- - April 15th, 2015
We’re thrilled to be able to show you the cover for WAKE OF VULTURES: a rich, dark fantasy of destiny, death and the supernatural world beneath the surface, coming from Orbit in October 2015.
Cover design by Lauren Panepinto.
We are unbelievably excited for this truly one of a kind fantasy, and we know you will be too! Because as Chuck Wendig put it, “Hot damn, this book is good.”
Advance praise for WAKE OF VULTURES:
“I don’t care what else you’ve seen in the bookstore today. Buy this book because it’s the thrilling, delightfully written, and important one you’ve always wanted to read.”
— Kevin Hearne
“Wake of Vultures doesn’t just fly — it soars. Lila Bowen brings in a wild fantasy quite unlike anything I’ve ever read, with a voice that’s weird and wonderful. Bowen is truly a talent to watch. Hot damn, is this book good.”
— Chuck Wendig
“Sharp as a silver Bowie and unsentimental as a stray bullet, Lila Bowen’s Nettie Lonesome earns a place among the legends of the Weird West.”
— Matthew Stover
“Wake of Vultures is a ferocious, fascinating take on the magical Old West – creatively and unsentimentally grim, yet rich with hope and heart.”
— Cherie Priest
- - April 9th, 2015
“With the Crescent City series, Painter proves herself a master of Urban Fantasy, creating a darkly gorgeous new world, richly drawn characters, and nonstop action.”
— Kristen Callihan
“[Kristen Painter’s] rich, modern storytelling lays out an intricate plot layered with plenty of action and intrigue. Exquisite characters lie at the center of this story… From the first page, House of the Rising Sun is truly a superb and exciting read.”
— RT Book Reviews (4.5 Stars), Top Pick!
Readers and reviewers alike have been raving about Kristen Painter’s Crescent City series, and as of this week, the wait is over! GARDEN OF DREAMS AND DESIRES (US | UK | AUS) is available, and now you can collect the entire trilogy from any of your favorite retailers.
New to the series? Read an excerpt from the first book, HOUSE OF THE RISING SUN, here!
Praise for the Crescent City series:
“I tore through Painter’s new series. Best new urban fantasy out there!”
— Kresley Cole, New York Times bestselling author
“Urban fantasy fans will enjoy entering Painter’s vividly drawn world.”
— Library Journal
“Painter creates an intricate, well-crafted plot, along with compelling, distinctive characters and an enthralling twist… this story will definitely have readers turning pages all night!”
— RT Book Reviews
- December 23rd, 2014
We’re off to stuff ourselves with mince pies and books. Happy holidays from everyone at Orbit! See you in 2015.
- November 11th, 2014
“…a winning combination of A Game of Thrones, sword-and-sorcery RPGs, and vivid description.” – Publishers Weekly on A DANCE OF CLOAKS
Today is the publication day of David Dalglish’s latest Shadowdance novel – A DANCE OF GHOSTS (US | UK | AUS)!
For longtime fans of the series, today is particularly exciting as it marks the first Shadowdance book that has never been previously published in any format.
What lies ahead for Haern and the city of Veldaren? Nothing but trouble that’s for sure.
A night of fire and blood heralds Muzien the Darkhand’s arrival to Veldaren. With him comes the might of the Sun Guild, eager to spread their criminal empire.
Left blind after being attacked by the Widow, Alyssa Gemcroft struggles to hold together the remnants of the Trifect as the Sun Guild’s arrival threatens to shatter whatever future her son might have left.
Veldaren’s only hope is in the Watcher, but Haern is no longer there. With his father, Thren Felhorn, he is traveling to the Stronghold, an ancient bastion of the dark paladins of Karak. Will they find the answers they seek? Or will the Stronghold be their final destination?
On BuzzFeed, David Dalglish pulls back the curtain on the editorial process. Check out this behind-the-scenes look at the making of a book, while we try and talk his editor out of murdering him.
Listen to a sample from the audiobook below!
Interstellar official movie poster © Warner Bros UK
It took me a little while to work out what was bothering me about Interstellar.
The realisation came about two thirds of the way in, when Matthew McConaughey and his merry band of intergalactic explorers were contemplating another dive into the black hole which has flung them to the other end of the universe in the search for a new home for humanity. It was then that I had the thought, “This would work so much better as a TV series.”
Going through a black hole, if we are to believe physicist (and executive producer) Kip Thorne, is a very noisy, turbulent, chaotic experience. So is the movie. Director Christopher Nolan never stops blasting you with information: quantum mechanics, on-planet disasters, portentous imagery, space-time fluctuations, really loud music, and lots and lots of Dylan Thomas.
