- December 23rd, 2014-
We’re off to stuff ourselves with mince pies and books. Happy holidays from everyone at Orbit! See you in 2015.
Bloodthirsty druids and battle-hardened Iron Age warriors collide in the first volume of this action-packed historical fantasy trilogy.
Read a sample
- December 23rd, 2014-
We’re off to stuff ourselves with mince pies and books. Happy holidays from everyone at Orbit! See you in 2015.
- November 11th, 2014-
“…a winning combination of A Game of Thrones, sword-and-sorcery RPGs, and vivid description.” – Publishers Weekly on A DANCE OF CLOAKS
For longtime fans of the series, today is particularly exciting as it marks the first Shadowdance book that has never been previously published in any format.
What lies ahead for Haern and the city of Veldaren? Nothing but trouble that’s for sure.
A night of fire and blood heralds Muzien the Darkhand’s arrival to Veldaren. With him comes the might of the Sun Guild, eager to spread their criminal empire.
Left blind after being attacked by the Widow, Alyssa Gemcroft struggles to hold together the remnants of the Trifect as the Sun Guild’s arrival threatens to shatter whatever future her son might have left.
Veldaren’s only hope is in the Watcher, but Haern is no longer there. With his father, Thren Felhorn, he is traveling to the Stronghold, an ancient bastion of the dark paladins of Karak. Will they find the answers they seek? Or will the Stronghold be their final destination?
On BuzzFeed, David Dalglish pulls back the curtain on the editorial process. Check out this behind-the-scenes look at the making of a book, while we try and talk his editor out of murdering him.
Listen to a sample from the audiobook below!
by November 11th, 2014-
It took me a little while to work out what was bothering me about Interstellar.
The realisation came about two thirds of the way in, when Matthew McConaughey and his merry band of intergalactic explorers were contemplating another dive into the black hole which has flung them to the other end of the universe in the search for a new home for humanity. It was then that I had the thought, “This would work so much better as a TV series.”
Going through a black hole, if we are to believe physicist (and executive producer) Kip Thorne, is a very noisy, turbulent, chaotic experience. So is the movie. Director Christopher Nolan never stops blasting you with information: quantum mechanics, on-planet disasters, portentous imagery, space-time fluctuations, really loud music, and lots and lots of Dylan Thomas.
And boy, do things happen fast. One minute, McConaughey and company are puttering about on Earth trying to grow corn, and the next they’re at the other side of the cosmos, seeing if humanity can survive on a watery planet with mountainous waves (spoiler: we can’t).
There are other problems too. The sound mix is ridiculous, juxtaposing the silence of space with long periods of bombarding your eardrums with noise. And there are several glaring plot-holes. My particular favourite: ace ex-NASA pilot McConaughey is living just down the road from their secret facility, but they somehow never bother to pop on over to his farm and ask for his help. Naturally, when he shows up on their doorstep, they immediately insert him into the ship crew. I feel a bit bad for the poor bastard he replaced.
Perhaps the biggest letdown is that the movie never asks the most important question. If humanity has wrecked the Earth so badly, do we even deserve to survive? At no point do any of the astronauts and scientists stop to ask whether we’ve learnt enough not to screw up the next planet we land on. Nolan is happy to speculate on spaceship mechanics, the power of family and the ability of love to cross the infinite gulf of space, but he never wonders if we’ve done enough to deserve any of it.
That doesn’t mean you shouldn’t see Interstellar. For one thing, there’s nothing else that looks quite like it. Everything from the different planets to the dusty, scorched fields on Earth to the black hole itself is just gob-smacking. Nolan is known for astounding imagery, but this is next level. And while McConaughey, Anne Hathaway, Michael Caine and company are by no means giving the best performances of their careers, there’s still enough meat to make things compelling.
In the hands of a TV showrunner like David Simon or Vince Gilligan, Interstellar would be absolutely essential. In the hands of a director like Nolan, it’s a wildly ambitious movie that doesn’t quite deliver. Caine’s scientist enjoys quoting Dylan Thomas – that old chestnut about not going gently into that good night – but perhaps a more appropriate reference would be Shakespeare. Specifically, Macbeth. Interstellar may not have been told by an idiot, but it is full of sound and fury, signifying nothing.
Rob Boffard is a journalist and the author of the upcoming scifi thriller novel TRACER, releasing in July 2015.
