Category: Guest Post
by September 21st, 2011-
I don’t know exactly where Mal came from (other than the twisty recesses of my mind), but I can tell you what his building blocks were — a host of dark emotions: disappointment, anger, impatience, bitterness. As I mentioned in my first post about the events that led me to write Blood Rights, that book started as an outlet for my frustrations — something I highly recommend to those of you feeling bummed at the way things are going with your career! And since the bones of my heroine, Chrysabelle, were already developing into something very distinctly bright and full of light, I knew I couldn’t pour all that darkness into her.
Mal became the perfect receptacle. He is, to me, the embodiment of the dark, tortured hero. He’s got soul deep wounds that aren’t going to be healed in four hundred pages. If you don’t already know, he’s also a vampire, but he’s so much more than that.
Let’s back up. Let’s start when Mal was human, before his existence fell apart. I decided as his back story to make him a headsman. The job of executioner in the late 1500s, when Mal would have been alive, was one that both isolated and somewhat vilified the individual that held it. Superstition said that the executioner took upon him the sins of those he was paid to dispatch, the full weight of the souls of those rapists, murderers and thieves. Read the rest of this entry »
by September 19th, 2011-
I’ll define a trilogy as three novels with a thematic or narrative relationship OR as a novel in three parts. N.K. Jemisin’s fabulous Inheritance Trilogy is an example of a trilogy in which each volume stands alone as a complete story while a larger thematic narrative arc is addressed across all three books. My own Spiritwalker Trilogy is a novel in three parts. I do attempt to give each volume a beginning, a middle, and some manner of emotional resolution at the end, and I think I manage that fairly well, but the full story will take all three books to tell.
One of the challenges in writing this kind of trilogy arises in how to start volumes 2 and 3. I’m not starting a new story; I’m continuing one. Most of the readers who pick up volume 2 will have read volume 1, but a few won’t, so I need an effective way to introduce the world to new readers while not boring returning readers. Additionally, many returning readers will have read volume 1 many months ago, and the situation and characters may not be fresh in their minds. So I need to reintroduce them to both the characters and the situation in a way that engages them as well. Meanwhile, other readers will recently have read COLD MAGIC, or will have re-read the closing chapters to reacquaint themselves with the story. I don’t want to bore them. Read the rest of this entry »
by September 15th, 2011-
I’ve been a writer since a very young age, but when I started writing with the goal of publication, the first full length book I produced was a fantasy romance featuring a half-elf merc and a fire-wielding mage. I loved that book. It poured out of me in a way writing never had before, but that was long before I’d been weighted down by the rules of writing. No matter what genre you’re in, there are rules and people who will eagerly tell you about them and when you’re breaking them.
After years of trying to write within the confines of those rules and construct a book that fit the wants and desires of the romance publishing industry, I burned out. The broken promises and the inability to write without those rules in my head pushed me to a breaking point. I started to question why I was even writing if I no longer enjoyed it.
I reverted to my angsty high school self. The me that used to get lost in comic books and fantasy novels and autobiographies of Isaac Asimov. I got mad. Anger is an emotion I don’t do often but my Sicilian bloodlines allow me to tap into it pretty well.
All of that pushed me to write something new. Something that wasn’t for anyone else but me. This story, this book, this character sketch (I really didn’t know what I was writing, just that I was writing) became the vehicle for all my dark and twisty emotions. I poured everything I felt into those pages. I affectionately termed whatever it was that I was writing my Screw You book. Screw the rules, screw what anyone said I could or couldn’t write, I just wrote to make myself happy. Read the rest of this entry »
by September 1st, 2011-
‘Space,’ according to the Hitch Hiker’s Guide to the Galaxy, ‘is Big. Really Big.’
These were probably some of the earliest words I remember from my childhood. My father used to be a publisher, and growing up the sound of Douglas Adams’s work would drift round the house along with the smell of bacon and the sound of frying in the morning. Sometimes the man himself would come round for dinner, since he shared not only the same sense of humour as my father, but also the same shirt and shoe size which led for a brotherhood known only to large men – and I’d hide and cower at the end of the room, too intimidated to say anything to this man who’s mind was clearly big enough to almost begin to grasp the bigness of the universe, blow it up and then boil it right back down to a slice of angel cake.
