Posts Tagged ‘lilith saintcrow’

Cover Launch: THE FALL OF WATERSTONE by Lilith Saintcrow

Take your first look at the cover for The Fall of Waterstone (US), the sequel to A Flame in the North (US) by Lilith Saintcrow, coming June 2024!

The Fall of Waterstone by Lilith Saintcrow

Cover Design by Lisa Marie Pompilio; Cover Illustration by Mike Heath/Magnus Creative

An elemental witch and her shieldmaiden navigate a dangerous world of forgotten myth and deep magic in the second volume of New York Times bestselling author Lilith Saintcrow’s sweeping Norse-inspired epic fantasy series.

Solveig and her shieldmaid have finally reached the fabled Elder sanctuary of Waterstone—a city of healing, restful beauty hidden from the Enemy’s gaze. Yet whispers race through the palace halls, and those they have come to tentatively trust have hidden intentions. For not only is the city a refuge for an elementalist, her protector, and a mortal prince, it also holds a great weapon, one that only Solveig’s kind may wield.

Yet Sol’s faith in her own magic is perilously fractured. She can rely only her wits and skills of negotiation to be heard, or she will become a pawn in a dark game played by Elder and Enemy alike. The lord of the Black Land is mighty; treachery slithers amid Waterstone’s many wonders, and time is growing short.

Before the darkness finds a way in, Sol must decide who to trust, where to turn for aid, and if she will take up a power she cannot hope to control. Even the right choice may doom not just the home she has left behind, but the entire world…

Black Land’s Bane 
A Flame in the North (US)

A Flame in the North by Lilith Saintcrow

Cover Launch: A FLAME IN THE NORTH by Lilith Saintcrow

Take your first look at the cover of A Flame in the North (US) by Lilith Saintcrow! You can pick up a copy in Winter 2024. Scroll down to learn more about the first book in this new trilogy.

A Flame in the North by Lilith Saintcrow

Cover Design by Lisa Marie Pompilio; Cover Art by Mike Heath/Magnus Creative

An elemental witch and her shieldmaiden journey into a world of ancient myth and unexpected destiny in this sweeping Norse-inspired epic fantasy from New York Times bestselling author Lilith Saintcrow.

The Black Land is spent myth. Centuries have passed since the Great Enemy was slain. Yet old fears linger, and on the longest night of the year, every village still lights a ritual fire to banish the dark.

That is Solveig’s duty. Favored by the gods with powerful magic, Sol calls forth flame to keep her home safe. But when her brother accidentally kills a northern lord’s son, she is sent away as weregild—part hostage, part guest—for a year and a day.

The further north Sol travels, the clearer it becomes the Black Land is no myth. The forests teem with foul beasts. Her travel companions are not what they seem, and their plans for her and her magic are shrouded in secrecy.

With only her loyal shieldmaiden and her own wits to reply upon, Sol must master power beyond her imagination to wrest control of her fate. For the Black Land’s army stirs, ready to cover the world in darkness—unless Sol can find the courage to stop it.

They thought the old ways were dead. But now, the Enemy awakens…

Acquisition Announcement: A FLAME IN THE NORTH by Lilith Saintcrow

Orbit is thrilled to announce we’ve acquired an exciting new series from New York Times bestselling author Lilith Saintcrow!

Journey into a world of awakened myth and malevolent creatures, unearthed destiny and fractured oaths, in A Flame in the North, the start of an epic Norse-inspired trilogy.

Read on for a bit more about what you can expect!

The Black Land is a spent myth, and these are modern times. At least, so says Solveig’s father, and his father before him. After Solveig’s brother accidentally kills a northern lord’s son, she is sent north as weregild (part hostage, part honored guest) for a year and a day. As a volva—a wisewoman—and even rarer, an elementalist, Sol isn’t quite upset at the notion of travel, for she has her shieldmaiden, Arn, and a fair share of magic to see her through the journey.

Yet she soon learns the Black Land is no myth and has merely been dormant for a few short mortal generations, biding its time. Upon its iron throne sits the Great Enemy, and trapped in his crown are two jewels of surpassing power, wrought by the Elder in the morning of the world. The third jewel, wrested free at great cost, is a prize beyond reckoning—but it cannot be used except by an elementalist. Solveig is the key to this special weapon, and the remaining Elder, not to mention the men in service to them, will stop at nothing to control it. And her.

