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AGE OF IRON by Angus Watson

AGE OF IRON Angus Watson

Bloodthirsty druids and battle-hardened Iron Age warriors collide in the first volume of this action-packed historical fantasy trilogy.
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SYMBIONTMira Grant

The second terrifying novel in the Parasitology series by New York Times bestselling author Mira Grant!
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Posts Tagged ‘John R. Fultz’

May Events

In two weeks, the Nebula Awards Weekend will be taking place in San Jose, CA. Best of luck to all the nominees, but especially Kim Stanley Robinson and N.K. Jemisin, who both have works nominated for Best Novel this year! Here are some of the other conventions and events where you’ll find Orbit authors this month.

May 18-19: John R. Fultz @ Big Wow Comicfest, San Jose, CA

May 22: Catch Mur Lafferty, author of The Shambling Guide to New York City, in an online event at Shindig! More details here.

May 24-26: Mira Grant (as Seanan McGuire) @ OASIS, Orlando, FL

May 24-27: Mur Lafferty @ Balticon, Baltimore, MD

May 30: Michael J. Sullivan @ Audie Awards Gala, New York, NY

May 31 – June 2: Gail Z. Martin @ ConCarolinas, Charlotte, NC

First Looks: Fall 2013 – Winter 2014 US Covers

Winter 2013/Fall 2014

A new season of books is inbound, and it sure looks like it’s going to be an exciting one! Here’s the first crop of covers from the Fall 2013 – Winter 2014 season. We’re still putting the finishing touches on a few more, but you’ll be seeing them soon.

Because the smaller scale doesn’t do any of these fantastic covers justice, click on the images below to see a larger version. So pin, tweet, and comment to your heart’s content and tell us which books are already on your “Must have!” lists!

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Cover Preview UK: 2013 July to December

covers updatedSpring is almost here but we’re already looking forward to summer and autumn 2013! That’s because we’ve got some amazing books coming up for the rest of this year with freshly designed covers to share with you. This isn’t our whole list of published titles for the year – just the covers we think you might not have seen before.

Click on the individual cover images below to see the larger version and let us know your favourites!

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Epic Fantasy Interview Swap: John R. Fultz interviews Gail Z. Martin

Today John R. Fultz interviews Gail Z. Martin about epic fantasy and her new novel ICE FORGED (US | UK | AUS). If you’re just joining us, here is the first part of the discussion.

Seven Kings, the second novel in John R. Fultz's Shaper series, an epic fantasy series of huge proportions, perfect for fans of Dungeons and Dragons     Martin_IceForged-TP

John R. Fultz: ICE FORGED is a “fresh start” in a new fantasy world, one that is separate from your previous five books (which were all set in the same world). Why start fresh after six books’ worth of fleshing out your first fictional universe? Along those lines, what was your initial inspiration for ICE FORGED and the Ascendant Kingdoms?

Gail Z. Martin:I love my characters and the world I created in my previous series (Chronicles of the Necromancer series and The Fallen Kings Cycle), but the action had come to a natural resting point.  I still hope to tell more stories about that world, but there is a natural break in the action for the characters, so it seemed like a good time to go do something else myself for a while.

I got some of the inspiration for Ice Forged and the new Ascendant Kingdoms Saga series by turning a few elements of my original series upside-down.  In my first series, my main character is a necromancer, with very powerful magic.  In Ice Forged, my main character has very little magic, more on the hedge witch level of power.  In the Chronicles of the Necromancer/Fallen Kings books, my main character keeps magic from failing.  In Ice Forged, the magic upon which the civilization depends becomes impossible to harness and wipes out much of civilization.  In my original series, my main character was wrongfully hunted as an outlaw.  In Ice Forged, my main character not only actually committed the murder for which he is exiled, he is unrepentant about it.

