Orbit Books

Instrusion

IntrusionKen MacLeod

With sinister echoes of 1984 and Brave New World, this original novel features a near-future city where medical science invents a single-dose pill for eradicating many common genetic defects . . .
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The Troupe

The Troupe Robert Jackson Bennett

From the acclaimed author of Mr. Shivers and The Company Man comes a new tale of gothic intrigue set during the Vaudeville era.
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Category: Uncategorized

Cover launch: The Black Sun’s Daughter series by M.L.N. Hanover


M.L.N. Hanover’s fantastic Black Sun’s Daughter series will be published in the UK for the first time in the New Year, with the first four books in the series coming out monthly from January. If you like Patricia Briggs or Kelley Armstrong or Sherrilyn Kenyon you’re in for a treat with these – I read all four of them in one weekend when I first discovered them.

A great series deserves great covers, so I hope you’ll agree we’ve done them justice. Little, Brown inhouse designer Hannah Clark’s creative interpretation of my loose brief (which boiled down to “it needs to look like urban fantasy but I want it to be new and different”) has led to this wonderfully fresh and original cover style – thanks Hannah!

Are you Hounded, Hexed or Hammered?

 There’s been a lot of excitement in certain SFF circles about Kevin Hearne’s fantastic Iron Druid Chronicles series. I first read Hounded as a manuscript over a year ago, and loved it, but I was working at a different publisher and no matter how I tried, I couldn’t quite manage to disguise the book as a thriller, which was the focus of my list at the time . . . So I had to let it go – and was delighted to discover it was still available when I arrived at Orbit UK a few months ago! And I’m not alone in my delight: Hounded and the two sequels whipped up a storm of rave reviews in the US when they were published over there earlier this year, and Hounded was the fastest selling debut fantasy of 2011.

Now you lucky, lucky people get to read it over in the UK and our various other markets across the world: we published the first book, Hounded, in September, the second, Hexed, in October, and the third book, Hammered, is out this month.

SFF World described the series pretty well when they said it’s ‘American Gods meets Harry Dresden’ – what’s not to like?!

Here’s what others have said about the first two books in the series:

HOUNDED

Entertaining, steeped in a ton of mythology, populated by awesome characters’  civilianreader

‘Hearne, a self-professed comic-book nerd, has turned his love of awesome dudes whacking mightily at evil villains into a superb urban fantasy debut. Staying alive for 2,000 years takes a great deal of cunning, and sexy super-druid Atticus O’Sullivan, currently holed up in the Arizona desert, has vexed a few VIPs along the way. High up on that list is Aenghus Óg, the Celtic god of love. It’s not just that Aenghus wants his sword back – though it is a very nice magical sword – but that Atticus didn’t exactly ask permission to take it. Atticus and his trusty sidekick, Irish wolfhound Oberon, make an eminently readable daring duo as they dodge Aenghus’s minions and thwart his schemes with plenty of quips and zap-pow-bang fighting.’  Publisher’s Weekly, starred review Read the rest of this entry »

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Interview with Uri

In honor of my Days of the Dead blog tour, I’d like to introduce you to one of my vayash moru (vampire) characters from the Chronicles of the Necromancer and Fallen Kings series.  Vayash moru play an important part in my books, aiding–and sometimes opposing–Tris Drayke and Jonmarc Vahanian.

Here, I’d like to introduce you to Lord Uri,  a member of the Blood Council.  In life, he was a thief and a card sharp, and in death his ethics have been questioned even by others on the Blood Council.  He is not overly fond of mortals, especially not Jonmarc Vahanian, with whom he has repeatedly sparred verbally. 

Q:  What has immortality taught you?

A:  Mortals never learn.  This creates great opportunity for those who do.

Q: You have repeatedly shown disdain for Jonmarc Vahanian, yet in the end, you have grudgingly chosen to side with him rather than against him.  Why?

A:  Jonmarc Vahanian annoys me.  I knew his kind quite well when I was mortal.  And while he made a lot of money for me when I bet on hi back when he was a Nargi fight slave, I find him arrogant in his abilities. But I have to admit, he is good at fighting.  And after last year’s vayash moru insurrection, I find myself owing him–a damnable situation.

Q:  Like most of the Blood Council, you chose to ally with the mortals of the Winter Kingdoms against the Temnottan invaders.  Why?

A:  In this, the living and the undead have common cause.  Temnotta will not be a kind master if the northern forces prevail.  I endured far too much of that kind of oppression in Nargi to serve another such master.  Once again, to my great annoyance, I find Jonmarc Vahanian and I to be on the same side.

Q:  What is your biggest disappointment about immortality?

A:  That despite superior strength and speed, my kind still fall prey so easily to those who would destroy us.