Far from home, with only her shieldmaiden and her own wits to rely upon, Solveig must master power beyond her imagination. The Black Land looms, its armies and fell creatures ready to burst forth and cover the world in darkness, unless Solveig can find the courage to stop it.

Make sure to snag A Flame in the North when it lands in bookstores in Winter 2024.

Orbit US senior editor Nivia Evans acquired World rights from Lucienne Diver at the Knight Agency.

Cover Launch: AFTERWAR by Lilith Saintcrow

History is written by the victors; but when you’ve been fighting your fellow patriots, your own brothers and sisters, does anyone really win?  

A harrowing gut-punch of a novel, AFTERWAR tells the story of a dark future where America has been devastated by a second civil war. As the fighting draws to a close, the camps are liberated, and the fascist regime crumbles, the work of rebuilding begins. But can a population who’s spent years divided and hell-bent on victory at any cost ever be truly reunited?

AFTERWAR is bestselling author Lilith Saintcrow’s answer to the dystopian genre: a timely and all-too-realistic glimpse of a future that we hope never comes to pass.

Credits:

Design by Lisa Marie Pompilio
Art by Shutterstock

Is Urban Fantasy Dead? Or Undead?

We remember when urban fantasy first arrived on our shelves, but the genre has changed significantly since then. Are these stories still popular? If so, why? We asked some of Orbit’s authors for their take on the genre’s past, present and future.

Where does urban or contemporary fantasy come from?

JIM BUTCHER, author of the bestselling Dresden Files, as well as recent adventure fantasy THE AERONAUT’S WINDLASS

Butcher

‘Urban fantasy is nothing more or less than the resurgence of fairy tales. We’ve changed what our big bad wolves look and act like, and our forests appear somewhat different than they used to, and Little Red Riding Hood is generally much more heavily armed than she has traditionally been, but we’re telling the same stories, in the same ways, with the same emphasis on the fantastic and the terror and delight of its clash with our everyday world.

It’s the everyday reality that so many of us find terrifying – to such a degree that we flee to tales of vampires and werewolves and dark sorcerers just to lighten the mood.’

CHARLIE FLETCHER, author of THE OVERSIGHT and THE PARADOX

CharlieFletcher

‘People have always created stories to try and make sense of stuff they could neither see nor understand. ‘Urban’ fantasy is just a logical step since as society has become less rural and more metropolitan so the old dark woods of the old fairy-stories have been replaced by a sodium-lit concrete jungle. And of course we may have moved to the cities, but we brought our darkness with us.

There’s a lot of product jammed in under the urban fantasy label that doesn’t do it for me, but the books that do mean something to me are the ones that engage creatively with the inevitable transition from the old to the new world and deal with its consequences as a central part of the story (AMERICAN GODS by Neil Gaiman is a particularly fine and definitive example of this).’

What does the future of urban fantasy look like?

LILITH SAINTCROW, author of the Bannon and Clare Affairs and BLOOD CALL, as well as many other urban fantasy series

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‘I think the last five years, as with any shiny new trend, have brought a certain amount of reader fatigue. Urban fantasy isn’t going away, but it’s not so much of a Wild West ‘let’s throw a vampire in there and hope it sticks!’ anymore. Which is very good, if sometimes frustrating when paranormal or urban fantasy is what you want to write.

After working in publishing for so long, I see “urban fantasy” as a genre title, nothing less, nothing more. There’s always a market for tales well told, and urban fantasy, like any genre, offers a set of tools and toys for a writer to play with.’

BENEDICT JACKA, author of the Alex Verus novels

BenedictJacka

‘I’d have trouble pinning down exactly how urban fantasy’s changed over the last five years, but I’m pretty sure that it’ll stay popular for the foreseeable future. The mash-up nature of urban fantasy lets it evolve easily, and the sources it draws on (comic books, games, epic fantasy) still have a lot of resonance for city-dwellers. So while I’d expect the type of urban fantasy stories to shift over time, I think the genre will stick around for a good while yet.’

