Archive for Orbit UK
In this enjoyable, intelligent, original fantasy series, plot springs with tragic inevitability from character and there are no heroes and villains but only often flawed but eminently understandable human beings
SFX go further in their review:
Far from being a bog-standard tale of swords and sorcery, Daniel Abraham has served up a compelling, emotionally brutal and edgy fantasy that’s genuinely worthy of comparison with genre heavyweights like George R.R. Martin . . . [pushes] way beyond the genre’s comfortable boundaries, into bold and unsettling new territory.
We’re extremely sorry to say that the Mike Carey event scheduled for Thursday 25 October has been cancelled by the organisers.
We’ve received a number of queries from fans asking if there is any news regarding the final volume of The Wheel of Time, which Robert Jordan was writing when he sadly passed away last month. At this stage, there is no news. As soon as we have news, we will announce it here.
Once Bitten, Twice Shy is getting great reviews! The The New York Post featured it in their “Required Reading” column, and over at Katie’s Reading, Katie says:
“Before I started reading Once Bitten, Twice Shy I had read several reviews that claimed that this was a good book, a great book even. But in no way was I prepared for how truly wonderful Once Bitten, Twice Shy turned out to be. I loved it, plain and simple as that.”
Orbit UK author Mike Carey will be doing a talk and signing on Thursday 25 October. It’s at at the Rutherford Theatre, 76 Portland Place, W1B 1NT, from 7.00pm. Tickets are £7 (£5 for concessions), and are available by contacting firstname.lastname@example.org, calling 0845 456 9876 or dropping into the Blackwells bookshop at 100 Charing Cross Road.
Update: unfortunately, this event has been cancelled by the organisers.
SFCrowsnest has just added some fantastic reviews of classic and new Orbit books. Now’s your chance to check out some great SF & Fantasy you might have missed:
Steele’s clean, crisp writing and careful scientific invention reminds me of Clarke’s Rendezvous With Rama. There’s a definite feel of classic Science Fiction storyline brought up-to-date with technology and science. That’s no bad thing and the easy pace and good characterisation make it a pleasure to read.
The last eighty pages are complete page-turners . . . If you like space opera then this is a series I think you would enjoy.
Stross mixes the weird monsters of a Lovecraft novel with the gadgets and clever action of a techno-thriller. . .an enjoyable romp through a crazy mix of genres.
[Irvine] delights in creating sweeping sagas and great journeys for the characters. There are some wonderful colourful passages of people and landscapes. What he really likes is to bring his characters right down into the core of themselves as they face great challenges.
Sean has produced some good work in the past; he’s had the opportunity to flex his writing muscles in a wide variety of projects. In Saturn Returns, I felt a new assuredness, a strength of voice that was compellingly entertaining and thought-provoking. Saturn Returns is Sean’s best yet — go out and buy it.
Dark Space is an exciting adventure with plenty going on to keep you turning the pages. The story is primed to enter uncharted territory at the end of Book One. Marianne has a knack for creating compelling characters in complex realities — the Parish Plessis novels showed us that — so this is one to watch as it develops through the next two volumes.”
Keith also had some nice things to say about Orbit’s new global presence, so it would be rude — rude, I say! — not to repeat some of that niceness here:
The enthusiasm comes from what’s happening in the Australian market lately. This could be another false dawn — we’ve been through so many — but with the arrival of Hachette Livre and its much respected imprint Orbit into the local arena there is a level of energy and enthusiasm that I haven’t seen for a long while in Australian genre publishing . . . And so to another Orbit SF release (see what I mean: the release of two Australian science fiction books in as many months is unheard of in recent years).
Thanks, Keith. I hope we can continue to excite SF readers in Australia — and all around the world — for years to come!
We’re delighted to see that Ken MacLeod has gone from writing SF to appearing in an SF short story! The critically acclaimed author of The Execution Channel and the Hugo, Clarke and BSFA Award-nominated Learning The World, gets a mention from a character in Security Question by Ramon Rozas III, an online short story appearing at Every Day Fiction:
“How far in the future do you come from?”
“Pretty far, actually. I made it to the ships, if that means anything to you.”
“I can’t remember whether you’ve read Ken MacLeod yet.”
“Never heard of him.”
“Oh, you will. Anyway, I’m far enough in the future that I have to offload memories from this old brain,” the man tapped his skull, “and store them elsewhere.”
Go on, check it out. And then spend some time contemplating which, if any, MacLeodian future the time traveller comes from. Hey, why not? It’s the weekend, after all . . .