Posts Tagged ‘Neil Gaiman’

THE LIVING DEAD – a zombie anthology featuring Stephen King, George R. R. Martin and Neil Gaiman

We’ve recently released a digital anthology of zombie stories from some of the biggest names in science fiction, fantasy and horror. Clawing their way to a device near you, get ready for . . .

***dramatic drum roll and lightning flash***

The Living Dead, an anthology edited by John Joseph Adams, featuring short stories abotu zombies from Stephen King, George R. R. Martin, Neil Gaiman, Laurell K Hamilton, Clive Barker, Nancy Holder, Joe R. Landsdale, Joe Hill and many othersTHE LIVING DEAD!

An anthology featuring highly original zombie stories from the likes of Stephen KingGeorge R. R. Martin, Neil Gaiman, Joe Hill, Clive Barker, Laurell K. Hamilton, Will McIntosh, Harlan Ellison, Robert Silverberg, Poppy Z. Brite, Joe R. Lansdale and many, many more (see a full list here)

From Dawn of the Dead to White Zombie, from Resident Evil to World War Z (the movie is released today in the UK!), zombies have invaded popular culture, becoming the monsters best expressing the Western world’s fears and anxieties. So it’s time to face your fears and get up close and personal . . .

Wastelands - an anthology edited by John Joseph Adams featuring apocalyptic and post-apocalyptic short stories from Stephen King, George R R Martin, Orson Scott Card, Paolo Bacigalupi, Gene Wolfe, Elizabeth Bear, Nancy Kress, Jonathan Lethem and many othersThis anthology is edited by the illustrious John Joseph Adams, a bestselling editor of multiple anthologies and a four-time finalist for the World Fantasy and Hugo Awards. We’ve also released his WASTELANDS: STORIES OF THE APOCALYPSE, an anthology of apocalyptic and post-apocalyptic from some equally impressive names. Last week we heard from several of the authors involved in WASTELANDS about what inspired their stories (read the post here).

Today we focus on THE LIVING DEAD, and just what was going through the heads of some of the contributing authors when they came to pen their tale . . .

Will McIntosh on “Followed”

“Followed” is probably the most controversial story I’ve written, a zombie tale where the zombies are the victims, the living the predators.  Evidently the story resonated with others.  It was adapted as a short film, and the film inspired a sermon at a Baptist church.

Susan Palwick on “Beautiful Stuff”

Humans often use the dead as fuel for our vengeance, as an excuse to kill the living.  I wrote ‘Beautiful Stuff’ because I wondered what the dead might say about that if they had the chance. (more…)

WASTELANDS – featuring Stephen King, George R.R. Martin, Cory Doctorow and many others

Today we digitally release a ground-breaking and definitive anthology of short stories from some of the very biggest names in science fiction and fantasy . . . Presenting:

Wastelands - an anthology edited by John Joseph Adams featuring apocalyptic and post-apocalyptic short stories from Stephen King, George R R Martin, Orson Scott Card, Paolo Bacigalupi, Gene Wolfe, Elizabeth Bear, Nancy Kress, Jonathan Lethem and many othersWASTELANDS: STORIES OF THE APOCALYPSE

An anthology of post-apocalyptic short fiction from genre heavyweights such as Stephen King, George R. R. Martin, Orson Scott Card, Cory Doctorow, Gene Wolfe, Jonathan Lethem, Paolo Bacigalupi, Tobias S. Buckell, Jack McDevitt, Neal Barrett Jr., Richard Kadrey and many many others….

(see a full list here)

 

The Living Dead, an anthology edited by John Joseph Adams, featuring short stories abotu zombies from Stephen Kind, George R R Martin, Neil Gaiman, Laurell K Hamilton, Clive Barker, Nancy Holder, Joe R Landsdale, Joe Hill and many othersAt the same time, we’re also releasing THE LIVING DEAD – an anthology of zombie stories from even more superstars of the SFF genre . . . More on that next week, but for now it’s fair to say that if you’re into zombies and apocalypses, both these anthologies are perfect reading whilst waiting to see the WORLD WAR Z movie! They’re both edited by John Joseph Adams, the bestselling editor of many anthologies and a four-time finalist for the Hugo and World Fantasy Awards.

Today we’re focusing on WASTELANDS: STORIES OF THE APOCALYPSE. We asked the authors involved to give us a few comments about what inspired them to write the stories included . . .

Cory Doctorow on his story “When Sysadmins Ruled the Earth”from WASTELANDS

The most important thing about a system is how it fails, though mostly we pay attention to how it works. Who cares how many houses you could buy on cheap credit if they all end up as subprime roadkill when the whole crooked business unravels?

We tell ourselves that civilisation fails badly. Stories I love, from Day of the Triffids to 1984, paint a picture of a world where disaster is attended by riots, rape and cruelty. The reality – shown time and again – is that disaster is attended by kindness, care, and compassion. When the lights go out, we don’t eat each other, we help each other.

‘Elite panic’ is the sociological phenomenon that causes the masters of the universe to send guns into Haiti after the quake – ahead of the humanitarian aid. It’s why the City of London is blanketed in CCTVs. It’s why police all over the world are so pants-wettingly terrified of public protest and treat every march like a riot in potentia.