It seems like only yesterday that we were getting ready for San Diego Comic-Con. Now it’s New York’s turn and we could not be more excited! Come see us at booth #2218. We’ll have signings, giveaways, and special promotions throughout the weekend. Below is the full schedule of events and panels.
Thursday, October 9th
SIGNING + GIVEAWAY: In-booth signing with Nicole Peeler; 2:00 PM at Booth #2218
Friday, October 10th
PANEL: Playing with Magic with Sam Sykes; 1:15 PM in Room 1A14
SIGNING: Sam Sykes and other panelists; 2:15 PM at Table 19 in the Autographing Area
Saturday, October 11th
SIGNING + GIVEAWAY: In-booth signing with Gail Z. Martin; 11:00 AM at Booth #2218
PANEL: These Are My People/Aliens/Zombies/Vampires/Dragons! with N.K. Jemisin; 12:00 PM in Room 1A18
SIGNING: N.K. Jemisin and other panelists; 1:00 PM at Table 19 in the Autographing Area
PANEL: Not Your Mother’s Fairy Tales with Nicole Peeler; 3:00 PM in Room 1B03
SIGNING: Nicole Peeler and other panelists; 4:00 PM at Table 19 in the Autographing Area
SIGNING + GIVEAWAY: In-booth signing with Andy MacDonald, artist of the graphic novel adaptation of Brent Weeks’s THE WAY OF SHADOWS; 3:00 PM at Booth #2218*
Sunday, October 12th
PANEL: How A Game of Thrones Changed Fantasy…Or Has It? with Gail Z. Martin; 1:15 PM in Room 1A05
SIGNING: Nicole Peeler and other panelists; 2:15 PM at Table 10 in the Autographing Area
*We will be giving away graphic novel samplers of The Way of Shadows at the 3:00 PM signing. The newly released hardcover will be available for purchase from Yen Press at the convention.
Not only have you been filling your blogs with praise for AGE OF IRON, but twitter has been full of love for this action-packed and darkly humorous fantasy debut! Here’s just a sample of your tweets:
Book three of D.J. Molles’s bestselling series is available now in paperback! When a bacterium turns 90% of the population into hyper-aggressive predators, it’s up to a group of elite soldiers like Lee Harden to rekindle a fallen civilization. But the infected are only part of the challenge. See what’s in store for Captain Harden in THE REMAINING: REFUGEES.
It has been three months since Captain Lee Harden found the survivors at Camp Ryder. With winter looming, Lee is on the verge of establishing a hub of safety and stability in the region. But not everyone agrees with Lee’s mission…..or his methods.
Growing tensions within the camp’s leadership are coming to a head, and as Lee struggles amid the dissension and controversy, new revelations about the infected threaten to destroy everything he has worked for.
THE REMAINING – Available now.
THE REMAINING: AFTERMATH – Available now.
THE REMAINING: REFUGEES – Available now.
THE REMAINING: FRACTURED – August 2014
Novella 1: THE REMAINING: TRUST
Novella 2: THE REMAINING: FAITH
In this year’s voter packet for the Hugo Awards, Orbit will be including extended previews of three novels we’ve published. These are:
PARASITE by Mira Grant
ANCILLARY JUSTICE by Ann Leckie
NEPTUNE’S BROOD by Charles Stross
We hope that these long extracts will provide a helpful introduction to these fantastic novels – and that they will encourage anybody who has not read them to read more.
We appreciate that some Hugo voters might be disappointed that the entire novels will not be available in the packet, and we would like to offer a word of explanation.
We are of course very much in favour of initiatives that help readers to engage with important awards, and we are always looking for new ways to help readers discover new authors. However, in the case of the voter packets, authors and rights holders are increasingly feeling that if their work is not included in the packet it will be at a disadvantage in the awards. It’s difficult for anyone to know for certain whether this is the case, but either way we don’t feel that authors and rights holders should feel under pressure to make their work available for free. There are a lot of different attitudes to the idea of giving work away for free, but we hope most people would agree that writers and rights holders should be able to make their own choice, without feeling that their decision might have negative consequences.
We would like to make it clear that this was our decision, and not one requested by any of our authors. It is a complex issue, with many different perspectives and opinions, and we believe that we are acting in the best interests of our authors while continuing to support the voter packet.
Going forward, we very much hope that awards administrators give careful consideration to voter packets, particularly in those categories in which shortlisted works are already widely available, and that they continue to look for new ways to encourage participation in awards.
