Cover Launch: PARASITE by Mira Grant
Check out the cover of Mira Grant’s chilling new novel PARASITE and pre-order your copy today from your favorite retailer! PARASITE releases this November.
Posts Tagged ‘science fiction’
Emperor Mollusk Versus The Sinister Brain: Now in Paperback!
Intergalactic Menace. Destroyer of Worlds. Conqueror of Other Worlds. Mad Genius. Ex-Warlord of Earth. That’s our Emperor Mollusk for you.
Unfortunately, retirement is not all it’s cracked up to be, and it’s not just the boredom When one has spent as much time as he has conquering systems, you make a lot of enemies. Venusians, mutant insects, evil clones – there is no rest for the retired. At least this time, it’s a challenge worthy of the galaxy’s most infamous super-villain. EMPEROR MOLLUSK VERSUS THE SINISTER BRAIN (US | UK | AUS) will be out in paperback this month. It’s a wild-and-wacky adventure through an unbelievably fun future Earth rebuilt according to the will of its squishy Overlord. Check out the first chapter below!
Chapter One
There’s no sound in space, but my saucer cannons simulated a shriek with every blast. A swoosh followed every barrel roll. And when my autogunner scored a hit, a sophisticated program supplied the appropriate level of response, ranging from a simple ping to a full-fledged explosion. I could have programmed it to provide an explosion every time, but that would’ve cheapened the experience.
The atmosphere burst with color as the cannons belched their staccato rhythm. My ship blasted the enemy fighters to scrap, but an impressive fleet stood between my target and me. The shields were holding, but I had only a few moments before I was disabled.
I’d gone over my exo options before mission. Neptunons might have been the smartest race in the galaxy, but outside of our exoskeletons, we couldn’t do much more than flop around. We could drag ourselves across the floor, a means of mobility both embarrassing and ineffective. Our brains had grown too fast, and we just hadn’t possessed the patience to wait around for nature to bestow what we could give ourselves. Over the centuries, we’d only grown smarter and squishier.
Announcing THE PETROVITCH TRILOGY, now an eBook Omnibus!
The Philip K. Dick award-winning series, THE PETROVITCH TRILOGY (UK | US) by Simon Morden is about to be released as an ebook omnibus for the first time.
This is ahead of the release of brand new title from Simon called THE CURVE OF THE EARTH (UK | US | ANZ) – also coming in March.
All these novels star Russian émigré and super-genius Samuil Petrovitch, whose incredibly low tolerance for fools and penchant for getting on the wrong side of pretty much everyone makes him the most unlikely hero the world has ever seen.
Or what’s left of the world, anyway.
See, there’s the small issue of the apocalypse. London as we know it has suffered an Armageddon . . . but hey! Life still goes on right?
If you’re entering the Metrozone for the first time, we’ve put together a handy guide to its genesis, and what sort of things you might expect to find there . . . (more…)
Ian Tregillis in conversation with Charlie Stross on The Laundry Files
This week sees the release of THE COLDEST WAR (UK | ANZ) , the second novel in Ian Tregillis’s landmark series, the Milkweed Triptych. The trilogy began with BITTER SEEDS (UK | ANZ) and concludes with the forthcoming NECESSARY EVIL (UK | ANZ).
These novels feature a secret history of Twentieth Century conflicts in which scientifically-enhanced superhumans and dark magic collide. The result is described by Fantasy Faction as ‘oh-so compelling, fascinating and frighteningly convincing’ and by Cory Doctorow as, ‘some of the best – and most exciting – alternate history I’ve read. Bravo.’
It’s possible to draw a few parallels between the themes in the Milkweed novels and Charles Stross’s highly popular Laundry Files (including the recent THE APOCALYPSE CODEX – UK | ANZ) – a series of science fiction spy thrillers featuring Bob Howard, once an IT geek, now a field agent working for a British government agency dealing with occult threats. They’re what SFX calls ‘beautifully handled, believable and well envisioned – a highly enjoyable bit of spy-fi.’
For that reason we were really interested to hear these two exceptionally clever Orbit authors in conversation about their series. The results are below!
Ian: In an afterword to THE ATROCITY ARCHIVES (“Inside the Fear Factory”) you mention that while writing the first Laundry novel you were advised to avoid Tim Powers’s novel DECLARE. And that later you were made aware of the Delta Green supplement to The Call of Cthulhu RPG, which again resides in a similar neighborhood.
(After BITTER SEEDS debuted, people assumed I had been influenced by DECLARE, Delta Green, *and* the Laundry novels! But, like you with DECLARE, I wanted to avoid cross-contamination. So I didn’t dive into THE ATROCITY ARCHIVES until after I turned in THE COLDEST WAR, at which point I was 2/3 through the Milkweed trilogy and the story was on a ballistic trajectory.)