Please check out my Days of the Dead online blog tour—there are lots of other free downloads, drawings for free books, excerpts, interviews and fun—details are at www.ChroniclesOfTheNecromancer.com

Wallpapers for THE HEROES by JOE ABERCROMBIE

I loved working on these epic covers of badassery (technical term) with Gene Mollica & Michael Frost…so now that The Heroes is out, it’s totally time for wallpapers! I think these covers are set to volume 11, just like Joe Abercrombie’s writing, so if you like gritty, brutal, real-life epic fantasy with fabulous characters and a helping of political backstabbing, then you really should pick up The Heroes, out now in Trade Paperback.

Here’s all the wallpaper download links…if anyone needs a specific dimension made, let us know!

1024 x 768 | 1280 x 800 | 1440 x 900 | 1680 x 1050 |1920 x 1200 iPhone | iPad

author post

Form, Structure and Scouting

“What I love about this,” the director said, “is the form of the piece.”

I locked my expression into ‘polite neutral’ and tried nodding and smiling.  We were in a scout hut in Kew, rehearsing a play that I’d written for a reading in a few weeks time, and the director was twiddling a pencil between his fingers in the manner of a repressed creative genius just waiting to strike that rogue comma with the sharpened point of HP.

“I love the way the form and the structure both reflect the cascading nature of the language and narrative as it builds out of control from the prime inciting incident to the moment of character curve completion.”

I kept on smiling.  This was, I felt, the most polite thing I could do under the circumstances.  I feel I should add that the director on this particular literary project was nothing if not brilliant.  A damn good director, a very good bloke and a man I would happily write for again.  But, and this was a bit of a sticking point for me, he also knew damn more about writing than I did.

This is not the same as being able to write – he confesses that he can’t write for toffee – but on the other hand, he’d had a lot more training in the area by which he was able to discover this truth.  Whereas I have always just… muddled by.  Working with him was, therefore, something of a painful reminder of a constant truth… that sometimes being a good writer, is not the same as being a good author.

Talking about your literary works is, I personally think, one of the hardest things a writer has to do.  There are a lot of problems stacked against you, of which the first and usually most deadly, is personal bias.  As the writer, I naturally know, as no one else can, that my epic, 700 page-long tome – ‘What I Did That Tuesday Afternoon When I Had Gastroenteritis’ – is nothing short of a scintillating work of literary genius.  My heart, my soul, and quite possibly other bodily fluids, judging by the title, have been poured into this, along with a great deal of time and a lot of earnest thought.  When, therefore, my editor turns round and suggests that it’s a light-hearted romp beside sold alongside ”Funny Jokes For Farting Fathers’, a certain blindness overwhelms my otherwise calm literary judgment.  Under these circumstances, answering questions coherently about ‘Tuesday Afternoon’ and why it and it’s puce-coloured cover are sat in the Silly Section of the bookshop, and even the most thoughtful of authors struggle to see through their own bias to a clear and sensible reply. Read the rest of this entry »

Orbit US at NY Comic Con!

Orbit US is gearing up again for New York Comic Con! Stop by our booth #939 to say hi, and pick up buttons, books, posters and more.   Check out the schedule after the jump! Read the rest of this entry »

author post

I’ve written about Death a little bit these last few years, just in case you hadn’t noticed, and I’ve learnt a thing or two, or (to tie in with the title) ten.

 

1. People have to die.

Or Death just twiddles its bony thumbs, and starts a lawnmowing business. And then people die either of boredom, or because you’ve kind of ripped off Terry Pratchett a little bit, and you’re answering emails asking if you realized that that was the plot of Reaper Man (sort of).

 

2. Death isn’t a joke.

Death can be cruel, ridiculous, and tragic, but if you treat it as a joke, it becomes meaningless. I was writing comedy, but not farce. Death’s the punchline, but it isn’t the joke. Though sometimes you just want to tell the one about Death walking into the bar – it’s a real killer.

 

3. Death wants all the cool lines.

Seriously, it does. I think the moment a character says, “ I am Death,” there’s a certain amount of inescapable gravitas. Though if it then reveals that it can’t really play chess all that well you’re undercutting it a bit – unless you have this story where Death has entered a chess tournament in order to win enough money to say an orphanage from evil property developers. Remember, with cool lines comes great responsibility.

 

4. Not everyone dies every day.

Even in a book about Death. Death itself isn’t a story, it’s an ending, or a beginning (depending on how you want to look at it). People die, people live to die another day, or something like that.

 

5. Death isn’t dying.

Death really isn’t dying – dying through illness or accident is the sort of stuff life manages (you’ll notice how life doesn’t usually bother with the proper noun, it figures it doesn’t need the capitalization to sound important, life’s a bit smarmy). Death can be an ending to suffering. It’s not the suffering itself. People often get the two mixed up. Which is why Death is frequently regarded as an object of horror, or even a monster. But don’t blame the messenger. Death’s really just there to keep the dead company until they pass onto the other side/place/state of being – it even keeps a game of travel Scrabble in the pockets of its cloak*.

 

6. Death hasn’t had a pale horse since it bought its first car in 1928.

 Hardly surprising, I mean, horses are high maintenance, and my Death lives in a city that isn’t exactly horse friendly, and when was the last time you saw a stables outside a morgue, mortuary, gym or anywhere else in town?

