Author Archive

Orbit/Yen Seeks Junior Designer

Instead of this week’s scheduled cover post (and it’s a good one, as those of you who were at BEA this weekend and got a sneak peak can attest) I have for you some very exciting news. We are looking to hire one fabulously talented junior designer to join our art department. You will be answering directly to yours truly, and working on both Orbit books and Yen Press titles. (A double bonus for all you manga fans out there.) Orbit and Yen have both been taking on fabulous projects, and we need the help giving everything the art attention it deserves. It’s a great entry-level opportunity for someone with the proper design experience and who has interest in our debates over spaceship design, breeds of mythological creatures, and dissecting manga pages. (more…)

Cover Launch: DEEP STATE

Cyberpunk is not really my cup of tea, so I was surprised when I got into This is Not a Game as much as much as I did. It’s all about connectivity, and how fast information and communication flies around the world now. There was of course also a cool thriller plotline along with it. Deep State is the next book by Walter Jon Williams, and picks up with the heroine & story of This is Not a Game. If you like William Gibson and Snow Crash-era Neal Stephenson, then you should check out these books. (more…)

Cover Launch: THE HAMMER

K.J. Parker’s critically acclaimed Engineer trilogy featured  three great covers by Keith Hayes. Since then, Parker has been writing  stand-alone novels, and any one of them is a great place to jump in without any series-long commitment. Of course, I’m sure you’ll be back at the bookstore buying the Engineer books as soon as you finish any of these books, but you can start slow if you don’t believe me…

The Company was really an ensemble story, so we wanted to show the characters on the cover, but for The Folding Knife and The Hammer, I really wanted to continue the “artifact” look of The Engineer Trilogy.

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Cover Launch: THE ENTERPRISE OF DEATH

The Sad Tale of the Brothers Grossbart had one of my all-time favorite Orbit covers, and I was thrilled to work with Keith Hayes from the Little Brown Art dept. and the illustrator Istvan Orosz on the design. So when I saw that a new Jesse Bullington book was on this list I was  really excited at the challenge — and really curious to see where Bullington would go after his violent, revolting, sensibility-offending debut novel (and I mean that all in a good way!)  Well, let’s just say The Enterprise of Death does not disappoint on any count — you’ll either love this book, or you’ll want to burn it at the stake.

Like Brothers Grossbart, the story takes place in a specific historical place and time — this time during the height of the Inquisition and Moorish expulsion from Spain in the late 1400s. Not only are there real-life historical characters in the  story, there’s also real-life art that’s critical to the story. That’s actually a challenge for a cover designer. Sometimes when you use fine art on a cover it can give the design a very quiet, even  static feel. Luckily for me, I don’t think anyone would call Death and the Maiden by Niklaus Manuel Deustch quiet or static.

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Cover Launch: Hull Zero Three by GREG BEAR

Welcome back to your Monday morning installment of Orbit Cover Launch. This week I’m very excited to launch the cover of a brand-new book by science fiction great Greg Bear. Orbit is really excited to start publishing Greg Bear and we’re even more excited about starting with Hull Zero Three. It’s a fast-paced space thriller and a real page-turner. It’s definitely of the ilk of Aliens and Event Horizon, and I could totally picture it as a film as I was reading. It’s also a great place to start if you’ve never read Greg Bear before.

This cover was a little tough because although it does happen in space we didn’t want to give it that space opera kind of feel – it’s smart, but also much more immediate and suspenseful than operatic. It’s a much more in your face page-turning thriller, so I kind of tried to design a hybrid of scifi and big thriller book. The texture is SO much better in person, but for now you’ll have to make due with just a screen image. (more…)

Cover Launch: THE LEGEND OF ELI MONPRESS

What? Three covers at once?! Yes, we’re doing another 3-in-3-months release starting this October, and the series is awesome. The Spirit Thief, The Spirit Rebellion, and The Spirit Eater are the first three books in the Legend of Eli Monpress series by Rachel Aaron, and be prepared, this story is seriously habit-forming. And we’re super excited to be giving you a big dose of Eli Monpress and his misfit crew all at once. (more…)

Winners! Spectrum Annual #17!

I know all of you are scifi/fantasy geeks (or else why are you here, really), but not all of you are art geeks as well, so you may not have heard of Spectrum, the annual competition for contemporary scifi/fantasy/horror art…but to those of us you might classify as “geek artists”, inclusion in the Spectrum annual is a big deal. So I am thrilled to announce that 3 of our books made the annual:

Black Ships by Jo Graham (painting by John Jude Palencar)

Tempest Rising by Nicole Peeler (digital illustration by Sharon Tancredi)

The Hundred Thousand Kingdoms by N. K. Jemisin (digital illustration by Cliff Nielsen)

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Cover Launch: THE FALLEN BLADE

This lovely Monday we have an awesome cover for a book I really enjoyed reading and working on, The Fallen Blade, by Jon Courtenay Grimwood. The fabulous Larry Rostant provided the very atmospheric imagery, and I had obvious fun playing with the type. With both the image and the type, we wanted to clearly evoke renaissance Venice, but portray the strong main character and dark adventure of the story.

The Fallen Blade is the best of both worlds: an alternative historic fiction set in a renaissance Venice at the height of her power, populated by supernatural creatures and backstabbing political intrigue, AND a fast-moving fantasy adventure tale of vampires, werewolves, assassins, and pirates. Jon Courtenay Grimwood does such a fantastic job of describing Venice that you feel a really strong sense of geography and atmosphere. I was just in Venice in January and I was really impressed with how true the historical and geographical details felt, and it makes following the characters and story weaved around this framework all the more immediate. I can’t wait to see where the story is going to go in the next book.

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