But of course even Powers wasn’t the first to marry espionage and the occult – Dennis Wheatley’s novel THEY USED DARK FORCES first appeared in 1964, and Katherine Kurtz‘s LAMMAS NIGHT was published in 1983, as just two examples.
In the above-mentioned afterword, you make a strong case for why it’s natural to blend horror, the occult, and espionage. So is this an idea that’s continually bubbling into the aether to be rediscovered by other writers? Or have we reached the point where we’re having a conversation within an actual subgenre?
Charlie: It is indeed an actual subgenre! Or maybe a sub-subgenre: a corner of that section of urban fantasy that is preoccupied with the interaction between agents of the state and the occult. (more…)
Read a sample from AMERICAN ELSEWHERE
Art first glance Wink, New Mexico is a seemingly normal town except that you won’t’ find it on any map. You see Wink should not exist, but that is not the strangest thing you’ll find there when you crack open AMERICAN ELSEWHERE (US | UK | AUS) – the latest novel from Edgar Award winning author Robert JacksonBennett.
Check out Publishers Weekly starred review and read the first chapter of this riveting novel.
“Bennett (The Troupe) gives the idealized image of the American dream a pan-dimensional twist with this alien invasion tale, part Bradbury and part L’Engle with a dash of Edward Scissorhands…Through sharp empathetic detail, the horrific becomes both achingly poignant and comic; a wholesome diner where no one can ever order just one piece of pie shares space with a harsh alien landscape where a quivering blue imp cowers in terror while pleading for his life. Readers will be captivated from start to finish.” – Publishers Weekly (starred review)
Chapter One
Even though it is a fairly cool night, Norris is sweating abundantly. The sweat leaks out of his temples and the top of his skull and runs down his cheeks to pool around his collarbones. He feels little trickles weaving down his arms to soak into the elbows and wrists of his shirt. The entire car now has a saline reek, like a locker room.
Norris is sitting in the driver’s seat with the car running, and for the past twenty minutes he’s been debating whether leaving the car running was a good idea or not. He’s made several mental charts of pros and cons and probabilities, and overall he thinks it was a good idea: the odds that someone will notice the sound of a car idling on this neighborhood lane, and check it out and sense something suspicious, feel fairly low; whereas the odds of him fumbling with the ignition or the clutch if he needs to start the car quickly seem very, very high right now. He is so convinced of his own impending clumsiness that he hasn’t even dared to take his hands off the steering wheel. He is gripping it so hard and his palms are so sweaty that he doesn’t know if he could remove them if he tried. Suction, he thinks. I’m stuck here forever, no matter who notices what.
He’s not sure why he’s so worried about being noticed. No one lives in the neighboring houses. Though it is not posted anywhere—in any visual manner, that is—this part of town is not open to the public. There is only one resident on this street.
Norris leans forward in his seat to reexamine the house. He is parked right before its front walk. Behind the car is a small, neat gravel driveway that breaks off from the paved road and curves down the slope to a massive garage. The house itself is very, very big, but its size is mostly hidden behind the Englemann spruces; one can make out only hints of pristine white wooden siding, sprawling lantana, perfectly draped windows, and clean red-brick walls. And there, at the end of the front walk, is a modest, inviting front door with a coat of bright red paint and a cheery bronze handle.
It is a flawless house, really, a dream house. It is a dream house not only in the sense that anyone would dream of living there; rather, it is so perfect that a house like this could exist only in a dream.
Petrovitch is back! Presenting THE CURVE OF THE EARTH
Coming up in March is something we’ve all been waiting for: a new novel in the mind-blowing Philip K. Dick Award-winning Samuil Petrovitch series by Simon Morden.
THE CURVE OF THE EARTH (UK | US | ANZ) is a pure hit of adrenaline-filled science fiction goodness. It features everyone’s favourite foul-mouthed, bad-tempered, cybernetically-enhanced, AI-implanted, sociopathic, mad Russian genius Samuil Petrovitch.
This novel is a great place for anyone new to the Petrovitch novels to start. If you’re a fan of the likes of Richard Morgan and his classic novel Altered Carbon (another Philip K. Dick Award winner) then this is certainly for you.
THE CURVE OF THE EARTH is set 10 years after the previous three Petrovitch books ended (EQUATIONS OF LIFE, THEORIES OF FLIGHT and DEGREES OF FREEDOM) and features more high-octane action in the gritty world of the Metrozone – a dangerous post-apocalyptic London full of crooked cops, mad cults and gun-toting nuns.
