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AGE OF IRON by Angus Watson

AGE OF IRON Angus Watson

Bloodthirsty druids and battle-hardened Iron Age warriors collide in the first volume of this action-packed historical fantasy trilogy.
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THE BROKEN EYEBrent Weeks

The third explosive novel in the New York Times bestselling Lightbringer series!
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Posts Tagged ‘The Ascendant Kingdoms Saga’

Wallpaper: ICE FORGED by Gail Z. Martin

Ice Forged wallpapersThe world is ending. The adventure begins. Outfit your computer and favorite electronic devices with these wallpapers and prepare for the adventure of a lifetime.

ICE FORGED (US | UK | AUS) is the first book of The Ascendant Kingdoms Saga – new series by Gail Z. Martin. Look for it online and in stores now or read an excerpt here from this exciting new fantasy series.

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Want to know more? Check out our interview with the author or head on over to her blog for recent news, reviews, and events.

 

author post

Martin_IceForged-TPWhat does a good book have in common with the Godfather?

They’ll both make you an offer you can’t refuse.

That first line has to grab the reader and offer him the lure of an adventure so compelling he or she can’t walk away.

It can grab you by the heart strings if it’s a tear-jerker, or by the throat if it’s an adventure.  Sometimes it takes you by the hand and leads you, and sometimes it gets you by the hair and won’t let go.

A great first line makes you keep reading—and then you’re hooked.

What makes a great line?  For me, it’s the promise of something exciting and unexpected.  If the action begins in the middle of a battle, I want to know who is fighting whom, and why.  If the statement is confounding, my curiosity is aroused and I want to know more, like Alice following the rabbit down the hole.

A good first sentence can transport a reader to a different world, or tilt the real world enough to make it a strange and foreboding place, the kind of place where magic and hobgoblins just might exist.  It’s the siren’s song and the Pied Piper, the fairies luring you into the mist.  Once you set foot along the path, there’s no going back, and if you do return, you’ll be changed.  In fact, that’s the bargain.  When a reader follows the trail of bread crumbs into the woods, he or she wants to be changed—as well as excited, enthralled and maybe even enlightened.  If you’re not different when you come back from an adventure, after all, what was the point?

My new novel, ICE FORGED (US | UK | AUS), begins with a man who has reached his breaking point.  “This has to end,” Blaine McFadden says.  He means the abuse his father has doled out to everyone in the household.  But in fact, everything is ending: his life as he knows it, his kingdom, and the magic of the realm.  Blaine’s rage sets into motion a chain of events that send him into exile, subject him to grinding hardship—and just might make him the only man who can bring back the magic that was destroyed.

I wanted the reader to ask, “What has to end?”  Then, as the next sentences unfold to explain the reason for Blaine’s rage, I want to catch the reader up in the urgency—and the consequences—of the actions he takes.  With that sentence, the reader steps onto my roller coaster, and the ride picks up speed with every sentence.

Now that it’s my job to seduce readers with a tempting first line, I find that I have even more respect for the masters who add joy to my life by luring me into their own fictional thrill rides.

So in no particular order, here are some of my favorite first lines from some of my favorite books.  These are some of the first lines that led me down the path to adventure.  Just reading them brings a thrill of remembered excitement, and the warm feeling of homecoming.  A few of my favorite first lines: Read the rest of this entry »

What has THE HOBBIT meant to you?

The long-awaited day is almost here! In a few short hours, The Hobbit will be hitting the silver screen. To mark the occasion, we decided to ask several of our Orbit authors with recent and upcoming books what Tolkien’s The Hobbit has meant to them. We hope you’ll also share your own story in the comments below, and if any of you are going to the movie in costume, we’d love to see pictures!

ICE FORGED

I was introduced to The Hobbit and to Lord of the Rings in high school by the same friend who got me into Dungeons and Dragons (gee, think there was a connection?).  While I had been a Star Trek and Star Wars fan for a while, and had read a few sci-fi novels, I had never read anything with the scope of The Hobbit and LOTR.  I was totally hooked, and I credit it with giving me another nudge toward growing up to write epic fantasy.

Gail Z. Martin, author of ICE FORGED (US | UK | AUS)

THE QUEEN IS DEAD

I have to admit a shameful secret — I was a late bloomer as far as Tolkien is concerned. While I knew of his work, I’d never read any of it until I was 25. I was introduced to the incredible world of Middle Earth by my then-boyfriend (whom I later had the good sense to marry), Steve. My older sister is a fantasy and science-fiction fan. Without her I don’t think I would have developed a love for either genre. She has in her possession, an illustrated, hard cover, gorgeous edition of The Hobbit that I … liberated from her library for a brief time. Steve couldn’t believe I’d never read it, so it then became a ‘thing’. Every night one of us would read The Hobbit to the other. Mostly he read to me, because he would comment on things characters did, make up voices, and basically make the entire experience wonderful because of his love for the story.