Stories, for me, begin with the question, “What if?”  What if…a civilization depended on magic like we depend on the power grid—and the magic could no longer be controlled?  What if…the only one who might be able to restore the magic was someone exiled to the farthest reaches of the world? What if…the future of the kingdom depended on a handful of convicts?

My other favorite question is, “And then what?”  As I think through a plot, I always ask myself, “And then what?”  So they have a battle—and then what? So there’s a confrontation with the forces of the opposition—and then what? So they win a battle—and then what?  Even after a victory, there are messes to clean up.  For me, that’s where the story starts.

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Epic Fantasy Interview Swap – Gail Z. Martin interviews John R. Fultz

2013 is off to a great start, and if you’re a fantasy reader there are a ton of great books to choose from. With the releases of A MEMORY OF LIGHT (UK AUS), ICE FORGED (US | UK | AUS), and  now SEVEN KINGS (UK |US | ANZ),  you have a lot of reading to do.

Today let’s talk epic fantasy with authors Gail Z. Martin and John R. Fultz. Below is the first of a two part interview about writing in the genre and the most recent projects of these two authors. Come back tomorrow for the second half.

Seven Kings, the second novel in John R. Fultz's Shaper series, an epic fantasy series of huge proportions, perfect for fans of Dungeons and Dragons     Martin_IceForged-TP

Gail Z. Martin: SEVEN KINGS is your second novel, and you’ve said that you think it is even better than your debut work.  What did you learn writing your first book, and how did that affect your new book?

John R. Fultz: What a great question… I think that writing SEVEN PRINCES was very freeing for me because at the time I wrote it I had no guidelines, no publisher, no deadlines, no expectations except those I built myself. I remember telling a friend: “I’m going to write this story and let it be as long as it wants to be, and take as long as it needs to take.” After years of writing short stories it was time to make the transition to novelist, and all the advice I’d been given said “First, you must write the novel—everything else will follow.” So I took a “damn the torpedoes” approach and wrote the novel that I most wanted to write, with all the elements that had fascinated and attracted me to epic fantasy for decades. I came up with some fascinating characters, dropped them into an interesting setting, and basically let them run. It was very cathartic, and I finished the novel in far less time than I thought I would—I had built up some serious momentum. I usually write novels over the summer when I’m not teaching, and I’ve written three more “summer novels” since then. Of course the “idea work” begins months earlier, but summer is my official “writing season,” when I go nocturnal and spend as much time as I want in front of the keyboard. With SEVEN PRINCES I also had some great advice from a local writing group to help me get the early chapters just right.

With SEVEN KINGS, things had changed. New challenges presented themselves, and my priorities were quite different. I had already established a great cast of characters that I loved writing about, as well as the world they inhabited and most of the major conflicts that drove the narrative. The rules of sorcery were there (if not fully revealed yet), as well as the threads of many plotlines that would carry throughout all three books. So my job with Book II: SEVEN KINGS was to “deepen” the pot. I wanted to introduce some new characters, and to reveal more of the mystery that is Iardu the Shaper, including his role in the history of the world. I had always planned to explore the dichotomy of Lyrilan and Tyro as the Twin Kings, two very different brothers attempting to rule the same kingdom. And I knew I would stay with Vireon and Sharadza, the Children of Vod. My Book I antagonists had been defeated but not completely vanquished in the first book, so I needed to take them to a new level. Finally, I wanted to explore more of the deep history of the Shaper’s world, and reveal some heretofore obscure regions of it. This is why I decided to begin SEVEN KINGS deep in the jungles of Khyrei, a nation ruled by wicked powers that the rest of the world hates and fears.

There were also some “happy endings” in SEVEN PRINCES that I always intended to reveal were far from “happily ever after.” For example, Sharadza’s marriage to D’zan seems like a fairytale ending in the first book, but in the second book you find out the marriage is a failure—and for a reason that Sharadza refuses to reveal. Likewise with Vireon and Alua’s seemingly “perfect” family…there is more going on here than either of them suspects and it takes seven years to manifest. Life rarely serves up genuine happy endings, and I wanted to reflect that in this series by going back and showing the consequences of the new situations established at the end of the first book.

