Posts Tagged ‘science fiction’

New Short Fiction: GODS OF RISK

One of the unexpected and, I think, very good things that the rise of ebooks has done is haul the novella back out of the shadows.  When I started writing, the common wisdom went that novella-length work, that is stories between 17,500 and 40,000 words, was the sweet spot to write if you wanted awards because so few got published.  If there are only fifteen stories written in your category in a single year, it’s not that hard to get in the top five.  Or at least that was the theory.

That day, I’m pleased to report, has passed.

It was never the novella’s fault.  It’s actually the length that is best suited to the modern reader and to science fiction.  It’s got about as much room for plot as a two-hour movie.  There’s enough room to really go into an idea or set of ideas, and not so much room that it threatens to get dull.  I love novellas.  But once the golden age of the Ace double passed, they were a pain in the ass to publish.

For a magazine, printing a novella meant there wasn’t room for much else in a given month.  And that meant there were fewer authors’ names to put on the cover.  And that meant there were fewer sales of the magazine, so novellas were pretty much a non-starter.  For a book publisher, a novella is too small to charge full price for, even though the costs of setting up a production run aren’t that much less.  The wise choice, especially among the mass-market publishers, was to print something a little bit longer that you could charge full price for.

But then ebooks came and when we signed the contracts for the second run of Expanse books, part of it was a call for five novellas set in the same world.  I was delighted.  We’d written a short story before – The Butcher of Anderson Station – but it was done with print markets in mind.  To have the luxury of a full novella’s length was great.  We got to tell the stories that didn’t quite fit in the big epic-sized books, we didn’t have to try to compress the stories into the constraints of magazine wordcounts, and there would be a new James SA Corey story out that was big enough to satisfy folks between the major novels.

The only down side is that there’s not an easy category for awards anymore.

Small price to pay, I think.

…

GODS OF RISK , a new story of The Expanse, by James S.A. Corey is available now in the US. Corey’s space operas have traveled the far reaches of our solar system, and now turns their attention to our neighbor, Mars. Visit the Orbit Short Fiction today to find out where you can pick up this new fantastic novella.

This is BEDLAM

Feast your eyes on this cover for Christopher Brookmyre’s amazing SF novel – BEDLAM! (UK|ANZ) Cover design by Mark Swan and Nico Taylor.

The cover of BEDLAM shows a man falling into a vortex

Would it be your ultimate fantasy to enter the world of a video game? A realm where you can fly space-ships, shoot zombies and slay dragons, yet all of it feels completely real.
Or would it be your worst nightmare? Stuck in an endless state of war and chaos where the pain feels real and from which not even death can offer an escape . . .
This is where you find out if you’re in a prison or a playground.
This is BEDLAM.

Coming February 2013.

“Like the best Science Fiction books, Bedlam utilises an alternative reality to pose deep philosophical questions about the human condition. Like the best Christopher Brookmyre books it also has funny jokes, characters you can empathise with and devastatingly employed swear words . . .” – comedian Ed Byrne

http://www.brookmyre.co.uk/

DNA, climate change and free drinks . . . Ken MacLeod on the hidden life of an SF writer

There’s more to being a writer than writing (and reading and research and self-promotion and whatever that leaves over for, you know, life).

There’s also all the other jobs that being a writer qualifies you for, such as reviewing books and teaching creative writing. Being a science fiction writer gives you expertise on all that and on science, technology, and the future.

If that’s what people think, who am I to tell them otherwise?

Actually, most of the time I can hold my head up – though do hold my hands up about one or two occasions when I’ve been asked for a media comment on some scientific breakthrough about which I know next to nothing. (‘So, Ken, what do faster-than-light neutrinos mean for the Scottish off-shore wind-farm industry?’)

One area where I’m fairly sure I’ve delivered the goods is in public engagement with science. Some time ago one of my former tutors at Glasgow University asked me to give a guest lecture on SF and the public understanding of science, and invited me back to give the same lecture several years in a row. I’ve since delivered variants of the lecture in far too many venues. When it achieved peer-reviewed publication in the SF studies journal Extrapolation, its work on this planet was done.

In 2009 I was one of two writers in residence at the ESRC Genomics Policy and Research Forum, based at Edinburgh University. Part of a network of research institutions set up to look at the social aspects of the new life sciences and their associated technologies and industries, the Forum specialises in connecting social science research to policy-makers, the media, and civil society. It’s sponsored numerous events at the Edinburgh Book Festival, and supported creative residencies – last year it was a playwright, this year it’s a photographer and a documentary film-maker. In 2009 it was me and Pippa Goldschmidt – a terrific new writer (look out for her forthcoming novel, Wider Than the Sky) and former astronomer who as a civil servant once held the official job title ‘Controller of Outer Space’. Together, we fought crime…

Two of our initiatives I’m particularly proud of are: The Human Genre Project, a website of poems and short stories inspired by genomics; and The Social Sessions, a series of public events that included Ian Rankin and Lyn Anderson talking about crime and DNA, science journalists and social scientists discussing ‘Climategate’, and poets on science as an inspiration for poetry. The sessions came out of a wild notion that Scottish writers and journalists could be lured to relaxed, open-ended, informal discussions that offered free wine. ‘Hmm … it’s a crazy idea, but it might just work!’

