- - June 16th, 2014
With supporters from Joss Whedon and Martina Cole to Lucy Mangan and Jenny Colgan, THE GIRL WITH ALL THE GIFTS is definitely a strong contender for this year’s most talked about book.
We’ve gathered a selection of the immense praise it’s had since hardcover publication in the UK in January, but there’s plenty more where that came from. Out in paperback this week in the UK, and released in beautiful hardcover in the US last week, we can’t keep track of how many people are expressing their love for this book.
If you’ve not read it yet, visit the official Facebook page or read the first chapter today and discover Melanie’s secret for yourself.
Read the rest of this entry »
- - December 10th, 2013
We have been amazed to see the overwhelming outpouring of love The Girl With All the Gifts. It’s not even out yet but it proves this will be the book that everyone will be talking about in 2014.
We wanted to show you a range of the incredible feedback we’ve been getting – from fellow authors, such as John Ajvide Lindqvist, the author of LET THE RIGHT ONE IN, from booksellers in the UK and from across the world, from people within publishing, and from just about every type of person you can think of. It’s amazing to see how many people this book is wowing well ahead of its publication.
Here is just a small selection of what people have been saying:
‘A great read that takes hold of you and doesn´t let go’
John Ajvide Lindqvist, author of LET THE RIGHT ONE IN
‘Brilliant . . . Gripping right to the end’
SUNDAY TIMES bestselling author Carole Matthews
‘Both tender and devastating, a page-turner which kept me guessing up to the very last scene, as well as a meditation on what it means to be human . . . Fantastically enjoyable’
Naomi Alderman, multi-award winning novelist
‘Kazuo Ishiguro meets The Walking Dead – I loved this’
SUNDAY TIMES bestselling author Jenny Colgan
‘Thrilling, heart-breaking and clever, this is an end of the world story with a difference . . . I loved this and would recommend it to everyone’ Read the rest of this entry »
- - September 26th, 2013
A few weeks ago, we announced Mira Grant’s book tour for her upcoming novel, PARASITE (US | UK | AUS). Since a trip to the west coast may not be feasible everyone, we wanted to offer readers another way to get their book signed by Mira.
We’re giving away signed bookplates to those who have pre-ordered PARASITE while supplies last. Simply email your pre-order receipt, name, and mailing address to OrbitExtras@hbgusa.com. Supplies are limited, so act now!
For more about PARASITE visit symbogen.net or follow @SymboGenCorp on Twitter. Read the rest of this entry »
- - March 4th, 2013
Check out the cover of Mira Grant’s chilling new novel PARASITE and pre-order your copy today from your favorite retailer! PARASITE releases this November.
- - November 15th, 2012
You might have noticed a new name starring on the Orbit schedule for next year: the phenomenal talent Will McIntosh.
Why we think he’s exceptional – why we were all desperate for him to join the Orbit list – is that he writes not only ground-breaking science fiction, but also some of the most moving, touching, and simply human stories you’ll ever read. They’ve affected me deeply – and I can’t imagine how anyone could read his novels without being equally entertained and moved.
So perhaps it’s no surprise that Will already has a Hugo Award to his name, as well as nominations for the Nebula, Locus, John W. Campbell and Compton Crook awards.
Next June, Orbit is launching a worldwide release for Will’s novel LOVE MINUS EIGHTY, a spectacular full-length novel based on Will’s Hugo Award-winning short story, BRIDESICLE. It imagines love and loss 100 years into the future, in a world where technology has reached the outer limits of morality and romance. Check out the cool cover above.
However, we know that it’s a long time to wait till June to see just what kind of stunning fiction this author is producing. So this December, in the UK, Australia and New Zealand we’re releasing ebook editions of two titles previously only released in the US: SOFT APOCALYPSE and HITCHERS. They’ll both be available to buy digitally on 6th December 2012.
SOFT APOCALYPSE, which was nominated for the Locus, John W. Campbell and Compton Crook Awards, is Will’s debut novel. It asks the question: what if the world isn’t destined to end as we always imagined it – in explosive, dramatic fashion – but what if instead, humanity is set to just slowly crumble?
Following Jasper and his nomadic tribe, a group of formerly middle-class Americans, the novel sees a world going from bad to worse – and then worse still. Resources keep getting scarcer, people keep getting poorer, and the fabric of society is slowly disintegrating.
