Back refreshed after some post-Easter holiday, I thought I’d give a little round-up of the weekend’s Eastercon excitements. These didn’t include the weather (a most distracting hail storm during Darren’s Very Important Panel), or getting lost in the hotel’s Shining-esque corridors and missing breakfast, so I’ll spare you that.

So, over the Easter weekend, two key highlights in the science fiction calendar took place. One of these was Orbital, the British national science fiction convention (otherwise known as Eastercon), We were very excited as our Ken MacLeod was on not one, but two shortlists for BSFA awards, up for both best novel with The Execution Channel and best short fiction with Lighting Out, in the anthology disLOCATIONS from Newcon Press. Many congratulations to Ken for winning in the short fiction category, and to Gollancz’s Ian McDonald, who took away the best novel award for the much-admired Brasyl.

I also have to make special mention of Charles Stross, who was guest of honour at Orbital, alongside Neil Gaiman, Tanith Lee, and China Mieville. Charlie wasn’t just guest of honour but, in an astonishing tribute to the genre, had actually managed to clone himself in order to take part in a myriad of panel discussions. Amongst others, I attended Writing the Near Future, on why it might be harder to predict 50 years in the future than 500. Charlie was as fascinating as ever, and managed to pause briefly for breath before his next panel on the Appeal of Lovecraft. His clones were no doubt equally knowledgeable in an in-depth discussion of Accelerando, and in a panel on how to be a full time novelist to name just a few. On the other side of the fence, Orbit’s Darren Nash told a packed room (yep, people were actually standing at the back) what an editor Actually Does. I found this particularly pertinent, and obviously made copious notes(!). The panel was split between editors of novels and short fiction, so covered some interesting differences in how the two forms might be edited.

But the Eastercon activities didn’t end there … the other highlight of the weekend was Swancon on the other side of the globe – the annual West Australian Science Fiction Convention and forum for the Ditmar awards. We are delighted to say that Sean Williams picked up yet another well-deserved Ditmar for best novel, for the fabulous Saturn Returns. Australia’s Dark Fiction zine HorrorScope has the full listings. Ken MacLeod also attended the convention as a guest of honour so, although much in demand, had to miss out on the British event. Sure, it would have been great to travel to Australia to help Ken and Sean out, but the Orbital invites came through first … Maybe next time!