Orbit author Brian Ruckley, whose FALL OF THANES (US/UK/ANZ) is now available, has a new improved website, and looks forward to his fans (and readers who haven’t yet encountered his books, and so haven’t yet had the chance to become fans) finding him at www.brianruckley.com. Be sure to update your RSS feeds!
Category: Orbit UK
Tricia Sullivan is the Arthur C. Clarke Award-winning author of an impressive body of work, including Maul, Double Vision and Sound Mind. Here’s just a sample of the praise that has been heaped upon her work:
‘A challenging, disturbing, often compulsive read’ Time Out
‘Tricia Sullivan returns to science fiction not a second too soon . . . I haven’t enjoyed a book so much in a long time’ Guardian
‘Painfully gripping throughout – read it if you dare’ The Times
‘Maul confirms an increasingly badly-kept secret – Sullivan is one of the best and most ambitious SF writers around’ Dreamwatch
‘Intelligent, sensitive and engrossing . . . You’ll be thinking about it long after you’ve finished reading’ SFX
‘Tricia Sullivan is why I refuse to give up on science fiction’ Pat Cadigan, Arthur C. Clarke Award-winning author
I think it’s clear from the above that Tricia is almost universally regarded as an audacious and original voice in modern science fiction. And what better way to signal that to the reader than with an audacious and original cover. Ladies and gentlemen (and other forms of life – we’re not speciesist at Orbit!), we give you Lightborn:
Lightborn is a revolutionary new technology that has transformed the modern world.
Better known as ‘shine’, it is the ultimate in education, self-improvement and entertainment – beamed directly into the mind of anyone who can meet the asking price.
But what do you do if the shine in question has a mind of its own . . . ?
Lightborn will be published in October. Design by Nathan Burton Design. Art direction by Duncan Spilling – LBBG.
K.J. Parker’s critically acclaimed Engineer trilogy featured three great covers by Keith Hayes. Since then, Parker has been writing stand-alone novels, and any one of them is a great place to jump in without any series-long commitment. Of course, I’m sure you’ll be back at the bookstore buying the Engineer books as soon as you finish any of these books, but you can start slow if you don’t believe me…
The Company was really an ensemble story, so we wanted to show the characters on the cover, but for The Folding Knife and The Hammer, I really wanted to continue the “artifact” look of The Engineer Trilogy.
We’re very pleased to note that in the category of Best Low Budget/Indie Book Trailer, Jeff Somer’s trailer for his novel THE ELECTRIC CHURCH (US/UK) is one of the select; and that in the category of Best Big Budget/Big House Book Trailer, the
trailer put together by Orbit Creative Director Lauren Panepinto for Gail Carriger’s BLAMELESS is a strong contender (we’re also happy to point out that though categorized as Big, the budget for the latter was extremely reasonable indeed).
The winners will be announced at the award ceremony in New York on Thursday, May 20.
Tom Holt’s Blonde Bombshell (UK | US | ANZ) – the intergalactic comedy about blonde bombshell Lucy Pavlov – blasted into UK bookstores last week, with US and Australia hot on their heels for a June/July publication.
To celebrate, we’ve created a game based on the Windows95 classic, Minesweeper, or Blondesweeper in this case.
We’ll also be giving away a collection of Tom Holt‘s books to the person with the highest score, so be sure to make the most of the game’s Twitter sharing function and tweet your high score @orbitbooks! The high score winner will be announced on the US pub date of June 10.
We’ve spent a long time working on this wonderful visual for Cold Magic (US I UK I ANZ), first in a fabulous new trilogy by Kate Elliott. Kate has created something special, a fantasy advenure with a Victorian-era feel and a dash of steampunk — featuring mages, dragons and two girls who’ll decide the fate of their world. I think the illustrator Larry Rostant and designer Peter Cotton have done a great job in capturing these elements, showing a moment in time where ancient magic and new technologies meet, generating powerful individual dramas.
And here’s a bit more on Cold Magic, book 1 of the Spiritwalker trilogy, out from Orbit in September.
As they approach adulthood, Cat Barahal and her cousin Bee think they understand the society they live in and their place within it. At a select academy they study new airship technologies and the dawning Industrial Revolution, but magical forces still rule. Drawn into a labyrinth of politics involving blood and old feuds, Cat is betrayed by her family and forced to marry a powerful Cold Mage. As she is carried away to live a new life, fresh dangers threaten her every move and secrets form a language she cannot read. At least, not yet.’
The Sad Tale of the Brothers Grossbart had one of my all-time favorite Orbit covers, and I was thrilled to work with Keith Hayes from the Little Brown Art dept. and the illustrator Istvan Orosz on the design. So when I saw that a new Jesse Bullington book was on this list I was really excited at the challenge — and really curious to see where Bullington would go after his violent, revolting, sensibility-offending debut novel (and I mean that all in a good way!) Well, let’s just say The Enterprise of Death does not disappoint on any count — you’ll either love this book, or you’ll want to burn it at the stake.
Like Brothers Grossbart, the story takes place in a specific historical place and time — this time during the height of the Inquisition and Moorish expulsion from Spain in the late 1400s. Not only are there real-life historical characters in the story, there’s also real-life art that’s critical to the story. That’s actually a challenge for a cover designer. Sometimes when you use fine art on a cover it can give the design a very quiet, even static feel. Luckily for me, I don’t think anyone would call Death and the Maiden by Niklaus Manuel Deustch quiet or static.
It all kicks off with a signing at 5.30pm so do come along to meet our great authors! There are VIP drinks and a panel event after and SFX are running a competition to win tickets to this.
Even if you can’t make it, why not check out their latest books…
The Orphaned Worlds is now out and available for just a few earth pounds from a book vendor near you. Or have a taster first with this entirely free extract or perhaps a free Orphaned Worlds wallpaper. But Michael Cobley can tell you more about the masterwork himself, as he will be taking part in the SFX Summer of SF Reading event and signing on 10th May, at Waterstone’s London Piccadilly store. For SFX competition winners (closing date is tomorrow) the open signing will be followed by a VIP party and panel discussing why more fans of SF on TV/in films don’t also read the books, also featuring the talented Mr Cobley. Signed copies of the book will also be available soon from The Forbidden Planet‘s London branch.
So, to go back to the book itself, The Orphaned Worlds is a rip-roaring ride and we’ve had a lot of great review coverage from fans. We’re lucky to count the Guardian, Waterstone’s Books Quarterly and also SFX amongst those fans. Bloggers have also been very supportive and good things have been said by Bookgeeks (win a copy of the Orphaned Worlds comptition currently running) and Walker of Worlds.
So, all in all, hooray for the book!
It’s been a Kelley Armstrong kind of month. Two weeks ago, Kelley shared her first trip across the pond for World Horror Con with us, and we heard about her new books last week. So, in the balance of thirds, we thought we’d cap it off with a bang.
We’ve got an exciting new book trailer for Frostbitten, out this Thursday in the UK, and while there are book trailers, there are also BOOK TRAILERS!!!! We tend to think that this one falls into the latter category, but we’ll let you be the judges of that, as always. . .