Archive for Interviews

Francis Knight interviews Benedict Jacka, author of the Alex Verus novels

In September we release CHOSEN (UK|ANZ), the fourth Alex Verus urban fantasy novel from Benedict Jacka. In an interview below, another Orbit fantasy star Francis Knight
(author of FADE TO BLACK – UK|US|ANZ, and the soon-to-be-released BEFORE THE FALL  –UK|US|ANZ) finds out more about the writing of this highly popular series . . .

Chosen, an Alex Verus urban fantasy novel by Benedict Jacka, perfect for fans of Jim Butcher, in an interview with Francis Knight, author of Fade to BlackFrancis Knight: So, Alex Verus, wizard in London. I suppose certain comparisons are inevitable, if a bit easy. So who and/or what were your inspirations for this series? I know when I start, the first idea generally morphs into something bigger. What was the initial spark, the first ‘what if…’ that led to the book becoming reality?

Benedict Jacka: The Alex Verus setting is an adult version of a YA setting that I’ve been using on and off for almost 15 years – the whole mage world and the magic types was something I first came up with back in 2000-ish.  Between 2000 and 2008 I wrote four YA books in the setting, all with teenagers as the main characters who all had elemental powers of some kind.  None of the books got published, so I kept giving up and shelving the series and trying something else.

In 2009 I decided to pull out the setting yet again to give it another shot, with an adult main character this time.  I was getting dissatisfied with the elemental mages as protagonists, though, and at some point I had the idea of using a protagonist whose abilities were information-based instead of brute force.  The rest of the story snowballed from there! (more…)

On co-authoring a novel set in the world of ENDER’S GAME . . .

EARTH UNAWARE, book one of the First Formic War, by Orson Scott Card and Aaron Johnston, set 100 years before Ender's Game, which will be released as a major motion picture in October 2013 starring Harrison FordToday sees the release of EARTH UNAWARE (UK|ANZ) and EARTH AFIRE (UK|ANZ), books 1 and 2 of The First Formic War, set 100 years before ENDER’S GAME.

Orson Scott Card co-authored these novels with Aaron Johnston – a bestselling author and associate producer on the upcoming Ender’s Game movie. To celebrate the release, we asked Aaron what it’s like to write within such a well-known and much loved world . . .

When Orson Scott Card asked me to coauthor the prequel novels to his science-fiction classic Ender’s Game, my first two thoughts were: (1) Wow, what an incredible honor, and (2) You better not screw this up, Johnston, or fans will hunt you down and toilet paper your house.

We fans can be a prickly lot. Especially when it comes to stories that hold special significance to us, as Ender’s Game does to millions of readers. I’ve read Ender’s Game more times than any other work of fiction, and whenever anyone asks me for a book recommendation, the first words out of my mouth are always, “Have you read Ender’s Game?”

For me, Ender’s Game was the first book I ever read wherein the characters didn’t feel like characters at all but rather like friends and kindred spirits. Bean, Dink, Shen, Valentine, Ender. They were all so believable and honest and distinct that when I stepped into their world, my own world melted away.

Earth Afire, book two of the First Formic War, by Orson Scott Card and Aaron Johnston, set 100 years before Ender's Game, which will be released as a major motion picture in October 2013 starring Harrison FordI don’t presume to suggest that our books will have the same effect on readers as Ender’s Game does. Only Ender’s Game can produce the experience it provides. But I do hope that our novels will feel like they belong in the Ender universe. That was my goal from the beginning. “If we do this,” I told Scott, “I want it to feel like an Orson Scott Card novel.” And by that I mean: when fans read the book, I didn’t want them to distinguish between the parts I had written from the parts Scott had written. I wanted it to feel seamless.

That’s a lofty goal, I know. Only OSC can write like OSC, after all. But I felt as if we owed it to fans to provide a new and exciting adventure story that also felt like a member of the Ender universe.

In fact, it was so important to me that the books sounded and felt like other OSC novels that before I started writing each day, I would usually pick up an OSC book and read a chapter or two just to get my mind in a place that spoke in the voice and rhythm of Orson Scott Card. Scott has a gift for writing in third-person, limited point-of-view that allows for deep characterization without abandoning the pace. I’m not conceited enough to suggest that I do it as well as he does, but I certainly tried. The biggest compliment I have received thus far is when one fan called the series “classic Orson Scott Card.”