I guess you could say my goal with SEVEN KINGS was to raise the bar on the conflict, the characters, the threat, and above all the sorcery. Someone told me that SEVEN PRINCES was really all about sorcery, and I agreed. If that’s true then it also applies to the entire series. In some ways I wanted to subvert all the victories of the first book and show that the real story is far more vast and complex, like magic itself. Hopefully this mirrors how difficult it is to be a King, as opposed to a Prince. A King actually has to rule the kingdom, fight the wars, confront the overwhelming threats, and live with the terrible choices he makes. Kings rarely get second chances.

In many ways SEVEN KINGS is the “Act Two” of the trilogy, and traditionally the second act of any drama expands and complicates the elements of the first act. This is also why the second part of any trilogy is often considered “darker,” and I expect that to be said of SEVEN KINGS as well. It is decidedly darker: The worst is yet to come for these characters and the world they have built. Also, Book II: SEVEN KINGS takes place seven years after Book I, but Book III will take place only seven DAYS after Book II. So there is a much more immediate connection between Books II and III than between I and II.

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SEVEN KINGS – epic fantasy with a capital EPIC

Seven Kings, the second novel in John R. Fultz's Shaper series, an epic fantasy series of huge proportions, perfect for fans of Dungeons and DragonsToday is the worldwide release date for the SEVEN KINGS (UK |US | ANZ), the masterful second book in the Shaper series by John R. Fultz.

Starting with SEVEN PRINCES (UK |US | ANZ), this whole epic fantasy series really made a big impact on us here in Orbit. It’s crazily imaginative, powerful, energetic and so damn enjoyable.

We loved an io9.com review which said:

‘Breakneck pacing and nonstop insanity . . . It’s epic with a capital EPIC’

. . . as that just about summed it up for us.

With giants walking alongside men, monstrous serpents wreaking havoc and kingdoms doing battle with sorcery, we think this is ideal for anyone who likes their fantasy big, epic and about the ultimate clash between good and evil.

Whilst in some ways the series could be said to hearken back to the “old school” or “traditional” type of fantasy, in many other ways we really felt this series was one of the most original we’ve read in years – having a beautifully lyric, mythical tone and what we considered to be a very unique, distinguished style.

Seven Princes, the first novel in John R. Fultz's Shaper series, an epic fantasy series of huge proportions, perfect for fans of Tolkien and Dungeons and DragonsWe were really interested to hear about how this style of writing came about. So we asked John what the influences behind his series were:

I could write a whole book answering this question, but I’ll try to contain myself.

Lord Dunsany was perhaps the inventor of the modern fantasy tale. His work never ceases to inspire me, and his novel The King of Elfland’s Daughter is an immortal classic. His gift for speaking with clever metaphor and concise imagery is stunning, even a hundred years later. Fantasy writers should study his works the way classical composers study Mozart and Bartok.

I’m also a big Robert E. Howard and H. P. Lovecraft fan, but Clark Ashton Smith is my favorite of the old-school Weird Tales writers. In my opinion Smith invented the whole dark fantasy genre. He had the lost cities, the sorcerers, the creatures from beyond space and time, the mummies, the vampires, the decadent dying empires of Zothique and the primordial ooze of Hyperborea. Read the rest of this entry »

Best Books of 2012

We were thrilled to see some Orbit books and authors on “Best of” round-ups for 2012. See below for some great recommendations!

