One of the best parts—and hardest parts— of my job is getting to match up artists with a new book or series. You have a big responsibility to get the image “right” — there’s nothing worse to me as a fan than reading a book and picturing it in your mind and loving it, then having an image on the cover that just doesn’t capture the depth or feel of the book. This can be true of a cover whether it’s designed or illustrated, but there’s something about an illustration that locks the image of the character or world in your mind, and it’s unshakeable. So you want it to be RIGHT.
The Gaslight Dogs by Karin Lowachee was definitely one of those books that begged to be illustrated. And the editor and I both thought Sam Weber had the perfect style for the book—both for his beautiful but haunting figures, and for his stark backgrounds. We thought he could perfectly evoke that arctic wasteland feeling, while giving us a compelling but accurate picture of the main character and her spirit form. That’s the tricky thing about hiring an illustrator also—you don’t just want them to paint a scene straight from the book—you want them to add something to it. Another layer, a feeling, it’s hard to describe, but you know it when you see it. It’s a very elusive quality, and one of those things that makes Creative Directors tear their hair out in their sleep. Read the rest of this entry »