This account of a severe decline is highly intelligent and chillingly realistic. But at the heart of the tale is a very human, touching story about how a normal guy tries to make ends meet and find love in the dangerous new place his world has become.
HITCHERS is something rather different, but with an equally engrossing human story at its core. It’s a chilling supernatural thriller in which both horror and dark humour collide.
When an act of terrorism kills hundreds of thousands in Atlanta, USA, Finn Darby is lucky enough to survive the attack. But Finn soon develops a disturbing affliction – when he starts to blurt things out in a strange voice beyond his control. And it seems he’s not the only one experiencing this problem – in fact thousands of people are suffering from the same affliction.
Either all of Atlanta is having a mass psychological breakdown, or else the dead are returning to possess the living . . .
So there are many different ways to enjoy the exceptional writing of Will McIntosh. And don’t forget that Orbit fans worldwide can also get a very quick taster of what Will’s writing with his Orbit Short Fiction title THE PERIMETER. It’s a chilling tale about the planet Clay and the perimeter fence that keeps its strange creatures at bay. One unlucky woman is about to discover just what lives beyond it . . .
The B-format paperback of futuristic crime thriller RULE 34 has been released this month
Rule 34 of the internet is, “if it exists, there is porn of it. No exceptions.”
(Please do not attempt to test this rule using Google with safe search switched off. That which is seen cannot be un-seen . . .)
It’s hard for us to remember today that mass adoption of the internet is less than twenty years old. Although the first routers were switched on in 1969, the net remained a toy for academic and computer industry researchers for its first twenty years. I first met it in 1989, in the course of a computer science degree; even as late as 1993, the idea that one might get internet access in one’s home was kind of outlandish.
It took the invention of the world wide web – which many people today mistake for the internet – to make it visually accessible and appealing to the masses. But in the following 20 years, it became probably the most pervasive single communications medium in human history, extruding tentacles of connectivity into our pockets by way of smartphones, infiltrating our working lives and our dreams. Not to mention our nightmares.
Back in 2010, contemplating the idea of writing a police procedural novel set perhaps ten or twelve years in the future of the internet, I found myself trying to get a handle on police practice and computing. Policing in the 21st century UK has been changing bewilderingly fast; the Home Office has, over a decade and a half, been engaged in a project of systematically replacing the main body of our criminal law (which accreted over centuries) with a properly designed, fit-for-bureaucratic-purpose replacement body of legislation. Similarly, the practice of policing has undergone successive upheavals, both in response to scandals of injustice (corruption and the fitting-up of suspects for crimes they didn’t commit) and in an attempt to grapple with maintaining order in a rapidly changing society. But policing the UK is an enormous job. You can’t get a handle on it by talking to any one person; they can only give you a worm’s eye view of what they’re involved in. In actual fact, the various British police forces employ around as many officers as the armed forces have soldiers, sailors, and airmen: and the range of activities they’re involved in is extraordinary, from handling specialist poison-sniffing dogs (used in the Scottish borders for protecting endangered raptor species from farmers and gamekeepers) to guarding nuclear reactors – by way, of course, of the Saturday night public order circus at pub chucking-out time.
Kibitzing on the anonymous blogs of working cops, you run across all sorts of illuminating rants about the day to day irritations of the job: from the best type of boots to wear when pounding the beat all day (German or Dutch paratroop boots are the business), to the headaches of the modern desk sergeant’s end-of-shift hand-over (passing your colleague the personal mobile numbers of all your constables, making sure you’ve got the correct logins and passwords on the various databases you need to update with every incident), and gripes about IT services. IT services? Well yes: policing doesn’t revolve around scraps of paper any more, the back end is as heavily automated as any other large cumbersome enterprise – and this was in 2010, remember. It’s all a far cry from the police procedurals of yore . . . by which I mean 1990.
So where, I wondered, was policing going in 2022? And, more to the point, what is policing going to entail in the world of the Internet of Things – when 3D printers have become as pervasive as personal computers in the late 1980s, so that dreams and nightmares that currently only exist on the net can extrude themselves into the physical world? What’s it going to be like, when organized criminals (whose business acumen is usually so poor that they turn to crime because they can’t compete in legitimate markets) finally begin to catch up with modern business processes? And what sort of police are we going to need to maintain order in such a chaotic and rapidly changing world?
Welcome to RULE 34. That which is seen cannot be un-seen. No exceptions!