Publishers Weekly Best Books 2012, SF/Fantasy/Horror
THE TROUPE by Robert Jackson Bennett
THE KILLING MOON by N.K. Jemisin

NPR Year’s Best Science Fiction
2312 by Kim Stanley Robinson

Library Journal Best Books 2012, SF/Fantasy
STRAY SOULS by Kate Griffin
2312 by Kim Stanley Robinson

RT Book Reviews, Editors’ Best of 2012
THE KILLING MOON by N.K. Jemisin

Los Angeles Public Library, Best of 2012: Fiction
TIMELESS by Gail Carriger

io9, The Best Science Fiction and Fantasy Books of 2012
2312 by Kim Stanley Robinson
THE KILLING MOON and THE SHADOWED SUN by N.K. Jemisin

Explorations: The B&N SciFi and Fantasy Blog, The Best Fantasy Releases of 2012
THE BLINDING KNIFE by Brent Weeks
SEVEN PRINCES by John R. Fultz
RED COUNTRY by Joe Abercrombie
THE KILLING MOON by N.K. Jemisin

Best Paranormal Fantasy Releases of 2012
BLUE-BLOODED VAMP by Jaye Wells
COLD DAYS by Jim Butcher
TEMPEST’S FURY by Nicole Peeler
Best Apocalyptic Fiction Releases of 2012 and Best Zombie Fiction Releases of 2012
BLACKOUT by Mira Grant

Reddit r/Fantasy Best of 2012
THE BLINDING KNIFE by Brent Weeks

The Book Smugglers
THE KILLING MOON by N.K. Jemisin

Fantasy Faction
RED COUNTRY by Joe Abercrombie
THE BLINDING KNIFE by Brent Weeks
BITTER SEEDS by Ian Tregillis

The Wertzone
2312 by Kim Stanley Robinson
RED COUNTRY by Joe Abercrombie
SHARPS by K.J. Parker
THE KILLING MOON by N.K. Jemisin
EXISTENCE by David Brin
THE KING’S BLOOD by Daniel Abraham

The Midnight Garden
BLACKOUT by Mira Grant

Rob’s Blog o’Stuff
THE TROUPE by Robert Jackson Bennet
THE KING’S BLOOD by Daniel Abraham
RED COUNTRY by Joe Abercrombie
EXISTENCE by David Brin
BLACKOUT by Mira Grant
CALIBAN’S WAR by James S.A. Corey
SEEDS OF EARTH by Michael Cobley
The Eli Monpress series by Rachel Aaron

The Speculative Scotsman
2312 by Kim Stanley Robinson

The Ranting Dragon
THE KILLING MOON by N.K. Jemisin
SHARPS by K.J. Parker
THE BLINDING KNIFE by Brent Weeks

To find out more about these titles and where you can purchase them, visit our corporate websites in the (US | UK | AUS). Feel free to share your favorites from 2012 in the comments below.

January Events

January 11: Gail Z. Martin at B&N Birkdale, Huntersville, NC, 5 PM

January 12: Gail Z. Martin at Books-a-Million Concord Mills, Concord, NC, 1 PM

January 18-20: Brian McClellan and Michael J. Sullivan at Immortal Confusion, Dearborn, MI; Gail Z. Martin at Arisia, Boston, MA

January 19: John R. Fultz at Borderlands Books, San Francisco, CA, 1 PM

January 25-27: Gail Z. Martin at Chattacon

author post

The Hobbit: An Unexpected Journey “A single dream is more powerful than a thousand realities.” –J.R.R. Tolkien

Everybody’s talking about Tolkien again.

Peter Jackson’s rollicking adaptation of The Hobbit recently debuted as the world’s #1 movie, eleven years after his first Tolkien-inspired film. Much has been made of Jackson’s decision to expand the one-volume Hobbit into three movies in the tradition of the Lord of the Rings. Fans and critics argue about the wisdom of stretching this one book (itself a prequel) across three films. Yet any discussion of these movies inevitably leads back to the books themselves. And the book is always better than the movie.

J.R.R. Tolkien is to epic fantasy what Jimi Hendrix is to rock guitar; what Edgar Allan Poe is to horror stories; what William Shakespeare is to drama. It is impossible to write an epic fantasy without being somehow influenced (directly or indirectly) by the work of Tolkien. The man did not necessarily invent the fantasy genre, but he did create the modern conception of what epic fantasy looks and feels like.