Working with social scientists taught me a great deal, such as not to say ‘Social scientists and, uh, actual scientists …’

Especially not in conversations with social scientists.

Some of what I learned – and a lot I made up – is in my novel Intrusion. Along the way I also did some work with science communications people, which (via yet another outing for my SF-and-science lecture) got me an unexpected but welcome commission: to write what may be my most widely-read work to date: the script for an online informational comic about stem cell medicine, Hope Beyond Hype.

After the Edinburgh launch event for Intrusion at Pulp Fiction back in April, I was told a big secret, which I found hard to keep (but did). A few days ago it was officially out in the open: I’ve been appointed Writer in Residence at Edinburgh Napier University, with the job of mentoring students on the MA in Creative Writing course.

My immediate predecessor in this post was the great Dr Who writer Rob Shearman. The course leaders Sam Kelly and David Bishop know all there is to know about SF and about the ways of SF writers. It’s a wonderful opportunity and terrifying responsibility, and I’m looking forward to it.

Cover launch! EXISTENCE and the new-look David Brins

EXISTENCE, a science fiction novel from the award-winning David Brin, admired by Stephen Baxter

This November, we’re releasing the paperback edition of David Brin’s science fiction masterpiece EXISTENCE (UK | ANZ). It’s his first novel to be released in ten years, and he’s truly returned in triumphant form.

It’s a breathtaking novel about First Contact – one that asks ‘why are we alone?’ and ‘are all civilisations doomed to fail?’ And it does it in spectacular, imaginative, mind-boggling, heart-thumping style.

See the paperback cover to the left and just a few of the reviews this unmissable book has been receiving:

‘Cleverly argued and uncomfortably plausible’ SUNDAY TELEGRAPH

‘A masterpiece of rock-hard SF’ SUN

‘Brin tackles a plethora of cutting-edge concepts…with the skill of a visionary futurologist’ GUARDIAN

‘Bursting with ideas, including near-future tech, first contact with aliens, and the exploration of what it means to be human’ i09.com

‘Existence is my top SF novel of 2012 and I recommend it without hesitation’ SFFWORLD.COM

But it’s not just EXISTENCE that we’re releasing this winter. We’re also giving a makeover to some of David Brin’s most classic titles. See the new-look covers below in all their glory…

New-look covers for David Brin's classic science fiction titles EARTH, POSTMAN, the UPLIFT trilogy and the second Uplifgt triology, called EXILES

See more info about each title below! (more…)

CHIMERA: the final installment of The Subterrene War

CHIMERA (US | UK | AUS), the concluding volume of the Subterrene War series is available now!

As with GERMLINE (US | UK | AUS) and EXOGENE (US |UK | AUS), CHIMERA follows a different combatant into the dark underbelly of the warfront. Escaped Germline soldiers need to be disposed of quickly, and Stan Resnick is just the man for that job.

Back in June, T.C. McCarthy first introduced us to Stan Resnick saying,

“If Germline and Exogene are character studies about a man who can’t handle war and a girl who rejects it, respectively, then Chimera is a study of someone for whom war is a natural habitat: Stan Resnick. I’ve seen this. These types of soldiers exist — ones who genuinely thrive in settings that would make most of us want to huddle under a rock and stay there until everything dies down.”

You can read the entire article here and find out how his short story, SUNSHINE, connects to the secrets that are revealed in CHIMERA.

Pick up CHIMERA today or start elsewhere in this rich and complex setting featuring a futuristic world at war.  There are many ways to immerse yourself in The Subterrene War series, including short fiction and video.

 “The highly detailed, brutal depiction of futuristic warfare brilliantly complements the intimate narrative, which examines the insanity of war and those personally affected by it. Breathtaking and heartrending, this is the future of military science fiction.”  – Publishers Weekly, starred review

Job Opportunity: Laundry Field Agent. Do You Have What It Takes?

You: you’re a civil servant, working in an administrative or support role, within SOE X Division, commonly known as the Laundry. You have signed the Official Secrets Act. You know the score. You know that when you carry out certain computation operations, it has echoes in the Platonic realm of pure mathematics – echoes audible to beings from other universes, who can be bound to act at our command. Magic is a branch of applied mathematics, and there are agents out there working ceaselessly to protect the realm from esoteric alien threats. You aren’t one of them – yet.

You believe you can contribute more to the organisation by taking a proactive role. You’re a dynamic self-starter and a team player, flexible and able to plan and execute on your feet while remaining within official guidelines. And you want to get out from behind your desk.

Do you have what it takes to handle an active service assignment?

We’re looking for the next Laundry field agent to assist our rising star employee, Bob Howard. Bob has seen service. He’s dealt with nameless horrors you could only dream of, and with only limited . . . mishaps.

Starting today, we will be releasing clues that will allow you access to the Laundry Vault.
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James S. A. Corey’s CALIBAN’S WAR is out!

