Posts Tagged ‘Caine’s Law’

Scott Lynch & Matthew Stover on THE REPUBLIC OF THIEVES and ACTS OF CAINE

The Lies of Locke Lamora by Scott Lynch, in an interview with Matthew Stover abotu his gritty heroic fantasy series Acts of CaineScott Lynch: volunteer firefighter, powerful Jedi, author of The Lies of Locke Lamora and the upcoming The Republic of Thieves, all round man of letters and certainly a Gentleman, not a Bastard . . . 

Heroes Die, book 1 in the the Acts of Cain gritty heroic fantasy series Acts of Caine, by Matthew Stover, in an interview with Scott Lynch about The Lies of Locke Lamora andRepublic of ThievesMatthew Stover: learned student of arcane martial arts, competitive drinker, author of the “heaping plate of kickass kickassery” that are the Acts of Caine fantasy novels . . . and also a very powerful Jedi . . .

SO WHAT HAPPENS WHEN THESE MIGHTY FORCES COLLIDE?!

Read on to find out!

The Republic of Thieves by Scott Lynch, the follow-up to The Lies of Locke Lamora, in an interview with Matthew Stover abotu his gritty heroic fantasy series Acts of CaineMatthew Stover: Okay, first: how soon can I get an ARC of The Republic of Thieves?

Scott Lynch: Be down at Pier 36 at midnight. Look for a man with a copy of yesterday’s Beijing Times under his arm. Offer him a cigarette. If he declines, say “Which way was the dolphin swimming?” Then follow his directions precisely. Bring a flashlight and a set of hip waders. Good luck and godspeed.

MS: Despite the first Gentlemen Bastards novel being titled The Lies of Locke Lamora, it seems to me that Locke and Jean are dual protagonists, true partners rather than hero and sidekick. While this is not unusual in other genres (especially police procedurals, for example), in ours they’re pretty thin on the ground. The only truly legendary fantasy dual-protags that spring instantly to mind are Fafhrd & the Gray Mouser, and they are explicitly portrayed as linked by mythic destiny (“Two halves of a greater hero.”) Locke and Jean, by contrast, are bound by human friendship and deep loyalty – more Butch & Sundance than F&GM.

So I’d like to get your thoughts on what inspired their relationship, and why you chose to write them this way. Were they always to be dual protags? Did Jean start as a sidekick and grow in the writing? Is there something about their friendship that has Super Story Powers?

SL: You’re making me peer back through the hazy mists of memory, man. But the honest truth is that Jean was decidedly a less fleshed-out character, initially, very much vanishing into the ensemble. His role grew in the telling, until I realized that he wasn’t just a foil for Locke but the essential foil. I grasped the benefit of having a sort of external conscience for him, another intimate perspective on Locke that would enable me to sort of hover nearby without peeling back too many layers of his mentation. For all that he’s the protagonist, we don’t spend too much time with unfettered omniscient access to Locke’s thoughts in that first novel; I wanted to express his feelings more through his actions and the responses of those around him than by writing something like, “Locke was sad now.” (more…)

“I Don’t Mind Being Punched in the Face” – by Matthew Stover

Heroes Die, book 1 in the the Acts of Cain gritty heroic fantasy series Acts of Caine, by Matthew Stover, in a piece on martial arts called "I don't mind being punched in the face"The Good Folk at Orbit invited me to write another post for the site here, and my editor suggested I might touch on my experience as a student – and occasional instructor – of martial arts, and how that study has influenced my work, especially in the Acts of Caine.

People who enjoy my work often speak of how much they like the way my books depict personal combat – one prominent blogger memorably commented that “All of Stover’s heroic fantasies offer fight scenes of such crippling power that they risk hospitalizing incautious readers” – and many fans and reviewers attribute this to my (presumed) martial arts expertise. Which is true to a degree, though somewhat misleading. It does help – but perhaps not in the way you might expect.

For example, the arrow of causation points mostly in the other direction. I don’t do fight scenes because I love martial arts, I do martial arts because I love fight scenes.

And let’s be clear: what makes a fight scene good has very little to do with choreography. A good fight scene does everything a good scene of any type does: engages imagination, reveals character, advances plot and illuminates theme. There are, in my novels, a lot of fight scenes (‘cuz like I said, I love ‘em) and many of them do not involve characters most readers would recognize as highly-trained martial artists. Caine is one, yes, as are Anakin Skywalker, Obi-Wan Kenobi and Mace Windu . . . but most of the rest involve characters with varying degrees of experience and natural aptitude trying like hell to get out of dire situations without getting killed.

Look:

I like hitting people. I also like kicking people, kneeing them, doing (potentially) crippling things to their joints as well as occasionally throwing them across a room, not to mention stabbing them with (rubber) knives and slashing them with (rattan stick) swords. This is not, it should be noted, actual combat. It’s recreation. All in good fun, and when it’s done properly, no serious injuries occur.

Also look:

I often write about people who like these things I like, except many of these people are missing an essential circuit-breaker in their brains. These are people who are bored by the merely recreational. Who only take it seriously if someone’s life is on the line. Who have made violence not only their profession, but their lifestyle. Some are mercenaries, some are jihadists, some are psychopaths. At least one is a performance artist. None of these categories are, you will note, mutually exclusive. (more…)

Matthew Stover, author of the ACTS OF CAINE: “This I Believe”

“It is the greatest gift of my people, that we can bring our dreams to life for other eyes. Fantasy is a tool; like any other tool, it may be used poorly or well. At its best, fantasy reveals truths that cannot be shown any other way.”

