Orbit Books

The Tyrant's Law by Daniel Abraham

The Tyrant’s LawDaniel Abraham

The third instalment in this enthralling epic fantasy series, from the author of the critically acclaimed Long Price Quartet.
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Promise of BloodBrian McClellan

An explosive fantasy debut from a rising star in the genre.
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Posts Tagged ‘Star Wars’

Top Ten ‘Working Class Heroes’ in Science Fiction and Fantasy

With the entire Sten Chronicles soon to be available in our Orbit omnibus editions – that’s BATTLECRY (UK|ANZ) containing books 1-3, JUGGERNAUT (UK|ANZ) containing books 4-6 and DEATH MATCH (UK|ANZ) containing books 7-8 – we got thinking about Sten’s humble beginnings and his rise to power.

The entire Sten Chronicles by Chris Bunch and Allan Cole

In his previous guestpost Allan Cole described Sten as a ‘working class hero’ (like the John Lennon song!) and we wondered who else might qualify. We can’t all be heirs to large fortunes like Batman, Harry Potter or Lara Croft, (some of us can barely even make like a Lannister and pay our debts), so here are our top ten good guys who didn’t start off in life with many advantages at all . . .

Commander Vimes (Terry Pratchett’s ‘Discworld’ series)

Commander Vimes grew up in the Shades of Ankh Morpork, describing his family as lucky to live on a street so poor that there just wasn’t very much for the infamous criminal gangs of the Shades to steal.

Since his aristocratic marriage and his successes in running the City Watch, Vimes has been bestowed with many noble titles (including but not limited to “His Grace,” “His Excellency” and “his blackboard-monitorship”). Never has a man resented being part of ‘the gentry’ so much. One would almost think the Patrician was annoying him on purpose.

The Eye of the WorldRand al’Thor (Robert Jordan’s ‘Wheel of Time’ series)

Rand al’Thor originally lived a simple life as a farmer’s son in the sleepy village of Emond’s Field, where his biggest concern was trying to talk to girls without making a fool of himself. His life changed forever one night when the forces of darkness showed up and showed a keen interest in running him through with a blade.

Turns out that Rand is the Dragon Reborn, the saviour who is prophesied to save the world from the Dark One . . . but destroy it in the process. No pressure there, then.

Han Solo (Star Wars)

He might have married a princess and helped save the galaxy, but Han Solo had a rough start as an orphaned street urchin in a Corellian spaceport. Things were looking up when he became a pilot for the Imperial Navy, but he lost his commission when he defied orders and refused to skin a Wookiee named Chewbacca.

The two won the Millennium Falcon from the smuggler Lando Calrissian in a card game and the rest, as they say, is history.

The Weasley family (Harry Potter)

Draco Malfoy said that ‘all the Weasleys have red hair, freckles, and more children than they can afford.’ They also have a whole lot of courage, room in their hearts to take in the orphaned Harry Potter and the courage to stand up to bullies like the Malfoys and other, richer ‘pureblooded’ wizards during both of Voldemort’s uprisings.

We couldn’t pick a favourite Weasley (who can?), so we decided we’d include the whole lot.

Davos Seaworth, (George R. R. Martin’s ‘A Song of Ice and Fire’)

Born in the Flea Bottom slums of King’s Landing, as a young man Davos captained a notorious smuggling ship. During Robert’s Rebellion he saved many lives by smuggling in food during the siege of Storm’s End castle.

Stannis Baratheon knighted him for this, which got him the nickname ‘the Onion Knight’, but demanded a grisly punishment for Davos’s earlier crimes, the ends of his fingers on one hand! Davos considered this fair, as long as Stannis carried out the punishment himself, and his continued loyalty is shown when he supports Stannis’s claim to the throne.

Rose Tyler (Doctor Who)

badwolfRose grew up on a South London estate, living with her mother Jackie and working at Henrik’s Department Store. When the shop was attacked by aliens disguised as shop mannequins, she was saved by the Doctor and joined him in his travels in the TARDIS – saving his life in return when she worked out the meaning behind the strange words that had been following the duo through time – ‘Bad Wolf’.

Rose has met aliens, travelled backwards and forwards in time as well as visiting other dimensions, but she’s never forgotten her roots – she was the first of the Doctor’s companions to have her mobile phone modified so she could keep in touch with her mum. Read the rest of this entry »

author post

I create and write a lot of non-human characters, and when I call them all “people” I’m not being politically correct. Whether the character’s an extra-terrestrial, a non-human animal, or an artificial intelligence, he, she, or it has to resonate with readers or players enough for them to understand what’s happening and why.  The audience needs points of common reference: all of us do, and the novel is a form that’s very much about the human condition, even if some or all of those humans aren’t human at all. All storytelling – written, spoken, drawn, played — is about producing a feeling in the audience, regardless of the medium.

A creature that’s genuinely alien would by definition be so far outside our understanding that we’d struggle to find any common points. It’s perfectly possible to write a book about the completely impenetrable mystery of an alien life-form, but then the story becomes about the people observing it, not the aliens themselves. We might like to think we’re very different from other animals on our own planet, but we’re not, and the more that biologists have put aside our cultural biases about humans being unique, the more they’ve found we all have in common — communication, emotion, and even mathematical skill.

So novels are about people, using human reactions as a benchmark for the audience, even if the non-humans view the world very differently. What matters is their internal logic — why they see the world as they do — and the points where they mesh with or clash with us. I approach non-human characters exactly the same was as I do human ones, starting with their environment and, for want of a better word, biology. What kind of creature would live in this world?  What would it need to do to thrive?  What would its needs and fears be? I have to be able to get inside every character’s head and see the world as they see it, because that’s what my stories are –  every character’s thought processes and experiences, seen through their own eyes, not through mine. As in real life, characters see the same situation in very different and often conflicting ways, and aliens and other non-humans are one of the richest ways of observing this.

I’ve created an alien species, the Wess’har, whose evolutionary survival strategy was cooperation rather than competition,  but it didn’t make them remotely friendly to humans. I’m currently writing an AI character who has no corporeal form but is constantly looking for analogues in his own systems to reach a better understanding of the humans he works with. In another series, I have non-humans who are actually very human indeed, in that their worst excesses are in fact mirrors of our own that the humans in the story don’t even recognise. Read the rest of this entry »

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