Please stand by for a tightbeam from Orbit Books:

For anyone who enjoyed last year’s Hugo-nominated barnburner LEVIATHAN WAKES  (US | UK | AUS) the next book in the Expanse series is a must-read.

Earth and Mars are rattling sabers following a grisly attack on the asteroid colony Ganymede, and heroes familiar and new are drawn into the fray. This reader would happily follow Captain James Holden and the crew of the Rocinante to the ends of the solar system, and may yet. But some new faces have joined the cast, including Bobbie Draper, gunnery sergeant in the Martian Marines (and her beyond-deadly combat suit), and Chrisjen Aravasala, an Earth politician as grandmotherly as she is shrewd, sharp-tongued, and determined to keep UN forces and Mars from all-out war.

CALIBAN’S WAR (US | UK | AUS) keeps up the faster-than-light pace set by LEVIATHAN WAKES, and raises the stakes, putting the fate of the entire solar system (and one missing little girl) in the balance. Says Kirkus Reviews: “Topnotch space opera … The characters, many familiar from before, grow as the story expands; tension mounts, action explodes and pages turn relentlessly.”

More Stories:

Trailer for EXISTENCE by David Brin

Released today is EXISTENCE (UK | ANZ) – the phenomenal new science fiction novel from the multi-award winning David Brin. A book that io9 said will “make you think about the future in a whole new way.”

Truly a tour-de-force of storytelling, it’s his first novel to be released in ten years, and in the words of the Guardian: ‘It’s been well worth the wait’.

To mark this fantastic event we have released a first edition of the book with a limited-edition 3D cover. Watch the trailer below to see what lies ahead . . .

 

Germline and Beyond: How my Short Fiction Links to the Subterrene Novels

Caution: this isn’t a blog post about fiction as much as it’s a post about a weirdo. Me. Because you’d have to be weird to (a) hammer out three books in 1.5 years, (b) write one that wins a major genre award, and (c) figure it would also be easy to also generate a short story and two novelettes to compliment the books’ universe. But that’s exactly what I did. Why? Because people fascinate me in the number of ways they can be ridiculous and murderous, and sometimes I wonder: where will war take us in the future and will people ever change?

Germline, my first book and winner of the Compton Crook Award, is a gonzo-like account of futuristic front lines — the way an outsider sees things, someone not indoctrinated to the military lifestyle and who feels like a teenage outsider going in, an adult alien coming out. But where Germline is a coming of age story, Exogene is something different. Truth be told: I don’t know what it is. Exogene goes deep into the mind of the artificial, a manufactured human-like creature whose path to existence includes brutality too bizarre to be fiction. Some readers dig it. Wildly. Others can’t relate, and that’s just fine. The characters are strong women who find it difficult to tolerate incompetence or cowardice. Looking back, the main character, Catherine, took over the story and I had to follow her lead, a mind that dragged me in some strange directions. I was listening to a lot of The Distillers and Spinerette at the time so Brody Dalle may have seeped in through the cracks.

Then there’s Chimera. If Germline and Exogene are character studies about a man who can’t handle war and a girl who rejects it, respectively, then Chimera is a study of someone for whom war is a natural habitat: Stan Resnick. I’ve seen this. These types of soldiers exist — ones who genuinely thrive in settings that would make most of us want to huddle under a rock and stay there until everything dies down. And by the time writing began for Chimera, a few silly comments regarding Germline came in, comments suggesting it was an Apocalypse Now or Full Metal Jacket derivative (because anything that features a reporter from Stars and Stripes has to be channeling Full Metal Jacket, right?). Neither movie entered my thoughts in writing Germline. But to poke a finger in the eyes of these critics, I watched Apocalypse Now — over and over and over — and decided Chimera would address the enigma of Richard Colby.

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First contact with alien life . . . how will the world react?

David Brin's new science fiction novel EXISTENCE, about first contact with alien lifeDavid Brin’s upcoming science fiction novel EXISTENCE (UK |ANZ) centres around the discovery of an alien artifact floating high in Earth’s Orbit. It also boldly suggests that our continued existence was never a given. So we wanted to ask, what could First Contact mean for mankind? Are we on a tipping point? Read on for a collection of short excerpts from the book – and see this instance of First Contact from multiple angles . . .

In all of human history, only a few cultures ever managed to guide themselves across such a transition after making contact with superior outsiders, without first passing through long generations of intimidation and victimhood. Or tearing themselves apart . . .

 THE MOMENT OF DISCOVERY

Gerald Livingstone is a galactic garbage trawler, clearing up the residue of mankind’s now long-forgotten forays into the galaxy. The strangely alien artifact he stumbles across calls to him subliminally . . .

Could this really be a messenger from some alien civilization?

Bare fingertips hovered over the translucent surface, causing ripples to flow, as if preparing to meet him at the point of contact. Whatever lay within . . . it somehow knew. It sensed the nearness of living flesh.

What if it really is alien? And dangerous?

He couldn’t help suddenly imagining the oblong ovoid — gripped between his thighs — as something out of science fiction. A cuckoo’s egg. Perhaps a Trojan Horse. “Contamination” could work both ways. Might it be a terrible mistake to touch the thing? (more…)