We need to tell ourselves stories about the goodness of our neighbours as remedy for the vile slander that our stories have told us about the human race. It is the only way to counter elite panic. (more…)

How to Build a Fantasy World: The Greatest Fantasy Cities

There’s something about cities in science fiction and fantasy. I mean I love the countryside myself, born a country girl, but anyone can write it – there’s only so much you can do without it coming across as odd or unbelievable (unless you’re a genius, obviously).

But where people, or aliens, get involved, anything can and does happen. In real life, and in fantasy. So, I love fantasy cities, towns, places that people have made, because they reflect the people who live there and, crucially, how they think.

So, a few favourites . . .

The Fellowship of The Ring by  J. R. R. Tolkien, in a piece on fantasy worldbuilding by Francis Knight, author of Fade to Black Tolkien has his flaws but being unable to build believable yet fantastical cities is not one of them. I’d would love, I mean give an arm or something, to walk the ways of Rivendell, to see the Mallorn in Lothlorien, behold the golden hall of Meduseld in Edoras, wind the twisting streets of Minas Tirith. They are clearly fantasy posing as historical (okay, except the elves) but they feel so . . . real. Like they really do exist somewhere, I just haven’t found them yet.

The Lies of Locke Lamora by Scott Lynch, in a piece on fantasy worldbuilding by Francis Knight, author of Fade to BlackOther cities come near to that status in my mind (hey, you never forget your first love). Camorr, from Scott Lynch’s The Lies of Locke Lamorawith its waterways, its dark and grubby underbelly, its Renaissance feel. A city that works, even though I know its fictional.

London Below, of Gaiman’s Neverwhere, a London that feels almost, just not quite, the real one. As though if I scratched the surface on say Bakers Street, I’d find the Marquis, and all the rest, just waiting for me.Neverwhere by Neil Gaiman, in a piece on fantasy worldbuilding by Francis Knight, author of Fade to Black

Discworld’s Ankh-Morpork, which is so real to me I can smell the river when I open the pages of the book. Or maybe it just stinks that much! The little nooks and crannies that are a hallmark of an old, old city, the weird ways that seem normal to inhabitants but make outsiders wonder what drugs they must be on.

The thing that, I think, connects all these cities is their internal consistency. They work, such as they do, because thought has gone into working out how they work and why, factoring in how odd people tend to be. And each little factor just adds to the realness of the city.  Of course Ankh-Morpork has a thieves guild. Because it’s a city of moneymakers, and that’s a perfect example of taking what is there and squeezing it till gold coins fall out. The Elder Glass of Camorr shows us a city where things are not always as they seem, that even the city itself has two faces.

The Hobbit by J. R. R. Tolkien, in a piece on fantasy worldbuilding by Francis Knight, author of Fade to Black Minas Tirith and Edoras reflect the men and women who live there – on constant guard, where skill at arms isn’t just posturing, it’s necessary, and so are the defences and the oaths and honour the people who live there take so very seriously, and for good reason – oaths and honour are perhaps all that have kept them alive all this time against what lies to the East. Hobbiton, by contrast, reflects the hobbits – laid back, little thought to anything much except is it pleasing, to eye or stomach?

Fade to Black, book one of the Rojan Dizon fantasy book series by Francis Knight - in a post talking abotu the worldbuilding of Tolkien, Scott Lynch and Terry PratchettSo when I started ‘building’ Mahala for Fade to Black, I tried to make sure the city informed the people, and the other way around. My main character Rojan Dizon is who he is – a sardonic, womanising bounty hunter – at least in part, because of where he lives. I doubt he’d be such a cynic if he lived in Hobbiton. The very fact of the way the city is run, the geography of it, the politics of it, and how that affects him, has helped turn him into who he is. Anywhere else, Rojan’s brother Perak might have just been some amateur daydreamer who likes playing with things (and would have probably long ago blown himself up!), but due to Mahala’s reliance on alchemy, he’s given everything he needs and is told to go and invent things. Which he duly does, and then changes the city forever when he invents the gun.

That’s what makes a fictional city work or fail for me – it works, in context, with the people who inhabit it, they showcase each other. They just fit.

 

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Francis Knight’s debut novel FADE TO BLACK (UK | US | ANZ), book one of the Rojan Dizon novels, is out now. Book two, BEFORE THE FALL (UK | US | ANZ), releases on 18th June this year. The third and final novel, LAST TO RISE, releases in November 2013.

Fade to Black, book one of the Rojan Dizon fantasy book series by Francis Knight - in a post talking abotu the worldbuilding of Tolkien, Scott Lynch and Terry PratchettBefore the Fall, book two of the Rojan Dizon fantasy book series, following Fade to Black, by Francis Knight - in a post talking about the worldbuilding of Tolkien, Scott Lynch and Terry PratchettLast to Rise, the third and Final Rojan Dizon fantasy novel by Francis Knight, following FADE TO BLACK and BEFORE THE FALL

 

 

 

 

“Pimp My Airship” – Reclaiming Airships for Epic Fantasy

Airships have somehow ended up becoming the ultimate symbol of steampunk fiction. But as much as we love their appearance in established steampunk classics such as Gail Carriger’s fantastic Parasol Protectorate novels, Cherie Priest’s BONESHAKER and Stephen Hunt’s COURT OF THE AIR, I’m making a plea that we remember the humble airship does not have to remain in the domain of steam – and the punkification thereof!