The truth of the matter is, physics has always been a little scary. I love it, and studied it at school in my own slightly-incompetent way. (I was a history student taking physics A-Level with a cry of ‘hell, it’ll shake things up at a bit!’) The first rather depressing thing about physics is that the more you study it, the more you realise everything you know is lies. Gravity on the earth’s surface, when you’re fifteen years old, is a good old ten newtons of attractive force. By the time you’re seventeen, it’s 9.81 metres per second squared of acceleration on a kilo of mass, and about three days after your eighteenth birthday, as if you’re suddenly being let into a big secret, your teacher turns round and whispers that actually, damned if anyone really knows what the hell gravity even is. Good, old-fashioned protons and neutrons suddenly begin to acquire not merely magnetic charge and a bit of a mass, but also elusive qualities such as flavour and strangeness as you break them down into smaller and smaller parts and before you know it, electrons are photons and photons are both waves and particles and the gold leaf went down instead of up and all things considered, it’s probably time for a bit of a lie-down. Read the rest of this entry »
by August 30th, 2011-
Here come some idle, and quite possibly delusional, musings prompted by a comment from The Exalted Beings of New York (aka the fine folk at Orbit’s US HQ).
Said comment arose in the context of casual discussion about The Edinburgh Dead, my new novel. It’s historical dark fantasy with a liberal seasoning of crime fiction, horror, urban fantasy, science fiction, gothic thriller etc. etc., and that was kind of the gist of the comment: you’ve got a lot of genres in there, haven’t you, Ruckley? Care to explain yourself in public?
Why, yes I do. Read the rest of this entry »
by August 30th, 2011-
So, two of my all-time favourite fictional characters aren’t actually in books, but on screen. And they were both created by Joss Whedon. I’m talking Spike, aka William the Bloody (Awful Poet), and Wesley Wyndham-Price.
On the surface you might not think they have anything in common. Spike burst into Sunnydale as an unrepentant villain, while Wesley minced his way in as the replacement Watcher for Giles, emphatically a white hat. But as the series, and their characters, evolved, as they transitioned from the world of Buffy to the world of Angel, both characters became more and more nuanced, less and less one-note. More complicated. More ambiguous. And as the lines blurred, so did their allure increase. Spike started doing good, but not always for the right reasons. Or for pure, unselfish reasons. And Wesley shed his goody two-shoes persona to reveal a man far darker and more damaged than any of us had ever suspected.
But what they also had in common was, at the heart, enough self-knowledge to know they wanted better, they could do better, they needed better. And that struggle became integral to their journey through Whedon’s fictional worlds.
A few months ago, for various reasons, I started watching The Vampire Diaries. And it wasn’t too long before I found myself actively engaged in Damon’s story. Yes, Damon, the bad boy older brother who’d promised to wreak revenge on his younger brother for forcing him into vampirehood, and who delighted in causing misery and mayhem. The other brother? Stefan? The handsome central love interest, hero to the heroine, steadfast and loyal and honourable and good?
Damon is twisted, he’s complicated, he’s damaged and he’s dangerous. Which means, for me, he is infinitely more intriguing. He fascinates because of his flaws and scars, not despite them. It’s his moral ambiguity that immediately sparks my interest. Every day, he struggles. And in the struggle lies the story.
When it comes to fiction, the morally ambiguous anti-hero – at least for me – is vastly superior to the straight arrow good guy or gal.
The question is, of course, why? Surely we should be most attracted to the stalwart and shiny, morally unambiguous, never tarnished hero? And maybe we are, in real life. Or tell ourselves we are, anyway. Read the rest of this entry »
by August 24th, 2011-
There are authors who chest thump about military experience (the same way guys buff their muscle-cars) and then claim this experience is why their military science fiction is better than the other guy’s (or girl’s). Me? I drive an old Toyota pickup, which hasn’t been washed in donkey’s years, that’s missing one hubcap, and which shimmies at sixty because one rim is bad. It’s a great car, though. Much more useful than a Camaro, that truck carried me across the country twice, hauled just about everything in the world, and is so beaten up that people just laugh when they open the door and look inside – if they don’t throw up.