But of course this is a collaboration. And since Orson Scott Card rarely collaborates with other authors, fans naturally have a lot of questions. What follows are my answers to the questions I most often hear. (more…)

Urban Fantasy Interview Swap: Amanda Carlson Interviews Nicole Peeler

Today Amanda Carlson, the author of HOT BLOODED (US | UK AUS), interviews Nicole Peeler about TEMPEST REBORN (US UK | AUS) and the last Jane True novel.

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Amanda Carlson: I love Jane True and your writing voice. She’s witty, quirky and lovable. How did you come up with the idea to write a half selkie heroine?

Nicole Peeler: Thanks, Amanda! I’d fallen in love with the mythology as a teenager, and I’d always wondered about what happened to the half-human, half-selkie children that often feature in these myths. So when I realized I wanted to write a character that wasn’t naturally “kick-ass,” the answer was pretty obvious. Seal shapeshifters are definitely not naturally kick-ass!

AC: In the TEMPEST REBORN, without giving too much away, does Jane get snuggle time with Anyan?

NP: Absolutely. I knew I’d be beaten to death by Jane’s fans if that didn’t happen.

AC: You have a PhD in English Literature and teach Popular Fiction at Seton Hill University, which sounds like an amazing job! What’s the most fun assignment you’ve given your students?

NP: The most fun was working with undergraduates, creating World Building Books for an Urban Fantasy course I taught. They had such amazing ideas! And it was fun to watch them realize they could do just that—create a whole world.

AC:  You just bought a house! That’s a big, exciting step.  Tell us about it.

NP: It’s soooooo nice! I keep having to rein myself in from having my every Facebook post be “OMG I LOVE MY HOUSE.” I’m also really loving Pittsburgh. It’s super up-and-coming, so you can really get involved with things. I’m going to help plant a tree irrigation system for Tree Pittsburgh this weekend and I’m stupidly excited about it.

AC: The TEMPEST REBORN is Jane’s last adventure. What’s up next for you? (We hope more fantasy!)

NP: I’m not sure yet, honestly, but yes. All my ideas are inevitably fantasy. It’s funny that I read so much literature but I think in dragons. I’m not sure why! But I do love the genre.

AC:  Here are some fun quick bullet questions to end.

Ice cream or sorbet: Both!

Breakfast or dinner: Both!

London or Paris: OMG both.

Beer or margarita: YEAH, both. I don’t really limit myself too much, in case you couldn’t tell.

Cats or dogs: Neither. I travel too much.

Spring or fall: Either, as long as it’s not winter or summer.

The Walking Dead or Game of Thrones: MAD MEN. (I’m not very good at this game, am I? But I loved playing!)

Urban Fantasy Interview Swap: Nicole Peeler Interviews Amanda Carlson

Both Jessica McClain and Jane True are back this season with new books from Amanda Carlson and Nicole Peeler. In the first of a two part series, Nicole is here to interview Amanda about what’s in store for Jessica in HOT BLOODED (US | UK AUS).  Join us later in the week to get the full scoop from Nicole on the final Jane True novel, TEMPEST REBORN  (US UK | AUS). 

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Nicole Peeler: Hi Amanda! Love the series, and super psyched you’re doing so well. But how on earth did a nice girl from Minnesota come to write about werewolves?? ;)

Amanda Carlson: We love wolves here, but alas, they are of the timber wolf variety. There are so many forests up in northern Minnesota I always pictured it as a perfect setting for werewolves to lurk undercover. But this MN girl ultimately chose werewolves purely because of their hot blooded feistiness. Nothing like a hot blooded man to warm your bed. Something about them has always been primal to me.

NP:  Obviously, werewolves are a much loved and much used mythology. So what did you think you could bring to werewolves that other people couldn’t? Or was that even an issue for you?

AC: I really feel like I’ve brought something new to the genre with Jessica, but when I started writing the first book years ago the market wasn’t saturated. I had no issues. I wrote the kind of story I wanted to read and nothing more. My biggest mistake was letting it sit for over a year. I suffered from the most common writer anxiety—is it good enough? Will people like it? So when I finally polished it and decided to query, there was a fear I may have missed the “werewolf” window, LOL!  Being new to the game, I had no idea it took a year and a half to two years to get a book on the shelf.  But my agent assured me there was always a market for a good story and I believe in that wholeheartedly. I’ve found that readers don’t really care who the protagonist is, or what their power is, most of them are just looking for a great read.