This story will again see Petrovitch come head-to-head with those people he just loves to hate: Reconstructionist America. But this time he’s on a trip to the frozen slopes of North Alaska to find out what’s happened to his adopted daughter Lucy…
See the blurb below and Prepare to be Petrovitched. (more…)
EXILES, Uplift and a message to any lurking aliens out there
Today Orbit UK is proud to release EXILES (UK | ANZ), an omnibus edition of the critically acclaimed science fiction trilogy, the Uplift Storm series by David Brin. It contains BRIGHTNESS REEF, INFINITY’S SHORE and HEAVEN’S REACH.
These novels, like all books in the multi-award winning Uplift universe, revolve around the theme of biological “uplift” – which is where one species genetically enhances another species to make it sentient.
The intergalactic civilisation called the Five Galaxies is made up of a multitude of sentient races, with each species having its own “patron” race, responsible for uplifting it. But it’s a mystery why humanity seems to be the only species in the universe that hasn’t been uplifted by another patron race . . .
This theme seems to reflect many fundamental questions we have about our own existence. Why do we appear to be alone in the universe as the only form of intelligent life? And if there are other intelligent life forms out there – how will they view us?
Being an active member of SETI, the organisation which conducts scientific research on life in the universe, David Brin is very qualified to talk on this subject. I thought Orbit readers might be interested to read David Brin’s recent post “An Open letter to Alien Lurkers”. It’s his plea to intelligent alien life forms to make sure they don’t get the wrong end of the stick about us humans. To paraphrase a few of the messages within this great piece:
—> If you’ve been monitoring humans’ TV, radio and internet for years now – please be reassured: we’re not all THAT crazy, violent or extreme. Our fiction exaggerates our actions, and our news just covers the bad stuff. But most of us are actually quite relaxed, stable, peaceful beings.
—> If you’re seeing us as dangerous competitors – please don’t. The more civilised we get, the more we realise that competition and cooperation aren’t mutually exclusive. We might be able to add something to the galactic community – and a little bit of competition is always healthy. So please can we talk about it before you either overlook us or blow us to smithereens?
—> If the reason you haven’t contacted us yet is because you’re waiting for us to reach some milestone level of cilivisation, then please could you give us a helping hand with this? We’re very keen to learn!
Trust me, it’s very worth checking this brilliant piece out.
EXILES (UK | ANZ) is the final in a number of beautiful reissues we’ve produced for some of David’s most prestigious and best-known titles, to celebrate the release of his recent masterpiece EXISTENCE (UK | ANZ). All of these books can be seen below in their full glory.
HITCHERS by Will McIntosh – be careful who you give a ride to . . .
This month Orbit UK digitally released two titles from an award-winning author. I can honestly say that these two novels have affected me so deeply, stayed with me so long, that I just want everyone to read them. EVERYONE. So it’s just darn lucky I work in publishing, meaning I can actually help bring these books to you . . . (And yes, this is the best job in the world).
The Hugo Award-winning Will McIntosh has already talked about his debut science fiction novel SOFT APOCALYPSE here, so today I wanted to focus on his other title released this month – HITCHERS.
HITCHERS is a hard book to define. Part horror story, part contemporary supernatural tale, part post-apocalyptic adventure, part touching tale of grief and redemption. But ALL compulsively readable. Chilling, amusing, sad, creepy, gripping, and deeply, deeply affecting.
To start with, the book has just about my favourite prologue ever. Read it here, and see a brief excerpt below:
“You don’t think she’ll get fired, do you?” Lorena had asked drowsily as we drifted. “I didn’t mean to get her in trouble, even though she was incredibly rude to me.” She was still ruminating about the argument she’d had with our waitress at the Blue Boy Diner. I was ruminating about the argument I’d had with my grandfather that morning, which had far greater implications for our future.
What I didn’t know at the time was that we had no future. We had about twenty-five minutes.
Someone is about to die . . . and this opening sets up one of the most fantastically-crafted and creepy tales you’ll read. In fact, in not too long, a terrorist attack is about to wipe out half the population of Finn Darby’s home city.
With all this destruction around, it’s expected that everyone would be pretty upset. But what isn’t expected is the mass phenomenon that starts to occur after the attack. People start to blurt out voices beyond their control. They appear to be taken over by a sinister unknown force, and can do very little about it. What’s so disturbing is that these voices sound freakishly similar to the voices of the recently deceased, that somehow the dead seem to be “hitching” onto the living . . .
If I say much more then I’ll be giving away too much, but what I really want to get across is how addictive this book is, how intelligent and multi-layered the writing, how intriguingly unsettling Will McIntosh’s view of the afterlife, how heart-wrenchingly attached you’ll become to his characters.
***
So the moral of the story is – you need to read this (and that’s not even with my publishing hat on).
You also need to look out for LOVE MINUS EIGHTY, which will be a big worldwide release from Orbit next summer.
And you also need to put pressure on Film4 to make sure that they actually make a film out of the rights they optioned for ‘Bridesicle’, the Hugo award-winning short story that LOVE MINUS EIGHTY is based on, because it would make the best, most wonderfully weird, chilling and entertaining movie ever.