Germline is my debut novel and it’s military science fiction. But it’s also my response to what I see as a subgenre that’s losing its way, a middle finger to books in which the importance of military jargon overshadows that of sympathetic characters, believable tactics, at least some glimpse of strategy, and a decent ending. Don’t get me wrong: the books I’m flipping-off have a place. They entertain, and a large segment of science fiction readership buys and enjoys them. It’s just that the last time I picked up a military science fiction book and then dropped my jaw at its awesomeness was when I finished The Forever War (in 1983) so when 2008 rolled around it became put-up-or-shut-up time – time to write the book I’d want to read. Read the rest of this entry »
by August 19th, 2011-
Earlier this week I posted about my favourite female characters in fantasy fiction, and mentioned that Terry Pratchett’s characters clearly stood out. I vividly remember the very first Discworld novel I read. It was Pyramids, and I borrowed it from the Galston branch of my local council library, way back in … well, it was last century. Probably the mid ‘90s. I think. Anyhow. I’d never heard of the Discworld, or Terry Pratchett. All I knew was that the Josh Kirby cover looked amazing and I liked the blurb, so I thought what the hey? It’s not like I’m shelling out for a hardcover by someone I’ve never heard of.
Within a couple of pages I was truly, madly, deeply in love. And now I own all of the Discworld novels, as many in hardcover as I could find. They remain one of the great literary pleasures of my life, and my memories of the dinner I shared with Terry Pratchett and the late, wonderful David Gemmell (back when I had a bookshop and put on a convention with them as the guests) are something I will forever treasure.
Much has been said and written about the inclusion, or exclusion, of female characters in speculative fiction. A common observation made is that, so often, too often, women in fantasy, science fiction and horror fiction are reduced to objects of desire, sexual adjuncts to men, rendered pathetically helpless so they can be rescued, or are killed off as soon as possible in order to provide motive for the male hero’s journey, or pretty much airbushed out of the narrative altogether. Unfortunately there is merit in these criticisms of the genre, but one thing I can say without hesitation: you simply cannot point that particular finger at Terry Pratchett.
Throughout the course of his Discworld novels, Pratchett has created some of the most fantastic, three-dimensional and iconic female characters to be found in the realms of speculative fiction. In no particular order of personal favouritism they are:
Granny Weatherwax, Nanny Ogg, Magrat, Angua, Lady Sybil Ramkin, Cheri Littlebottom, Agnes Nitt., Tiffany Aching, Susan Sto Helit. Read the rest of this entry »
by August 17th, 2011-
Don’t you just love reviews that start with those words? I do…at least when they are talking about one of my books.
When I have a new book out, I am in a state of total panic, worried that this time I’ve made a muck of it, that no one will like it, that the story will be totally rubbished by incredulous reviewers who can’t get past page 5. I’m torn between ignoring the internet, pretending it doesn’t matter if no one ever reviews the book, and googling furiously in the hope that someone has.
Every book is the same. Every publication date results in nail-chewing, chocolate-raiding terror on my part. Yep, eating chocolate helps a little, but the relief doesn’t last…that only comes when I have a good review. Then I know at least one person likes it!
And the odd thing is that every time my initial reaction to that first favourable review is total disbelief. Really? You liked it that much? Are you sure you read my book?
And the week the last book of a trilogy comes out is the worst of all. Because until I have produced an end that satisfies (most) readers, I really haven’t reached my goal. The Stormlord trilogy is over half a million words in length. That’s a long journey to keep a reader interested, and I am both touched and a little astonished that people stay with me — or rather with my characters — over the space of several years and that many words to find out what happens. Read the rest of this entry »
by August 16th, 2011-
I attend very little programming at science fiction and fantasy conventions because I’m too busy socializing with writers, readers, and publishing professionals I don’t have a chance to see except at conventions. At AussieCon last year in Melbourne, Australia, I happened to sit next to New Zealand writer Russell Kirkpatrick for an hour of scheduled book signing. Since we were not busy in the second half of the hour, we got to talking.
Russell is a geographer. He knows maps. He is passionate about maps from a thoroughly knowledgable point of view.
I am a world building dork. I love maps.
At the end of the autographing hour I felt we had just gotten started, but he had to run because he was giving a two hour seminar-workshop titled MAPS, FANTASY, CULTURE, & BOUNDARIES.
TWO HOURS of maps, fantasy, culture, and boundaries. Catnip! Read the rest of this entry »