In the meantime, I hope everyone eligible to vote in the Hugos who has not yet read the shortlisted novels enjoys the extended previews in the voter packet.
by May 2nd, 2014-
Every vampire has heard rumor of the mythical place where their kind can daywalk. But what no vampire knows is that this City of Eternal Night actually exists.
And its name is New Orleans.
For centuries, the fae have protected the city from vampire infestation. But when the bloodsuckers return, the fragile peace in New Orleans begins to crumble.
Carefree playboy Augustine, and Harlow, a woman searching for answers about her absent father, are dragged into the war. The fate of the city rests on them — and their fae blood that can no longer be denied.
There is nothing as heart wrenching for readers and authors alike as concluding a series and leaving a whole world behind. But just as all good things must come to an end, new and fabulous things begin! Kristen Painter, author of the beloved House of Comarré novels, knows this process well as she heads into her second series — Crescent City. Book one, House of the Rising Sun, debuts next week, and in preparation, Kristen stopped by to talk about the transition process from an author point of view:
Top Five Reasons Ending an Existing Series is Hard
- April 28th, 2014-
I need to get up, but I can’t because I’m reading “The Oversight” and really, just one more chapter can’t do any harm….
— Lou Morgan (@LouMorgan) February 9, 2014
Just finished Charlie Fletcher’s The Oversight. Juicily vivid Victorian setting, and all the macabre you can eat. Gripping stuff. — Frances Hardinge (@FrancesHardinge) March 17, 2014
“I fell into Wolfhound Century and devoured it in three days.”— Richard Morgan
Today we are proud to release the greatly anticipated TRUTH AND FEAR, Peter Higgins’s enthralling sequel to WOLFHOUND CENTURY. TRUTH AND FEAR is the second novel in the Wolfhound Century trilogy, published by Orbit in the US and Gollancz in the UK.
TRUTH AND FEAR finds Investigator Lom returning to a Mirgorod in crisis, with the war against the Archipelago looking grim for all. Enemy divisions are massing outside the city, air raids are a daily occurrence and the citizens are being conscripted into the desperate defense of the city.
But Lom has other concerns. The police are after him, the mystery of the otherworldly Pollandore remains and the vast Angel is moving, turning all of nature against the city.
As complete destruction looms, Lom must find a way to save the city and save himself – before the horrors of war overtake them all.
Praise for WOLFHOUND CENTURY:
“Like vintage China Mieville, but with all the violent narrative thriller drive of Ian Fleming at his edgiest” RICHARD MORGAN
“An amazing, fast-paced story in a fantasy world poised dangerously on the edge of quantum probability, a world where angels war with reality” PETER F. HAMILTON
“I absolutely loved WOLFHOUND CENTURY. Higgins’s world is a truly original creation, Russian cosmism and Slavic mythology filtered through steampunk and le Carre. What really captured me was his beautiful style and language” HANNU RAJANIEMI
“An alternate history that will grab you by the lapels and snap you to attention.”— io9
“Sentient water, censored artists, mechanical constructs, old-fashioned detective work, and the secret police are all woven together in this rich and fascinating tapestry” — Publishers Weekly
“WOLFHOUND CENTURY merits the attention of Miéville fans looking for something new.” — Far Beyond Reality
“WOLFHOUND CENTURY is a strange, complex, earthy, sometimes violent read, and one of the best debuts I’ve gotten my hands on.” — My Bookish Ways
“This is a great, dark and fantastical thriller. It has the suspense of classic spy thrillers, mixed with the strange and the bizarre found in any number of critically-acclaimed fantasists.” — Civilian Reader
“Higgins doesn’t just build a world, he also thrusts the reader into it thanks to his incredibly adept use of an intense and stark atmosphere.” — Bookworm Blues
“Very dark, very gritty and very atmospheric. WOLFHOUND CENTURY is also a book free of genre constraints, allowing for a great original and entertaining read. Top Notch stuff by Peter Higgins.” — The Founding Fields
“Fans of dystopian fiction, noir, and science fiction and fantasy (especially those weary of tired old world building that always seems to center on English history or Western European norms) will find much of interest in this book.” — Nerds of a Feather
You are currently browsing the archives for the Uncategorized category.
Please note that though we make every effort to ensure the suitability of links, Orbit cannot be held responsible for the content of external sites.