, womanising bounty hunter – at least in part, because of where he lives. I doubt he’d be such a cynic if he lived in Hobbiton. The very fact of the way the city is run, the geography of it, the politics of it, and how that affects him, has helped turn him into who he is. Anywhere else, Rojan’s brother Perak might have just been some amateur daydreamer who likes playing with things (and would have probably long ago blown himself up!), but due to Mahala’s reliance on alchemy, he’s given everything he needs and is told to go and invent things. Which he duly does, and then changes the city forever when he invents the gun.

That’s what makes a fictional city work or fail for me – it works, in context, with the people who inhabit it, they showcase each other. They just fit.

 

***

Francis Knight’s debut novel FADE TO BLACK (UK | US | ANZ), book one of the Rojan Dizon novels, is out now. Book two, BEFORE THE FALL (UK | US | ANZ), releases on 18th June this year. The third and final novel, LAST TO RISE, releases in November 2013.

Fade to Black, book one of the Rojan Dizon fantasy book series by Francis Knight - in a post talking abotu the worldbuilding of Tolkien, Scott Lynch and Terry PratchettBefore the Fall, book two of the Rojan Dizon fantasy book series, following Fade to Black, by Francis Knight - in a post talking about the worldbuilding of Tolkien, Scott Lynch and Terry PratchettLast to Rise, the third and Final Rojan Dizon fantasy novel by Francis Knight, following FADE TO BLACK and BEFORE THE FALL

 

 

 

 

John Scalzi interviews Matthew Stover about the ACTS OF CAINE

Since we heard that the illustrious John Scalzi was a super-mega-fan of the Acts of Caine novels by Matthew Stover, (which starts with HEROES DIE), we asked him if he wanted to interview Matthew  . . .

Heroes Dies, Book 1 in the gritty heroic fantasy series the Acts of Caine novels by Matthew Stover - interviewed here by John ScalziWhen I was told that Orbit Books was releasing the entire Acts of Caine series in the UK, I let out a cheer. I am, unapologetically, a huge fan of this series of books, full as they are of action, adventure and grippingly written violence – along with classic dystopian themes, observantly written (and massively, compellingly flawed) characters, and world-building I’m jealous of as a writer even as I’m impressed with it as a reader. This is the series that put its author Matthew Stover on my map as someone whose books I had to read, no matter what he was writing.

Orbit asked me if I wanted to interview him on the occasion of the release of his books. Yes. Yes I did. Here it is.

John Scalzi: Heroes Die, the first book in the Caine series, in many ways presaged the current wave of “grimdark” fantasy – those works with lots of unapologetic action and violence threaded into their tales. At the time you were writing the book, were you aware you were slashing a new path through that particular jungle? Or were you just focused on writing a story you wanted to tell?

Matthew Stover: I wasn’t trying to do something new. I was only trying to do something good.

I started writing the story that eventually became Heroes Die when I was seventeen. A variety of versions were submitted to, and summarily rejected by, a variety of publishers over the course of the next eighteen years. I tried every approach I could think of to make the story appealing to editors, but nothing worked. Finally – in despair – I said to myself, “Screw this sh*t. If it’s going to fail anyway, write the goddamn thing exactly how you want it to be. At least you’ll have that.”  So I did. And here we are.

This is why my first advice to younger writers is to write the book you wish somebody else would write so you could read it.

 

JS: You also, and very unusually, have created a series of books that are both science fiction and fantasy, as opposed to choosing to be on one side of that (in my opinion, often arbitrary) line. For me as a reader, that felt almost revolutionary – not in an excessive “have your cake and eat it too” sort of way, but in that it allows you to world-build two separate but vital universes, and build stories in the tension between the two. But from the practical point of view as a writer – well, it’s a lot of work. Talk a little about your world-building strategies and why it was you chose to straddle the two genres in this series – and the challenges you have in making sure the two universes are balanced in service to the story.

MS: It has been a lot of work. But, y’know, I wrote these four books over the course of about fifteen years, which leaves plenty of time for things to develop more-or-less organically. Much of the world-building is a by-product of thinking about other stories I might want to tell in that milieu – even if I never write the stories, their background features remain.

I chose the dual-world structure because one of the themes that seem to underlie all my original work has to do with the role of imagination in creating our experience of reality. When I was a kid, I was very taken with de Camp and Pratt’s Harold Shea stories – psychologists who find a way to transport themselves into mythical (later, outright fictional) realms through some hand-waving involving symbolic logic. These stories make crystal clear the fact (bleedingly obvious, in retrospect) that fantasy is the map of human psychology. I wanted a Real World to contrast with the Fantasy World, but I wanted the Fantasy World to be real too. After all, dreams are themselves real things, even though the experiences we have in them are products of our own imaginations (pacé various mystical traditions).

And I didn’t really choose to combine two genres, because I don’t believe they’re really separate. Science fiction is a subset of fantasy (as is all literature, after all). Heinlein wrote stories with magic in them. So did Larry Niven. And Poul Anderson. Fritz Leiber wrote some straight SF. I write stories that have (some) science and (some) social extrapolation in them. And magic too. Though I usually tell people I’m a science fiction writer, because when I tell them I write fantasy, I have to endure some variation of the following conversation:

“Really? Like Lord of the Rings?”

“No, not like Lord of the Rings.”

“Like Harry Potter, then.”

“No, like Star Wars.”

“But Star Wars is science fiction.”

“Look, what do you call it when a young knight is given his father’s magic sword by an old wizard and then sent off on a quest to defeat the Dark Lord?”

“I call it fantasy.”

“No, you call it Star Wars, Einstein. Now shut up before I unscrew your head and drop-kick it into a parallel dimension.”

(more…)