PATRICIA BRIGGS, author of the Mercy Thompson series and the Alpha and Omega series

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‘There isn’t a reader appetite for urban fantasy the way there used to be. Five years ago, any book that was urban fantasy was guaranteed a certain number of readers. I think, and it is not a bad thing, that readers are pickier now. For me as a reader, right now, what I love about urban fantasy is that there are so many good storytellers working in this field. Good stories still work and can still find an audience, though it might take longer to find a readership than before.

One of the things that I actually like about this is that we are seeing more diversity in books that are published again. I love, love, urban fantasy. But I also love space opera, traditional fantasy, and contemporary fantasy – and those genres were getting drowned.’

ELLIOTT JAMES, author of CHARMING

ElliottJames

‘I like to read stories where the extra-ordinary and the ordinary mingle. Some people sneer at escapist literature, but “escape” implies relief, release, and freedom, none of which are bad things. Escape also inevitably holds a mirror up to the thing being escaped from.

Urban fantasy often gives ordinary characters a chance to demonstrate extraordinary qualities. It encourages readers to examine what it means to be human through contrast or by eliminating a lot of the obvious assumptions.

There have always been stories that introduced fantastical otherworldly elements into the everyday knockabout world that we humans optimistically call reality, and I expect there always will be.’

New Short Fiction: PACK by Lilith Saintcrow

If you’ve been waiting on the edge of your seat for the latest from urban fantasy star, Lilith Saintcrow, wait no more! PACK, a brand new e-only standalone, is now available.

When the world falls apart, Lydia knows all you need is a gun and a dog. Unfortunately, she’s going to find out that’s not quite enough…

If you’re a fan of the Dante Valentine and Jill Kismet books, this urban fantasy should be on your must-read list. It’s also a great entry point work if you haven’t had the chance to sink your teeth into one of Lilith Saintcrow’s book’s yet.

And just in case you need another reason to check out this latest from Lilith Saintcrow, see what others have had to say about this master of urban fantasy!

“No one does gritty and paranormal better than Saintcrow.” — RT Book Reviews (Top Pick)

“She’s fabulous. ”  — Christine Feehan

“What’s not to love? Fans of Laurel K. Hamilton should warm to Saintcrow’s dark evocative debut.”
—Publishers Weekly

If the Victorian era is more your style, check out Lilith Saintcrow’s THE IRON WYRM AFFAIR and the rest of the Bannon & Clare series – available in print and e-book.

On the Case with Bannon & Clare

I have enjoyed the Bannon & Clare books thoroughly. From inception to proofs, even when frustrated at the characters’ insistence on doing what they pleased instead of what I thought was proper, I have felt a secret little thrill of joy at each page.

No little of that joy comes from research—a huge canvas map of 1880s London hanging on my office wall, full of notes and dirty from my fingermarks, a shelf groaning under various Victoriana books and assorted notes stuffed in a binder covered with fleur-de-lis, long emails exchanged with various people about pepperbox pistols and gaslamps.

The other half comes from gleefully throwing research out the window and taking off into the wild blue yonder with only a guess and a prayer.

The longer a series goes on, the more choices one initially makes in the first flush of creation become…well, not quite a straitjacket, but foundation specs that need to be honored if a work is to have any internal consistency at all. In other words, you can have utter lunacy on the page, but it must be consistent lunacy.

I am certain there is much madness in any book of mine, but I do try to make it consistent. Part of that consistency is Emma Bannon’s character. She is female in a time and place that doesn’t allow women a great deal of leeway, and navigating through such a sea is a difficult thing. Her talents and business acumen make it both more and less difficult in varying ways, and she is most often the one to “rescue” Clare. That inversion, and the power dynamics between them, is fascinating for me.

Even though Archibald Clare is a mentath and a gentleman, he is not so much a hero as a socially awkward misfit unable to compromise his honour for advantage, and not really caring what the world thinks of him. Emma Bannon cares even less, but is forced to play the social games of a lady as if she did, because it makes things easier for her and those she protects. Neither of them are quite heroes, and I like that the usual “gendered” roles—rescuer and rescued, logic and emotion—for both of them shift and change all through the series.

Another area of consistent madness is the uneasy relationship between magic and Industrial Revolution technology in the series. I hesitated over calling the Bannon & Clare Affairs “steampunk” because to me, that’s an aesthetic, not a genre. I much prefer the term “alt-history,” especially since I know the exact moment their historical timeline diverged from our own less-magical (perhaps?) one.