And boy, do things happen fast. One minute, McConaughey and company are puttering about on Earth trying to grow corn, and the next they’re at the other side of the cosmos, seeing if humanity can survive on a watery planet with mountainous waves (spoiler: we can’t).
There are other problems too. The sound mix is ridiculous, juxtaposing the silence of space with long periods of bombarding your eardrums with noise. And there are several glaring plot-holes. My particular favourite: ace ex-NASA pilot McConaughey is living just down the road from their secret facility, but they somehow never bother to pop on over to his farm and ask for his help. Naturally, when he shows up on their doorstep, they immediately insert him into the ship crew. I feel a bit bad for the poor bastard he replaced.
Perhaps the biggest letdown is that the movie never asks the most important question. If humanity has wrecked the Earth so badly, do we even deserve to survive? At no point do any of the astronauts and scientists stop to ask whether we’ve learnt enough not to screw up the next planet we land on. Nolan is happy to speculate on spaceship mechanics, the power of family and the ability of love to cross the infinite gulf of space, but he never wonders if we’ve done enough to deserve any of it.
That doesn’t mean you shouldn’t see Interstellar. For one thing, there’s nothing else that looks quite like it. Everything from the different planets to the dusty, scorched fields on Earth to the black hole itself is just gob-smacking. Nolan is known for astounding imagery, but this is next level. And while McConaughey, Anne Hathaway, Michael Caine and company are by no means giving the best performances of their careers, there’s still enough meat to make things compelling.
In the hands of a TV showrunner like David Simon or Vince Gilligan, Interstellar would be absolutely essential. In the hands of a director like Nolan, it’s a wildly ambitious movie that doesn’t quite deliver. Caine’s scientist enjoys quoting Dylan Thomas – that old chestnut about not going gently into that good night – but perhaps a more appropriate reference would be Shakespeare. Specifically, Macbeth. Interstellar may not have been told by an idiot, but it is full of sound and fury, signifying nothing.
Rob Boffard is a journalist and the author of the upcoming scifi thriller novel TRACER, releasing in July 2015.
- - October 9th, 2014
It seems like only yesterday that we were getting ready for San Diego Comic-Con. Now it’s New York’s turn and we could not be more excited! Come see us at booth #2218. We’ll have signings, giveaways, and special promotions throughout the weekend. Below is the full schedule of events and panels.
Thursday, October 9th
SIGNING + GIVEAWAY: In-booth signing with Nicole Peeler; 2:00 PM at Booth #2218
Friday, October 10th
PANEL: Playing with Magic with Sam Sykes; 1:15 PM in Room 1A14
SIGNING: Sam Sykes and other panelists; 2:15 PM at Table 19 in the Autographing Area
Saturday, October 11th
SIGNING + GIVEAWAY: In-booth signing with Gail Z. Martin; 11:00 AM at Booth #2218
PANEL: These Are My People/Aliens/Zombies/Vampires/Dragons! with N.K. Jemisin; 12:00 PM in Room 1A18
SIGNING: N.K. Jemisin and other panelists; 1:00 PM at Table 19 in the Autographing Area
PANEL: Not Your Mother’s Fairy Tales with Nicole Peeler; 3:00 PM in Room 1B03
SIGNING: Nicole Peeler and other panelists; 4:00 PM at Table 19 in the Autographing Area
SIGNING + GIVEAWAY: In-booth signing with Andy MacDonald, artist of the graphic novel adaptation of Brent Weeks’s THE WAY OF SHADOWS; 3:00 PM at Booth #2218*
Sunday, October 12th
PANEL: How A Game of Thrones Changed Fantasy…Or Has It? with Gail Z. Martin; 1:15 PM in Room 1A05
SIGNING: Nicole Peeler and other panelists; 2:15 PM at Table 10 in the Autographing Area
*We will be giving away graphic novel samplers of The Way of Shadows at the 3:00 PM signing. The newly released hardcover will be available for purchase from Yen Press at the convention.
- - September 26th, 2014
Not only have you been filling your blogs with praise for AGE OF IRON, but twitter has been full of love for this action-packed and darkly humorous fantasy debut! Here’s just a sample of your tweets:
- - July 29th, 2014
Book three of D.J. Molles’s bestselling series is available now in paperback! When a bacterium turns 90% of the population into hyper-aggressive predators, it’s up to a group of elite soldiers like Lee Harden to rekindle a fallen civilization. But the infected are only part of the challenge. See what’s in store for Captain Harden in THE REMAINING: REFUGEES.
It has been three months since Captain Lee Harden found the survivors at Camp Ryder. With winter looming, Lee is on the verge of establishing a hub of safety and stability in the region. But not everyone agrees with Lee’s mission…..or his methods.
