Last week I mentioned the diversity of heavily armed societies a reader might expect to find in a High Epic tale like THE GATHERING OF THE LOST (UK|ANZ) – which got me thinking about the importance of conflict to epic fantasy generally, and about the specific conflicts in the Wall of Night series’ world of Haarth.
The Importance of Large-Scale Conflict In Epic Fantasy
Something I’ve discussed before in relation to epic fantasy – particularly in my Big Idea post for THE HEIR OF NIGHT (UK|ANZ) – is the way in which classic epic stories speak to our human condition through juxtaposing the internal conflicts of the protagonists with the external conflicts in which they are engaged. Nations and worlds are often at stake; at the very least major paradigm shifts and world-altering events provide a way of exploring more personal struggles and human cost.
The conflicts that characterize the Wall of Night series honour that epic tradition. (more…)