 

7. People have been writing about Death since writing began.

Death, the Underworld, and dying they’ve been obsessions of people and cultures for a very long time. I guess that’s what happens in a world where things die. There’s a rich history of Death in mythology and popular culture. Everything from Ankous to Psychopomps and sparrows. Actually you’d be hard pressed to find anything that hasn’t been used as a symbol of death – except, maybe toothbrushes.

 

8. Scythes are kind of cool.

They really are, there’s lots of excellent words that concern themselves with scythes, like did you know that the shaft of a scythe is called a snath? And that to lop something off is to snathe. Next time you get a haircut tell them you want a thorough snathe, make sure they finish well above the neck.

 

9. Death is a good dancer.

Well, actually, no. Not that that matters because the Danse Macabre is really just a conga line, and that’s easy as long as you can kick in time with the music.  However, Death has an exceptionally awesome taste in music. At least in my books it does. Every good death needs a brilliant soundtrack (hmm, I think I have the subject of my next blog post).

 

10. When writing about Death, you’re really writing about life.

Death is meaningless without life. You don’t get a great ending, narratively speaking, without something at stake – usually the bigger the better. In the Business of Death all life on Earth is threatened by an ancient and very angry god. There’s a great deal of irony involved when only Death can halt the Apocalypse. But I guess it’s true what they say there’s only two things you can count on in this life Death and taxes, and when did the taxation department last save the world?**

 

*This may not be Death Works canon.

 

**I’m sorry, I’m sure the Taxation Department is always saving the world. In fact, if there isn’t a series about a Paranormal Tax Investigation Agency there should be – just send me four percent of the royalties.

Congratulations Robert Jackson Bennett and N.K. Jemisin!

After a sweltering FantasyCon in Brighton last weekend, I was delighted to collect the Sydney J Bounds Award for Best Newcomer on behalf of Robert Jackson Bennett for his wonderful novel Mr Shivers (US | UK | ANZ). The judges commented he ‘created an atmospheric tale, reminiscent of the best of Block and King, skilfully evoking the ambience of the Great Depression, while demonstrating compelling storytelling’. Quite right! Congratulations, Robert – your statuette is in the post, but meanwhile here’s a picture of it looking rather lovely next to the winning book:

On the shortlist for the same award was another fabulous Orbit author, N.K. Jemisin, for her debut The Hundred Thousand Kingdoms (US | UK | ANZ). It’s widely available (as is Mr Shivers) so grab a copy now if you haven’t read it yet. Jemisin’s new book The Kingdom of Gods (US | UK | ANZ) hit the bookshops in the UK, Australia and New Zealand on 6 October and is out in the US next month.

Cover Launch: SEVEN PRINCES by John R. Fultz

Today I am very excited to launch a hotly-anticipated book (and cover!) for The Seven Princes by John R. Fultz. I am absolutely in love with the art by Richard Anderson. I love his loose, impressionistic fantasy style. This project is a perfect example of everything we try to do at Orbit – make an amazing cover that absolutely oozes fantasy, yet do it with an infusion of a fresh new style or new angle. The book is a very classic fantasy tale but told in a really fast-paced cinematic, almost modern pulp kind of feel, and I am just thrilled with this marriage of artist and story. Definitely go check out the artist’s site and blog, he’s been working on concept art for Guild Wars for a long time, and if you are familiar with the game you’ll definitely recognize things, but all of his portfolio pieces are super drool-worthy. I am very excited to get working on the next cover in the series soon!

After the jump, get a teaser and see the art big and sexy…(yes sexy is a technical art-direction term!) Read the rest of this entry »

author post

The Path of Least Saneness

I’ve been a writer since a very young age, but when I started writing with the goal of publication, the first full length book I produced was a fantasy romance featuring a half-elf merc and a fire-wielding mage. I loved that book. It poured out of me in a way writing never had before, but that was long before I’d been weighted down by the rules of writing. No matter what genre you’re in, there are rules and people who will eagerly tell you about them and when you’re breaking them.

After years of trying to write within the confines of those rules and construct a book that fit the wants and desires of the romance publishing industry, I burned out. The broken promises and the inability to write without those rules in my head pushed me to a breaking point. I started to question why I was even writing if I no longer enjoyed it.

I reverted to my angsty high school self. The me that used to get lost in comic books and fantasy novels and autobiographies of Isaac Asimov. I got mad. Anger is an emotion I don’t do often but my Sicilian bloodlines allow me to tap into it pretty well.

All of that pushed me to write something new. Something that wasn’t for anyone else but me. This story, this book, this character sketch (I really didn’t know what I was writing, just that I was writing) became the vehicle for all my dark and twisty emotions. I poured everything I felt into those pages. I affectionately termed whatever it was that I was writing my Screw You book. Screw the rules, screw what anyone said I could or couldn’t write, I just wrote to make myself happy. Read the rest of this entry »

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