Growing tensions within the camp’s leadership are coming to a head, and as Lee struggles amid the dissension and controversy, new revelations about the infected threaten to destroy everything he has worked for.
If you are new to the series, make sure to check out the first book, THE REMAINING, the second book, THE REMAINING: AFTERMATH, and follow the author on Facebook.
THE REMAINING – Available now.
THE REMAINING: AFTERMATH – Available now.
THE REMAINING: REFUGEES – Available now.
THE REMAINING: FRACTURED – August 2014
Novella 1: THE REMAINING: TRUST
Novella 2: THE REMAINING: FAITH
- - May 13th, 2014
In this year’s voter packet for the Hugo Awards, Orbit will be including extended previews of three novels we’ve published. These are:
PARASITE by Mira Grant
ANCILLARY JUSTICE by Ann Leckie
NEPTUNE’S BROOD by Charles Stross
We hope that these long extracts will provide a helpful introduction to these fantastic novels – and that they will encourage anybody who has not read them to read more.
We appreciate that some Hugo voters might be disappointed that the entire novels will not be available in the packet, and we would like to offer a word of explanation.
We are of course very much in favour of initiatives that help readers to engage with important awards, and we are always looking for new ways to help readers discover new authors. However, in the case of the voter packets, authors and rights holders are increasingly feeling that if their work is not included in the packet it will be at a disadvantage in the awards. It’s difficult for anyone to know for certain whether this is the case, but either way we don’t feel that authors and rights holders should feel under pressure to make their work available for free. There are a lot of different attitudes to the idea of giving work away for free, but we hope most people would agree that writers and rights holders should be able to make their own choice, without feeling that their decision might have negative consequences.
We would like to make it clear that this was our decision, and not one requested by any of our authors. It is a complex issue, with many different perspectives and opinions, and we believe that we are acting in the best interests of our authors while continuing to support the voter packet.
Going forward, we very much hope that awards administrators give careful consideration to voter packets, particularly in those categories in which shortlisted works are already widely available, and that they continue to look for new ways to encourage participation in awards.
In the meantime, I hope everyone eligible to vote in the Hugos who has not yet read the shortlisted novels enjoys the extended previews in the voter packet.
Every vampire has heard rumor of the mythical place where their kind can daywalk. But what no vampire knows is that this City of Eternal Night actually exists.
And its name is New Orleans.
For centuries, the fae have protected the city from vampire infestation. But when the bloodsuckers return, the fragile peace in New Orleans begins to crumble.
Carefree playboy Augustine, and Harlow, a woman searching for answers about her absent father, are dragged into the war. The fate of the city rests on them — and their fae blood that can no longer be denied.
There is nothing as heart wrenching for readers and authors alike as concluding a series and leaving a whole world behind. But just as all good things must come to an end, new and fabulous things begin! Kristen Painter, author of the beloved House of Comarré novels, knows this process well as she heads into her second series — Crescent City. Book one, House of the Rising Sun, debuts next week, and in preparation, Kristen stopped by to talk about the transition process from an author point of view:
Top Five Reasons Ending an Existing Series is Hard
- Worldbuilding – Building worlds is tons of fun. But when you pour extensive amounts of gray matter into a world that’s spanned five novels and one novella, you’re pretty stuck in. You know the place intimately and you can navigate better than Google Maps. Ending the series means you don’t get to play there anymore.
- Characters – After a series run, your characters can feel like an extended part of your family. In some cases, you may have spent more time with them than your actual family. Throughout the books, your characters have grown and changed and those that have survived may have even become better people because of things they overcame along the way. You know them like you know yourself. When the series ends, there’s not a lot of chance to see them again.
- Readers – Readers get even more invested in a series than the author does sometimes, so for me, I’m always thinking about them when I write. My goal with every book is to entertain, so leaving a series makes me cringe. What if the readers aren’t happy with the ending? What if they still want more? What if the readers don’t like the new books? What if they hate the new hero/heroine?
- The New Book – All of a sudden you realize you have to come up with a new series – new worldbuilding, new characters, new conflicts, new plots. That can be daunting when you feel like you put everything you had into the series you just finished.
- The Final Book – The last book in a series carries a lot of weight. Writing it means shouldering the burdens of every unanswered thread you’ve created thus far. And some authors *coughmyselfcough* tend to create a lot of threads. All of them have to be wrapped up neatly and you’ve still got to have a conclusion that leaves the reader feeling satisfied. Oh, the pressure! It’s enough to make a writer drink. Or binge eat Swedish fish.
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