- - January 21st, 2014
Ross Baker, the star of Christopher Brookmyre’s high-octane science fiction thriller, BEDLAM (UK|ANZ), can’t stop playing computer games. That’s because he’s trapped inside one.
The BEDLAM paperback comes out today, and to celebrate, we’ve teamed up with RedBedlam and Alienware for a fantastic BEDLAM-themed giveaway.
You could win one of six pieces of signed concept art from the upcoming BEDLAM computer game, or the Alienware X51, a gamer’s dream piece of hardware. If you’re based in the UK, head over to Chris’s blog to see the concept art and find out how to enter.
Chris and Orbit have also compiled this handy list, so you know when you’ve played too many computer games:
1. When you spot a CCTV camera, you flinch in case it’s directing a gun turret.
2. You notice a discoloured carpet tile, so you stomp on it in case it’s a pressure pad for opening a secret area.
3. You are at the supermarket. Someone gets to the last frozen pizza before you. You call them “a camping b*stard”.
4. At work, your boss asks why you’re not getting as good results as your colleague. You explain that this is only because he’s got a lower ping than you.
5. You visit the Sistine Chapel at the Vatican. Staring up at Michelangelo’s handiwork on the ceiling, you are moved to remark: “Mmm. Nice textures.”
6. You’re watching Match of the Day. Man United notch up another bloody victory. You shout at the telly and accuse them of using bots.
7. Your date turns up wearing a new outfit. You say: “Hey, I dig the new skin.”
8. You’ve heard about a fantastic new novel called BEDLAM, so you know it’s time to put down the controller and pick up a paperback for a while. Now, where’s that save point?
- - February 14th, 2013
In the spirit of the day, here’s Christopher Brookmyre’s Ode to a Gamer! (We’re still giggling at the last lines.)
- - February 11th, 2013
We’ve just released BEDLAM, where Ross Baker, an overworked scientist from Scotland, is shocked to wake up inside what seems to be one of his childhood favourite computer games – a mad, violent world where cyborgs fight humans and skies are filled with explosive space battles. How did he get there, and how will he ever escape? Read Christopher Brookmyre’s BEDLAM (UK|ANZ) to find out!
We asked Chris about the moments in his gaming history that shocked him, where he had felt a little like Ross, thrust into a hyper-real world he’d never experienced before, and this is what he had to say . . .
Game-changers: Five era-defining moments in my personal playing history:
JET SET WILLY – Freedom!
Up until this point, the games I played had taken place in environments contained within a single screen, which had to be completed before the player was rewarded with access to the next one. MANIC MINER, adored though it was, had followed this model, meaning that players became grindingly over-familiar with the early levels, traversing them over and over again in their quest to glimpse virgin territory, usually for about three seconds before being killed. MANIC MINER’S legendary sequel allowed the player to roam free, exploring anywhere their split-second timing allowed them to reach. Willy’s mansion consequently felt like a true place rather than a sequence of screens, even if it didn’t quite geometrically add up.
POPULOUS – I can haz earthquake?
Half-Life: “When I looked down, spotting that a grenade had been lobbed over and landed at my feet, I realised things were never going to be the same.”
An early wonder of the Commodore Amiga, POPULOUS effectively created the genre of the ‘god game’. For the first time, instead of navigating an environment, the player could shape it: raising the land, flattening mountains, raining down vulcanism and, of course, being worshipped by your people.
QUAKE – Physics can be fun.
Its story was back-of-a-fag-packet stuff and its visual design was a confused mismatch, but none of that mattered much when you were flying through the air, courtesy of your own splash-damage, blazing death upon your enemies below while you followed the graceful arc of your rocket jump. DOOM gave us a convincing first-person perspective, but QUAKE was the first game to be truly three-dimensional, memorably showcasing its physics early in the game with the low-gravity secret level, Ziggurat Vertigo.
HALF-LIFE – Who gave you permission to think?
By the late Nineties, the AI in even the most advanced games meant that enemies seldom bothered following you out of a room. They would wait, patiently and politely, for you to come back and resume hostilities. I recall following the usual protocol the first time I encountered the enemy soldiers in the Black Mesa Complex: quickly ducking behind a stack of crates while I readied myself for an offensive. When I heard a clunk and looked down, spotting that a grenade had been lobbed over and landed at my feet, I realised things were never going to be the same.
DOOM 3 – Mummy, can I have the lights on?
Contrary to the impressions given by years of moral panic and tabloid hysteria, I’d never thought a video game could be genuinely frightening. My own imagination imbued various games with atmosphere over the years, and I still remember a few well-designed jump-scares in QUAKE 2, but the idea of being terrified by sprites, pixels and polygons was absurd. Then came DOOM 3, with its constant steam-choked darkness, penetrable only by a flashlight which you had to hold instead of a gun. I recall playing the game late at night with the lights off and my headphones on, but not for long. I think there are still stains on the chair.
Doom 3 – “A flashlight? This is meant to be the future, where the frak’s my night-vision?”
- - February 7th, 2013
Infamous Scottish crime writer Christopher Brookmyre launches into the world of science fiction today with BEDLAM (UK|ANZ) – a first person shooter of a novel – a thought-provoking, funny look at what it really means to be human in the 21st Century. Want to know more? Here’s what everyone’s saying about it!
“A fascinating, fast-paced but thoughtful blend of science fiction and techno-thriller” – Iain M. Banks
“Funny jokes, characters you can empathise with and devastatingly employed swearwords.” – Ed Byrne
“It’s warm, funny, excellently violent and highly recommended. Game on.” – SCIFI NOW
“Brookmyre hits another high score with this brilliant, fast-paced nightmare.” – Charles Stross
PRISON OR PLAYGROUND?
Ross Baker is an overworked and underpaid scientist developing medical technology for corporate giants Neurosphere, but he’d rather be playing computer games than dealing with his nightmare boss or slacker co-workers.
One rainy Monday morning he volunteers as a test candidate for the new tech – anything to get out of the office for a few hours. But when he gets out of the scanner he discovers he’s not only escaped the office, but possibly escaped real life for good. He finds himself trapped in Starfire – the violent sci-fi video game he spent his teenage years playing – with no explanation, no back-up and most terrifyingly, no way out.
Would it be your ultimate fantasy to enter the world of a video game? Or would it be your worst nightmare? This is where you find out if you’re in a prison or a playground.
This is BEDLAM.
Read an extract on the Orbit website, check out Chris’s website or follow Chris on twitter at @cbrookmyre. And if you still need more Christopher Brookmyre in your life, keep checking the BEDLAM tag on the blog, as we’ve got some fantastic guestposts lined up this month!
- - September 7th, 2012
Feast your eyes on this cover for Christopher Brookmyre’s amazing SF novel – BEDLAM! (UK|ANZ) Cover design by Mark Swan and Nico Taylor.
Would it be your ultimate fantasy to enter the world of a video game? A realm where you can fly space-ships, shoot zombies and slay dragons, yet all of it feels completely real.
Or would it be your worst nightmare? Stuck in an endless state of war and chaos where the pain feels real and from which not even death can offer an escape . . .
This is where you find out if you’re in a prison or a playground.
This is BEDLAM.
Coming February 2013.
“Like the best Science Fiction books, Bedlam utilises an alternative reality to pose deep philosophical questions about the human condition. Like the best Christopher Brookmyre books it also has funny jokes, characters you can empathise with and devastatingly employed swear words . . .” – comedian Ed Byrne