Now, 25 wasn’t yesterday, but there are things about The Hobbit that linger for me. As a small-town (I’m talking mud puddle small) girl, I instantly related to Bilbo. In fact, I’m pretty certain my maternal grandmother was a hobbit. Poor Bilbo was so outside his comfort zone, but he found so much courage inside himself. Who wouldn’t love such a character? Of course finding ‘the’ ring was a big moment in literary history, but I remember the trolls more than the ring. I remember loving the character Beorn, even though I can never remember his name. And despite having a deep-seated crush on Richard Armitage, I think I’d love Thorin no matter who played him, because his character was just so… great. Of course, who can forget meeting Gollum for the first time? In the end, The Hobbit is — literally and figuratively — all about the little guy taking on seemingly insurmountable problems to triumph at the end. But there’s a cost. There’s always a cost. I think what I took away from The Hobbit are two lessons I try to remember in my own writing — 1: It’s the journey, not the destination, and 2: Bittersweet endings are sometimes better than happy ones. Oh, and I guess there was a third as well, though it doesn’t apply to writing —  second breakfast is the most important meal of the day. :-) Thank you, Mr. Tolkien.

Kate Locke, author of THE QUEEN IS DEAD (US | UK | AUS)

FADE TO BLACK

I can’t recall how or why I first picked up the Hobbit – I suspect one of my brothers left it lying around. I can recall how it inspired my son into reading voraciously, something he still does even now he’s a teen. It was the first proper book he’d ever read on his own, and it was that and the new and unexplored vistas that utterly captivated him.

For years afterwards, every book report that he could get away with was on the Hobbit. Every book he read was compared to it, and most often found wanting. He reads, I sometimes think, to try to rediscover that sudden realisation that the world is a different place, that things and people are strange. He reads because he wants to fall for a world, a story, the same way he did with Middle Earth. It was his first literary love.

As legacies go, I think that’s the best one to hope for – Bilbo and his friends inspired my son to read.

Francis Knight, author of FADE TO BLACK (US | UK | AUS

AMERICAN ELSEWHERE

The Hobbit is, more or less, the distillation of the purest, deepest of wish of the child (or of any adult who still has a spark of curiosity smoldering away in them, for that matter): the wish that one day, while you’re bumbling through your silly little routine, adventure will walk right up your front path, knock upon your door, and refuse to be turned away.

When I first read the Hobbit, I yearned so much for the leafy, cool shadows of Middle Earth that one summer, in an attempt to recreate that world, I carried a hefty bag of wax myrtle seeds to my grandmother’s house – for she had a much bigger yard than ours – and planted them all over her property, as well as the piney properties of the people on either side of her. Wax myrtles, as it turns out, can be wildly invasive, so within several years the damn things were popping up everywhere; but by then, unfortunately, I was a bit too old to enjoy them properly. I still hope that some child may come along, rest in their shade, and feel, for an instant, a bit more hobbity than before.

Robert Jackson Bennett, author of AMERICAN ELSEWHERE (US | UK | AUS)

THE FOLLY OF THE WORLD

In a word, what The Hobbit means to me is Fantasy, with a capital F, for the same reason that The Hitchhiker’s Guide to the Galaxy means Science Fiction in Bullingtonese—my parents had book-on-tape versions of those two novels when I was a kid, and long before I even understood most of what was going on in the stories, I adored the broad strokes and general cadence of the narratives. The Hobbit was actually a radio play version produced by the Mind’s Eye in the late seventies, and to this day I can’t talk about the book without imitating some of the silly voices that imprinted the text on my young brain.

When I was older and read the book on my own I was delighted to discover all the content which had been abridged from the radio play, but my progression to The Lord of the Rings was not met with the same enthusiasm—I found it a colder, less-engaging read. Although with age I’ve grown to appreciate a lot about the trilogy, its epic, fate-of-the-world action and dully black-and-white ethics can’t hold a light of Earendil to The Hobbit’s comparatively small-scale adventures and petty moral dilemmas, at least for this particular Sackville scribe. Like many of my peers, I owe a great debt to Tolkien; he still has a lot to teach, both by his strengths and his failings, and The Hobbit is the text of his that keeps pulling me back, even after all this time, and always with a smile on my face.

Jesse Bullington, author of THE FOLLY OF THE WORLD (US | UK | AUS), available now 

An interview with Gail Z. Martin on ICE FORGED

Who would you be, if everything you were and everything you had was stripped from you? Blaine McFadden will find out when Gail Z. Martin’s latest novel, ICE FORGED (UK | US | AUS), releases this January.

ICE FORGED is the first book of Gail’s new series – The Ascendant Kingdoms Saga. Check out the interview below to find out what you can expect from this series debut including tidbits about about the magic and world of the Ascendant Kingdoms.

Your previous five novels, including the Chronicles of the Necromancer trilogy and the Fallen Kings cycle, were all set in the same world and featured many of the same characters. ICE FORGED marks the beginning of a new series. How much of a departure are we in for? How did the new series come about?

This is a whole new enchilada!  Brand new world, completely new characters, totally new magic system and gods.

I love my Fallen Kings Cycle and Chronicles of the Necromancer series characters (and do plan to come back to tell more stories about them at some point), but let’s be honest—after everything I’ve put them through,  in what for the characters is a little over 2 years, the survivors really deserve to put their feet up and have a few beers for a while.

So I’d been playing with the idea of what if magic broke (as it nearly did in the Chronicles books), and what if we had a post-apocalyptic medieval world, and what if a world sent its convicts to the northern rim (instead of, in our world, Australia)….and I was off and running.

Read the rest of the interview…

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