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John Scalzi interviews Matthew Stover about the ACTS OF CAINE

Since we heard that the illustrious John Scalzi was a super-mega-fan of the Acts of Caine novels by Matthew Stover, (which starts with HEROES DIE), we asked him if he wanted to interview Matthew  . . .

Heroes Dies, Book 1 in the gritty heroic fantasy series the Acts of Caine novels by Matthew Stover - interviewed here by John ScalziWhen I was told that Orbit Books was releasing the entire Acts of Caine series in the UK, I let out a cheer. I am, unapologetically, a huge fan of this series of books, full as they are of action, adventure and grippingly written violence – along with classic dystopian themes, observantly written (and massively, compellingly flawed) characters, and world-building I’m jealous of as a writer even as I’m impressed with it as a reader. This is the series that put its author Matthew Stover on my map as someone whose books I had to read, no matter what he was writing.

Orbit asked me if I wanted to interview him on the occasion of the release of his books. Yes. Yes I did. Here it is.

John Scalzi: Heroes Die, the first book in the Caine series, in many ways presaged the current wave of “grimdark” fantasy – those works with lots of unapologetic action and violence threaded into their tales. At the time you were writing the book, were you aware you were slashing a new path through that particular jungle? Or were you just focused on writing a story you wanted to tell?

Matthew Stover: I wasn’t trying to do something new. I was only trying to do something good.

I started writing the story that eventually became Heroes Die when I was seventeen. A variety of versions were submitted to, and summarily rejected by, a variety of publishers over the course of the next eighteen years. I tried every approach I could think of to make the story appealing to editors, but nothing worked. Finally – in despair – I said to myself, “Screw this sh*t. If it’s going to fail anyway, write the goddamn thing exactly how you want it to be. At least you’ll have that.”  So I did. And here we are.

This is why my first advice to younger writers is to write the book you wish somebody else would write so you could read it.

 

JS: You also, and very unusually, have created a series of books that are both science fiction and fantasy, as opposed to choosing to be on one side of that (in my opinion, often arbitrary) line. For me as a reader, that felt almost revolutionary – not in an excessive “have your cake and eat it too” sort of way, but in that it allows you to world-build two separate but vital universes, and build stories in the tension between the two. But from the practical point of view as a writer – well, it’s a lot of work. Talk a little about your world-building strategies and why it was you chose to straddle the two genres in this series – and the challenges you have in making sure the two universes are balanced in service to the story.

MS: It has been a lot of work. But, y’know, I wrote these four books over the course of about fifteen years, which leaves plenty of time for things to develop more-or-less organically. Much of the world-building is a by-product of thinking about other stories I might want to tell in that milieu – even if I never write the stories, their background features remain.

I chose the dual-world structure because one of the themes that seem to underlie all my original work has to do with the role of imagination in creating our experience of reality. When I was a kid, I was very taken with de Camp and Pratt’s Harold Shea stories – psychologists who find a way to transport themselves into mythical (later, outright fictional) realms through some hand-waving involving symbolic logic. These stories make crystal clear the fact (bleedingly obvious, in retrospect) that fantasy is the map of human psychology. I wanted a Real World to contrast with the Fantasy World, but I wanted the Fantasy World to be real too. After all, dreams are themselves real things, even though the experiences we have in them are products of our own imaginations (pacé various mystical traditions).

And I didn’t really choose to combine two genres, because I don’t believe they’re really separate. Science fiction is a subset of fantasy (as is all literature, after all). Heinlein wrote stories with magic in them. So did Larry Niven. And Poul Anderson. Fritz Leiber wrote some straight SF. I write stories that have (some) science and (some) social extrapolation in them. And magic too. Though I usually tell people I’m a science fiction writer, because when I tell them I write fantasy, I have to endure some variation of the following conversation:

“Really? Like Lord of the Rings?”

“No, not like Lord of the Rings.”

“Like Harry Potter, then.”

“No, like Star Wars.”

“But Star Wars is science fiction.”

“Look, what do you call it when a young knight is given his father’s magic sword by an old wizard and then sent off on a quest to defeat the Dark Lord?”

“I call it fantasy.”

“No, you call it Star Wars, Einstein. Now shut up before I unscrew your head and drop-kick it into a parallel dimension.”

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Matthew Stover, author of the ACTS OF CAINE: “This I Believe”

“It is the greatest gift of my people, that we can bring our dreams to life for other eyes. Fantasy is a tool; like any other tool, it may be used poorly or well. At its best, fantasy reveals truths that cannot be shown any other way.”