Above all, though, I set out to tell some ripping good, exciting yarns. I hope I’ve succeeded. I did have plans for what I called “the traveling books”—Bannon & Clare in America, in Russia, in India during the Raj—but alas, those are not to be.

Yet.

So I hope you enjoy The Ripper Affair—and I hope my madness, so to speak, is consistent.

THE RIPPER AFFAIR (US | UK | AUS)  is available now! Look for it online and in stores everywhere, and check this sample from the audio book read by Moira Quirk.

First Looks: Spring/Summer 2014 US Covers

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Another summer has come and gone, and here at Orbit, we’re already hard at work on next year’s exciting line-up! Here are some of the jackets we have ready so far with more to follow over the next few months.

Click on the images below to see a larger version and appreciate each cover in its full glory.  Pin, tweet, and comment away with reckless abandon. Let us know which books have already piqued your interest!

Martin_ReignofAsh-TP   œF�   Dalglish_ADanceOfShadows_TP  Carey_GirlWithAllTheGifts-HC   Corey_CibolaBurn_HC   Sapkowski_BaptismofFire-TP   Miller_PathToPower_HC   Irvine_Justice-TP   Weeks-BrokenEye-HC   Saintcrow_RipperAffair-TP   Wells_CursedMoon-TP   Jemisin_FifthSeason-TP   Abraham_WidowsHouse_TP

Art Credits: Reign of Ash: Illustration by Larry Rostant; Heaven’s Queen: Design by Kirk Benshoff; Dance of Shadows: Photo Illustration by Gene Mollica & Michael Frost, Design by Kirk Benshoff; The Girl With All The Gifts: Design by Duncan Spilling; Cibola Burn: Illustration by Daniel Dociu, Design by Kirk Benshoff; Baptism of Fire: Illustration by BARTŁOMIEJ GAWEŁ, PAWEŁ MIELNICZUK, MARCIN BŁASZCZAK, ARKADIUSZ MATYSZEWSKI,MARIAN CHOMIAK , Design by Lauren Panepinto; Path to Power: Illustration by Raphael Lacoste, Design by Kirk Benshoff; Justice: Design by Wendy Chan; Broken Eye: Photo by Shirley Green, Illustration by Silas Manhood, Design by Lauren Panepinto; The Ripper Affair: Photo by Shirley Green, Illustration by Craig White, Design by Lauren Panepinto; Cursed Moon: Photo by Shirley Green, Illustration by Don Sipley, Design by Lauren Panepinto; The Fifth Season: Design by Lauren Panepinto; The Widow’s House: Design by Kirk Benshoff

Cover Preview UK: Spring – Summer 2014

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As Summer comes to an end, here at Orbit we’re already looking forward to the amazing selection of books that next Spring brings. We’re very  pleased to present a selection of covers for some of our exciting releases in the first half of 2014. It promises to be a very good year.

Click on each of the covers to see a larger version, and let us know your favourites.

9780356502731

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Book cover for the First Fifteen Lives of Harry August by Claire North

Weeks-BrokenEye-HC

justice_ian_irvine

The Lascar's Dagger

Dalglish_ADanceOfShadows_TP

The Ripper Affair

9781841499161

Corey_CibolaBurn_HC

9780356502373

Cursed Moon

Abraham_WidowsHouse_TP

DESCENT-ken-macleod

Art Credits: Reign of Ash: Illustration by Larry Rostant; Heaven’s Queen: Design by Kirk Benshoff; Dance of Shadows: Photo Illustration by Gene Mollica & Michael Frost, Design by Kirk Benshoff; The Girl With All The Gifts: Design by Duncan Spilling; Cibola Burn: Illustration by Daniel Dociu, Design by Kirk Benshoff; Path to Power: Illustration by Raphael Lacoste, Design by Kirk Benshoff; Justice: Design by Wendy Chan; Broken Eye: Photo by Shirley Green, Illustration by Silas Manhood, Design by Lauren Panepinto; The Ripper Affair: Photo by Shirley Green, Illustration by Craig White, Design by Lauren Panepinto; Cursed Moon: Photo by Shirley Green, Illustration by Don Sipley, Design by Lauren Panepinto; The Fifth Season: Design by Lauren Panepinto; The Widow’s House: Design by Kirk Benshoff