–        Sören Kristiaan Hansen, aka Deliann Mithondionne, the Changeling Prince (BLADE OF TYSHALLE, book two of the Acts of Caine)

A few years before I was born, an American journalist named Edward R. Murrow hosted a program on the CBS Radio Network called This I Believe. Each episode only lasted five minutes, of which three and a half were given over to an essay by a different contributor, each speaking about the specific personal convictions that they felt gave their lives meaning. In the generally terrifying atmosphere of the early Cold War, this program was the closest the 1950s ever got to a viral video. It was the most listened-to English-language program in history at that time, and it spawned books, and records, and other radio programs – some of which continue to this day.

Heroes Die, book one of the Acts of Caine novels - a gritty action fantasy series by Matthew Stover, endorsed by Scott Lynch and perfect for fans of Joe Abercrombie, Mark Lawrence, Brent Weeks and Assassin's CreedWhen the good folk at Orbit decided to pick up my Acts of Caine novels, they asked me to contribute a blog-post-slash-promotional-essay or two for their website. I dislike writing about myself in any kind of biographical sense; if I thought that where I was born, my family, education, hobbies and pets and private life generally were any of your business, I’d write memoirs, not heroic fantasy.

I also have very little interest in commenting on my stories. My comments are the stories. Now – despite my dislike – I’ve done both of these things, and reasonably often, because that’s what people keep telling me I have to do to promote my books. The Good Folk, however, gave me license to write whatever I want.

I want to write about what I believe.

Most of what follows will be about story, because I make stories the same way I breathe: even to pause requires an act of will, and if I ever stop, it’s because I’m dead.

So… This I believe:

 

Not all honest writing is good, but all good writing is honest.

 

What’s not said is as important as what is. Often more important. Most of the trick to writing is knowing what to leave out.

 

It’s easier to make people cry if you’ve already made them laugh. And vice versa.

 

Whatever a story’s other virtues, if it’s not entertaining you, you’re wasting your time. A story is only great if it’s great for you. Personally.

 

What any work of art means depends on who you are when you look at it. What you get out of a book depends on what you bring to it. A book is only marks on a page (or pixels on a screen). The story is what happens in your imagination as you scan those marks. Books aren’t deep. Some readers are.

  (more…)

Presenting: Matthew Stover’s ACTS OF CAINE novels

One of the most highly regarded fantasy series EVER is finally coming to the UK.

Presenting a gritty action fantasy series like no other. Welcome to the world of Caine: Assassin. Hero. Superstar. . .

Heroes Die, Blade of Tyshalle, Caine Black Knife and Caine's Law - the four novels int he Acts of Caine gritty fantasy series by Matthew Stover - a favourite of Scott Lynch and John Scalzi

Several huge names in the fantasy world have been shouting from the rooftops about the sheer brilliance of this series by New York Times bestselling author Matthew Stover. Par exemple:

SCOTT LYNCH says:

‘Oh, you fortunate people. HEROES DIE and BLADE OF TYSHALLE directly informed the writing of THE LIES OF LOCKE LAMORA . . . I’d dare say they were what taught me how to craft a novel. Matt is criminally underrated, and these books are bog standard for him, which is to say ‘brilliant.’ They’re bold, startling, multi-layered, humane, and laugh-out-loud wonderful at frequent intervals . . .

. . . A gritty, bloody, deeply touching work of genius’

JOHN SCALZI says:

‘A heaping plate of kickass kickassery with a side of kickass sauce . . .

If you are a fan of the meaty, bloody but smart fantasy of which authors like Joe Abercrombie and Richard K. Morgan currently traffic, you really do owe it to yourself to check out the whole Caine series . . . I doubt very seriously you will be disappointed, and if you are, well, I don’t know what to do with you, except maybe wonder if your brain chemistry is off in some unique and disturbing way. But I’m willing to bet your brain is fine and you’re going to eat this stuff up.

So: fans of  fantasy, this is my recommendation. Get this one. Get them all’

FELICIA DAY says:

‘Talk about a dark anti-hero. Talk about a cool alt-SF/Fantasy world. Talk about some violent assholes who populate BOTH universes. I mean Hari is one of the biggest badasses I’ve read in a LONG time. Seriously flawed, very nihilistic world/WORLDS really he’s involved in. And yet, his journey is so full of emotion, you root for him every step of the way. This is an Alpha male you can get behind. Damn. Hot damn.

Don’t read if you don’t like profanity, unlikeable characters and awesome fight scenes. :D

THIS WAS FANTASTIC! . . . If you like really really gritty, dark fantasy like George RR Martin, Richard Morgan (Takashi Kovaks books) or ESPECIALLY Joe Abercrombie, you should get this book’

Not convinced yet? What’s wrong with you?!

All four books in the Acts of Caine series – HEROES DIE, BLADE OF TYSHALLE, CAINE BLACK KNIFE and CAINE’S LAW – will be released digitally in the UK & ANZ on 27th May 2013.

Pre-order now for a special introductory price on book one, HEROES DIE.