After Tolkien, any book featuring elves, dwarves, hobbits, and/or goblins was borrowing elements of his work (or accused of “stealing” them outright). The trilogy became the dominant fantasy format. Even the simple orc has become a hugely popular monster, featured in novels, movies, comics, and games to a degree that Tolkien would never have expected. Tolkien’s imitators are legion, and used bookstores are full of novels written “in the tradition of Lord of the Rings.” This has been the state of the fantasy genre for decades.

Yet does Tolkien hold the “copyright” on the epic fantasy concept? How does a modern writer craft an epic fantasy that goes beyond the Tolkien paradigm and explores new ground, without simply remixing and reinventing what The Master has done?

It has been said that “there are no new stories, just new ways to tell them.” This is the job of today’s writer of epic fantasy: To tell a mythic story in some new way.

Fantasy tropes, plots, and devices are recycled endlessly, and that’s only to be expected. Fantasy fiction is the modern equivalent of the myth cycles of early humanity. The heroes, conflicts, and adventures touch on the timeless themes that run through all literature, from Beowulf to The Odyssey, all the way to Lord of the Rings and modern fantasy epics like George R.R. Martin’s A Song of Ice and Fire.

In The Books of the Shaper series I set out to create a world that I would enjoy exploring throughout the course of an epic-length novel and beyond. I knew right away that I didn’t want any of the more commonly used elements of “Tolkien-style fantasy”—no elves, no dwarves, no orcs or goblins. These elements (races) are so quintessentially Tolkien that I had no interest in doing “my version” of them. I love Tolkien, but I didn’t want to be him. I wanted to be myself.

Granted, Tolkien was not the first human being to write about elves or goblins or dwarves. Yet he popularized his personal vision of these creatures to such a towering degree that his take on them has largely replaced the actual folklore that birthed them. There are many writers who are entirely comfortable using elves and similar fantasy creatures in their work—and there is nothing wrong with that in principle. However, when a writer chooses to work with these popular elements he has to leap an extra hurdle of creativity to avoid accusations of “ripping off” Tolkien. Ironically, nobody accuses Tolkien of “stealing” generations of folktales, Nordic legends, and European myth-histories—the actual raw material that inspired his works. Perhaps this is because Tolkien was borrowing from uncounted sources drawn from the depths of time, rather than taking his cue from a single influence.

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RT Book Review’s 2012 Reviewer’s Choice Awards

RT Book Reviews has revealed the full set of nominees for the 2012 Reviewer’s Choice Awards, and a number of Orbit books are among them. Congratulations to all the nominees!

Science Fiction Novel

  • THE HYDROGEN SONATA by Iain. M. Banks (US | UK | ANZ)
  • BLACKOUT by Mira Grant (US | UK | ANZ)

THE HYDROGEN SONATA US cover BLACKOUT cover

Fantasy Novel

  • THE SHADOWED SUN by N.K. Jemisin (US | UK | ANZ)

THE SHADOWED SUN cover

Epic Fantasy Novel

  • SEVEN PRINCES by John R. Fultz (US | UK | ANZ)
  • SHARPS by K.J. Parker (US | UK | ANZ)

SEVEN PRINCES cover SHARPS cover

Urban Fantasy Novel

  • 13 by Kelley Armstrong (UK | ANZ)
  • BLUE-BLOODED VAMP by Jaye Wells (US | UK | ANZ)

THIRTEEN cover BLUE-BLOODED VAMP cover

Urban Fantasy Protagonist

  • TEMPEST’S FURY by Nicole Peeler (US | UK | ANZ)

TEMPEST'S FURY cover TEMPEST'S FURY UK cover

Urban Fantasy Worldbuilding

  • COLD DAYS by Jim Butcher (UK | ANZ)

COLD DAYS cover

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