–        Sören Kristiaan Hansen, aka Deliann Mithondionne, the Changeling Prince (BLADE OF TYSHALLE, book two of the Acts of Caine)

A few years before I was born, an American journalist named Edward R. Murrow hosted a program on the CBS Radio Network called This I Believe. Each episode only lasted five minutes, of which three and a half were given over to an essay by a different contributor, each speaking about the specific personal convictions that they felt gave their lives meaning. In the generally terrifying atmosphere of the early Cold War, this program was the closest the 1950s ever got to a viral video. It was the most listened-to English-language program in history at that time, and it spawned books, and records, and other radio programs – some of which continue to this day.

Heroes Die, book one of the Acts of Caine novels - a gritty action fantasy series by Matthew Stover, endorsed by Scott Lynch and perfect for fans of Joe Abercrombie, Mark Lawrence, Brent Weeks and Assassin's CreedWhen the good folk at Orbit decided to pick up my Acts of Caine novels, they asked me to contribute a blog-post-slash-promotional-essay or two for their website. I dislike writing about myself in any kind of biographical sense; if I thought that where I was born, my family, education, hobbies and pets and private life generally were any of your business, I’d write memoirs, not heroic fantasy.

I also have very little interest in commenting on my stories. My comments are the stories. Now – despite my dislike – I’ve done both of these things, and reasonably often, because that’s what people keep telling me I have to do to promote my books. The Good Folk, however, gave me license to write whatever I want.

I want to write about what I believe.

Most of what follows will be about story, because I make stories the same way I breathe: even to pause requires an act of will, and if I ever stop, it’s because I’m dead.

So… This I believe:

 

Not all honest writing is good, but all good writing is honest.

 

What’s not said is as important as what is. Often more important. Most of the trick to writing is knowing what to leave out.

 

It’s easier to make people cry if you’ve already made them laugh. And vice versa.

 

Whatever a story’s other virtues, if it’s not entertaining you, you’re wasting your time. A story is only great if it’s great for you. Personally.

 

What any work of art means depends on who you are when you look at it. What you get out of a book depends on what you bring to it. A book is only marks on a page (or pixels on a screen). The story is what happens in your imagination as you scan those marks. Books aren’t deep. Some readers are.

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INTERVIEW: Mur Lafferty on THE SHAMBLING GUIDE TO NEW YORK CITY

The Shambling Guide to New York CityMur Lafferty shares a few special insights about  how THE SHAMBLING GUIDE TO NEW YORK CITY (US | UK | AUS) came to be.

When did you first start writing?

I think I was around twelve, after reading Fred Saberhagen’s Swords series and getting my first itch for fanfic. Then I began an epic story about all my best friends, featuring different-colored unicorns. This book is, thankfully, lost to the ages.

Who are your biggest writing influences?

As a child, I was most influenced by Anne McCaffrey and Robin McKinley. As an adult, it’s been Douglas Adams, Neil Gaiman, and Connie Willis.

Where did the idea for THE SHAMBLING GUIDE TO NEW YORK CITY come from?

I used to write for role-playinggames, and in 2005 (post–Hurricane Katrina), I got together with some friends to do a print‑on‑demand RPG book about New Orleans to benefit the Red Cross. New Orleans has such a history with myth and magic, I had the idea to see the city from a zombie tour guide’s POV, so I wrote a short story called “The Shambling Guide to New Orleans.” After I wrote that short piece for the book, I began thinking of other cities that would have an underground monster population that might be in need of guidebooks.

Read the full interview here.

Do you have questions of your own? Chat with Mur Lafferty on Wednesday, May 22nd at 6:30 PM EST! – Online Event

An interview with Marlene Perez on STRANGE FATES

STRANGE FATES by Marlene PerezGreek myth and forbidden romance meet in this exciting new urban fantasy by Marlene Perez. STRANGE FATES is a hot, new series for adult readers which follows the perilous journey of Nyx Fortuna – an immortal with a serious bone to pick with fate. Read the first chapter here or check out this interview with the author to find out more about the mythology and how Marlene transitioned from writing YA to adult fiction.

Strange Fates is a departure from your YA works. Even though he looks like he’s twenty, Nyx is already several centuries years old. What made you decide to write from the POV of an older protagonist?