Get mobilised people – let’s make this happen.
The Uplift Omnibus – making monkeys smarter . . .
This week we’ve released UPLIFT (UK | ANZ), an omnibus edition of the first three award-winning Uplift books. It’s one of the most highly regarded classic science fiction series ever written. And it’s no surprise – because I can’t help but seeing signs everywhere that David Brin seems to get things so very right . . .
In the Uplift universe, humans have the technology to enhance the intelligence of other species – such as dolphins and apes – and they have raised these animals to our own level of consciousness. In fact, in these books no species has ever reached a level of sentience without being genetically “uplifted” by another race. But humans are the only ones who have seemingly never been helped out in this way . . .
This book raises some very interesting questions. Why does humanity seem to be the only species on Earth to have broken through what you might call a “glass ceiling” of sentience? What makes us so different to all the other species? And if we could genetically “uplift” other species – should we?
This question is much more pertinent now than you might think.
Recently, as reported by the New York Times, scientists have been experimenting with increasing the intelligence of monkeys by using brain implants. Granted, the research is aimed at helping people who’ve had their brain damaged through dementia, strokes or injury – rather than trying to help out the little furry dude involved. And for the moment, it’s just a case of the monkey being able to match up some objects and pictures a little better than usual – rather than hold a conversation about the meaning of life and the universe.
But the question arises – how long will it be until we really can raise an animal’s intelligence level to that of a human being?
Perhaps not that long, according to an article from the University of Edinburgh. It claims that a new gene has been discovered that might have played a crucial role in our development towards using tools and language. This gene is unique to humans, and seems to have developed after we evolved from apes. What’s more – it seems to have come from nowhere. It emerged fully-formed, over an incredibly brief period of time, from DNA thought to be “non-coding”, or else termed “junk DNA”. (David Brin asks, of course – might it have been “donated”?)
The very isolation of this gene, which brings us a step closer towards working out what makes us human, could also bring us closer to being able to artificially create it within other species. And if we can do this – what might these new, more intelligent animals be like? And what could we learn about the world and our place within it? But what risks might we also take by doing so? Planet of the Apes, anyone?
If this question interests you as much as it does me, check out David Brin’s Hugo, Locus and Nebula award-winning UPLIFT (UK | ANZ), an omnibus containing SUNDIVER, STARTIDE RISING and THE UPLIFT WAR – out now.
And don’t forget that in January we’ll also be releasing EXILES (UK | ANZ), an omnibus containing the three Uplift Storm novels BRIGHTNESS REEF, INFINITY’S SHORE and HEAVEN’S REACH.
And if you’re really keen, check out this awesome Uplift merchandise. A great Christmas present for a nerd near you!
Creating a good protagonist, and why James Bond is a permanent teenager . . .
Chris Bunch and Allan Cole wrote the Sten Chronicles – one of the truly classic military science fiction series. As of this week, you can now buy the entire series (that’s eight books!) in these three gorgeous Orbit omnibus editions in print and ebook – that’s BATTLECRY (UK|ANZ), JUGGERNAUT (UK|ANZ) and DEATH MATCH (UK|ANZ).
Read on to find out in Allan’s words how he and Chris created the eponymous Sten, and to find out a bit more about how to come up with a multi-book protagonist of your own.
Chris Bunch and I went about breaking into book-world with the same fervor that we attacked Hollywood. Young and dumb as we were, we thought we could conjure up the key to literary success that has eluded countless wannabe writers, past, present and future.
The first thing, we decided, was that if we came up with a series – instead of a standalone novel – there was more of a chance that all the books would remain in print. A little bit true at the time, but mostly wishful thinking these days.
Then we looked at the genre markets. Westerns? We dearly loved Westerns. But in those days – both in books and the movies – the Oater, as they called it, was done. Westerns just weren’t selling.
Detectives, then? We were ardent fans of Chandler and Hammett – all the hard boiled guys. Again, at the time mysteries and detective stories had a limited, if passionate, audience. A flurry of rack sales, then the local library, where the sale of one book serves a legion of readers, but does not impress your banker one damn bit.
We finally settled on Science Fiction – fantasy was still waiting for Terry Brooks to break that genre out of the doldrums. Plus we had been ardent science fiction readers since childhood.
Next, we examined the nature of book series. In our opinion, there was a tendency for writers to grow to despise their main characters after a few books.
Sir Arthur came to hate Holmes so much that he killed him. The storm over that literary assassination eventually led to Holmes’ miraculous revival. Agatha Christie loathed Poirot, but wisely let him live. Ian Fleming killed James Bond in FROM RUSSIA WITH LOVE, only to resurrect 007 in DR. NO to appease his publishers and fans. And so on. There are countless examples. (more…)