Talking airships in Terry Brooks's brand new Dark Legacy of Shannar novel WARDS OF FAERIE - perfect for fans of Christopher PaoliniI think it’s really time to claim back the airship for epic fantasy. What got me thinking about this was Terry Brooks’s new Dark Legacy of Shannara series, starting with WARDS OF FAERIE (UK / ANZ) and continuing with the recently released BLOODFIRE QUEST (UK / ANZ).

Airships have been in Terry Brooks’ novels for a while, ever since ILSE WITCH I believe, but it’s in his brand new series The Dark Legacy of Shannara that they’re really coming into their own. I couldn’t help thinking – I really, really want to own one of these airships.

Terry Brooks’ airships are like the suped-up, turbo charged versions of the common airship we’re all so familiar with. They’re powered by the sun – using ambient-light sails, something called diapson crystals and radian draws. Light gets converted into energy, and then this energy is expelled through what’s called the parse tubes. They’ve also got sails to gather extra power from the wind. They can easily fly at 1000 feet, and they’re kickass.

In WARDS OF FAERIE, things only get more exciting on the airship front. You don’t have to have read any previous Terry Brooks novels to enjoy this brand new novel, and you don’t have to know a lot about what’s gone before in airship automobile history to appreciate just how cool Terry’s speed-demon designs are.

To set the scene, there are two twins, Redden and Railing Ohmsford, who are thrill-seekers, risking life and limb racing special modified airships of their own design called Sprints.

Now I’m not into fancy cars, superbikes or private jets, but there’s something about these airships that really gets me salivating . . .

Sprints were one wicked pair of machines . . . Painted black from mast to keel, light sheaths black as well to better absorb the power of the sun, they had long, narrow hulls stripped of everything that might slow them down . . .

The controls were set to either side of a shallow depression that served as a cockpit, all within easy reach of the pilot. The pilot lay on his back with his head slightly elevated, facing forward down the length of his body toward the bow . . . Inside the cockpit, the thrusters and steering levers were manipulated by a combination of hands and feet, the cords that ran from the levers to the sheaths, rudder, and fins drawn so tightly that even the smallest amount of pressure would produce a response in the vessel’s handling . . .

These slender black monsters weren’t designed as transports; they were built to race.

Talking airships in Terry Brooks's brand new Dark Legacy of Shannar novel BLOODFIRE QUEST, book two in the series and perfect for fans of Christopher Paolini*HUMANA, HUMANA* . . . It would be pretty cool to pull up outside Orbit Towers in one of those.

Now Terry Brooks certainly isn’t the only author to be using airships in a fantasy setting. A number of other authors doing this in books that are just as much fantasy as pure steampunk (Adrian Tchaikovsky’s Shadow of the Apt books, Philip Pullman’s His Dark Materials, and Neil Gailman’s STARDUST come to mind…).

But I think that Terry Brooks really is one of the pioneers making airships truly sexy. If anyone can think of sexier airships then I’d be open to opinions!

But all I’m going to say for now is, to quote an Amazon reviewer, “Hold onto your diapson crystals – Shannara is back!”

 

ARALORN & Mercy Thompson pin-up calendar!

Aralorn, an omnibus edition of two fantasy novels from Patricia Briggs, author of the Mercy Thompson booksTomorrow sees the release of ARALORN (UK | ANZ) from the multi-talented Patricia Briggs. It’s an omnibus edition of two gripping fantasy novels: Masques and Wolfsbane.

Aralorn’s a shapeshifter who rejects her noble birthright to live a life of adventure as a mercenary spy. (Check out the blurb here!)

I loved these novels and I’m pretty sure anyone who likes the Mercy Thompson books will really enjoy this too. Aralorn might be living in a different age to Mercy Thompson, but rest assured – she’s just as badass . . .

And speaking of Mercy Thompson, check out her recently released hot pic that will feature in an upcoming in this literary pin-up calendar. It’s drawn by the artistic genius Lee Moyer.

Image of Mercy Thompson, a character from Patricia Briggs' novels, featured in a literary pin-up calendar drawn by Lee Moyer and organised by Patrick Rothfuss
Image by Lee Moyer

The calendar’s being arranged by Patrick Rothfuss, and via his own charity Worldbuilders, the proceeds are going to a very worthwhile cause: Heifer International, who work with communities to end hunger and poverty throughout the world.

These calendars are going to be very sought after indeed, featuring twelve sizzling-hot babes from the novels of some of the most popular fantasy authors around – such as Jim Butcher, Neil Gaiman, Charlaine Harris, Jacqueline Carey, Terry Pratchett, George R. R. Martin, Robin Hobb and N. K. Jemisin.

So it looks like Mercy and her trusty cross wrench will be in good company . . .