I was interested in a different take on an immortal. They’re often written as wiser and all-knowing, but in my experience, more years on the planet doesn’t necessarily make you any wiser/better, especially if you haven’t dealt with your issues. Nyx has definite issues he hasn’t dealt with. He also has a bit of a drinking problem and addiction slows or stops emotional growth. He’ll grow throughout the novels, but it will be slow and painful.

What has the transition been like switching from YA to adult urban fantasy? Did you change your writing process at all?

My writing process usually starts with me finding some little gem of information somewhere and then huddling over it like Gollum did with the ring, muttering “my precious” and hoarding it, waiting for the right time/right book to use it in. I wasn’t trying to write from a male point of view, but Nyx just started talking to me. He was a little drunk at the time and I knew I had to start Strange Fates in a bar.

Read the rest of this interview.

Exclusive Interview with THE CURVE OF THE EARTH Hero Samuil Petrovitch (Part 2)

The Curve of the Earth, a new Samuil Petrovitch near-future science fiction novel from Philip K. Dick award-winner Simon Morden - perfect for fans of Richard Morgan To celebrate publication of THE CURVE OF THE EARTH ( UK|US|ANZ), Orbit was lucky enough to be treated to a rare interview with one of the post-apocalyptic world’s most brilliant minds: Doctor Samuil Petrovitch.

In part two of this interview, we try to get to the heart of Petrovitch’s relationship with Reconstructionist America, ask him a few more personal questions about the type of music he likes,and find out what  projects he’s got on the burner right now.

(NB: the below does contain some foreign swearing, as is typical of Petrovitch’s blend of old-school Russian and English. For translations, please see our Russian swearing glossary. You can also read part one of our interview with Samuil Petrovitch here.)

I want to ask you about your attitude towards Reconstruction.

SP: What did you want to ask that isn’t already a matter of public record?

What is the relationship like between the Freezone and the USA?

SP: Is there one?

I’m asking if there is.

SP: We’re two mutually exclusive ideologies. Reconstruction America is actively seeking to destroy the Freezone, however they can, and I have to assume that at some point it’s going to come down to whether they think they can get away with annihilating us, including Michael. For the Freezone’s part, and I’m not the Freezone’s spokesman on this or anything else, we have absolutely no intention of getting into a shooting match with the Yanks. All our projections show that Reconstruction will collapse within a hundred years, so we’re happy to play the long game. All their base will belong to us. Eventually.

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Exclusive Interview with THE CURVE OF THE EARTH Hero Samuil Petrovitch (Part 1)

The Curve of the Earth, a new Samuil Petrovitch near-future science fiction novel from Philip K. Dick award-winner Simon Morden - perfect for fans of Richard Morgan To celebrate the publication of THE CURVE OF THE EARTH ( UK|US|ANZ), Orbit was lucky enough to be treated to a rare interview with one of the post-apocalyptic world’s most brilliant minds: Doctor Samuil Petrovitch.

Over the course of his life, Doctor Petrovitch has been called a lot of things: hero; cyborg; menace; traitor; father; a**hole.

Now, for the first time, you can meet the man behind the metal (and the myth) in this two part interview. Find out some of his favourite things (cat videos?), discover more about his AI companion Michael, hear more on the Freezone that arose from the ashes of post-Armageddon London – and get to the heart of his strained relationship with Reconstructionist America.

(NB: the below does contain some foreign swearing, as is typical of Petrovitch’s blend of old-school Russian and English. For translations, please see our Russian swearing glossary.)

 

Thank you for agreeing to this interview, Dr Petrovitch.

SP: Yeah, okay. I’ve been told this would be a good idea, something I very much doubt. I’ll apologise in advance for punching you in the face.

I suppose I should be grateful you’re not shooting me in the face.

SP: Yes. Yes, you should. Are you going to ask me the first yebani question or do I just walk out now?

You’ve been called many things, Dr Petrovitch, and opinions about you are sharply divided. Some see you as some sort of digital saviour, others as the Antichrist himself.

SP: There isn’t actually a question there. Try again.

I’m asking you how you see yourself.

SP: In a mirror. Or I can just pop out one of my eyeballs and turn it around. Seriously, that’s a really dangerous thing to ask me. I could, if I wanted, give you my unshielded ego for the next half hour, but no one really wants to see that, not even me. I have a very strong sense of self, but I’m not so far up my own zhopu as to think that matters at all. What matters is what I do, not how I think of myself as doing. Ask me another, better question.

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